By analysing Still the water (2014), Radiance (2017) and True Mothers (2020) by Naomi Kawase this essay will look at her work to see how she portrays the experience of being a woman in relation to her community. Looking into her way of using the camera by applying the theory of haptic visuality allows the spectator to identify themselves in a bodily relationship with the image. By using the camera to closely frame objects of importance for the characters, Kawase leads the spectator to understand the world of the film and enables a more profound understanding of their experience. For the community to be of importance for the women it must be founded in the feeling of security and a confirmation of their feelings. Once secure, the women can express themselves and by that, feminist politics..

The intention is to focus on the implementation of the tablet in preschools and how the intentions around the introduction of the tablet take shape in different preschools. The method is semi structured interviews where the respondents consist of 3 preschool directors and 6 teachers where the preschool directors work. This is a relevant subject to illustrate, as the tablet has become a tool in preschool where it seems to be different opinions about how it should be used. This study aims to understand how the implementation can take form in different preschools, what kind of similarities and differences we can see with the intentions of the tablet and if there is need of clarification on the workings of the tablets in preschools. The results show that the intentions around the introduction of the tablet in preschool look different in the preschools, and the implementation of this new technology starts in a small scale with help of photographing and videotaping.

The topic of homosexuality was until recently a taboo in Russian public discussion, but has during the last years become a hotly debated issue. Analyzing what I call the new homophobic narrative I isolate and examine two ways of ?othering? homosexuals, constructing them as strangers, when sexual minorities are discussed in today´s Russia. Sexual deviants are portrayed as threats to the nation and are connected to the West and its influence. Using analytical tools from queer theory, security studies and postcolonial approaches I discuss different ways of configuring the relation between nation and sexuality, identities that are interwoven in the homophobic narrative.

Kvotering i olika former har blivit en trend inom forskning såväl som effektiv metod för att snabbt öka den kvinnliga representationen, och är något som diskuterats flitigt i svensk media under år 2013. Syftet för denna kandidatuppsats är att utifrån teorier om feminism, genus och makt analysera kvoteringsdiskursen i Sverige. Genom en kvalitativ textanalys undersöks de motstridigheter som finns i mediedebatten kring kvotering och om det finns stöd för lagstiftning eller inte. Resultaten visar att kvotering fortfarande är en omstridd fråga i Sverige eftersom att debatten är stagnerad, de ideologiska grunderna och jämställdhetsperspektiven skiljer sig åt. En ytterligare bidragande faktor är den reproduktion av genusordningen som både motståndare och förespråkare bidrar till.

Central labour market actors have come to an agreement ? Sweden is going to need labour migration. In spite of the agreement the actors disagree upon how the labour migration should be designed. This essay examines how the union organisation, LO presents labour migration in their rapports during the years 2000-2006. This is done through Laclau and Mouffes discourse theory and a merge with postcolonial theory.

In this paper Mona Hatoums installation Corps étranger is discussed via a post structuralized method based on associative and semiotic comparisons with vanitas, a post-modern self-portrait, and as a representative for modern visual art. The analyze touches upon pornography, science fiction and the quest for scientific conquest in outer and inner space. Theoretical references are Foucault, Freud, Lacan, Barthes, Dolar, Said and Virilio. Hatoum makes the observer a voyageur with the aid of the latest medical technology, endoscope, which gives her the opportunity to make an introvert self-portrait when she films her own throat and rectum. But at the same time she makes the portrait of us all.

The conflict over Western Sahara is primarily a conflict over sovereignty, with Morocco on one side claiming territorial rights, and the Polisario Front on the other side claiming popular sovereignty. The conflict has till this day not been resolved and is in a dire need of a solution. In order to determine which solution is the most appropriate, an understanding of all the complex aspects of the conflict is required. In this context, the study aims to examine the conflict in a globalized setting by analyzing how the American news agency AP News portrays the conflict. The US media conglomerate was specifically chosen due to its dominance over international information flows.

Sammanfattning Har kvinnor verkligen samma sexuella behov som män? Den här studien behandlar yrkesverksamma kvinnors föreställningar kring sexualitet. Kvinnorna är i åldern 19-65 år. Syftet med studien är att kartlägga kvinnors föreställningar om sin egen och andra kvinnors sexualitet. Förhållningssättet till kvinnors sexualitet i Sverige har förändrats genom åren.

The purpose of the essay is to examine the views on sexuality that guide the Swedish Migration board and court?s judgments and decisions in asylum cases. The essay investigates seven cases from the Swedish Migration court regarding asylum seekers from seven different countries seeking protection in Sweden due to their sexuality and/or gender identity. By applying discourse analysis, along with the theoretical perspectives of Judith Butler and the postcolonial critique of Chandra Talpade Mohanty, the essay discuss what kind of criteria and/or practice is demanded of the asylum seekers to be rendered as trustworthy. The essay concludes that the asylum seekers are considered untrustworthy by the migration authorities when not acting according to a (hetero)normative sexuality.

The purpose of this study is to examine to what extent the senior level Swedish school can be viewed as supporting, or counteracting, a colonial discourse that legitimizes global and national injustices. The study is executed through a discourse analysis of five textbooks in social science for senior level Swedish schools.Using elements from Foucault and Edward Said a theoretical framework is constructed, in which a colonial discourse is perceived as structured around four clusters of ideas, namely (i) the use of dichotomies, (ii) the concept of progress and civilization, (iii) the construction of -we- as synonymous with (ii), and (iv) the construction of -the others- as the opposite of (ii) and, therefore, the opposite of -us-.The results show that a colonial discourse is still highly present in the textbooks, in that the texts are structured around dichotomies such as tradition/modernity and democracy/dictatorship. Sweden and the Western world are perceived as closely associated with democracy, freedom, and modernity, whereas -the others- of the world are being associated with e.g. poverty, conflict, tradition, and ignorance. -The others- within Sweden, i.e.

Prostitution har varit ett ständigt aktuellt ämne sedan sexköpslagen kom 1999. Vi har velat undersöka vad diskursen fri vilja inom prostitutionsdebatten innebär. Vi har valt ut teman för att kunna analysera hur diskursen fri vilja framkommer i debatten. Vårt syfte är att undersöka vad som inryms i diskursen fri vilja och vilka feministiska ståndpunkter som ger diskursen dess olika innebörder. Vi har genomfört en diskursanalys på tre böcker, utvalda för att representera de olika poler vi anser oss se i debatten.

Uppsatsen behandlar det relativt nya begreppet dokusåpa, med inriktning på kanal 5:s program Big Brother. Bakgrunden till ämnesvalet är att media gärna framställer Big Brother som något dåligt, som ungdomar kan ta efter. Det huvudsakliga syftet med studien är att få en insikt i hur 15-åringar hanterar Big Brother i vardagen. För att angripa ämnet ur ett sociologiskt perspektiv har vi bland annat använt oss av kommunikations-, postmodern och feministisk teori. Uppsatsen bygger på sjutton intervjuer som ger oss en inblick i just de intervjuades relation till Big Brother.

Denna studie är en undersökning av språket kring kön, kropp och kvinnlighet inom samtida svensk gudinnereligiositet, samt en diskussion av förhållandet mellan detta språk och feministiska respektive patriarkala föreställningar och värderingar. Undersökningen bygger på samtal kring symbolen ?Gudinnan? med utövare av gudinnereligiositet. I min studie sätter jag in de analyser som växer fram i samtalen i en större gudinnereligiös och feministisk kontext, samt ställer dem i relation till en nyare, för ämnet relativt oprövad feministisk teori: Donna Haraways poststrukturalistiska, kroppsmaterialistiska feminism.      I studien framkommer det att det gudinnereligiösa språket i hög utsträckning handlar om att benämna sina egna upplevelser, snarare än att uttala sig generellt och objektivt, vilket leder till att en mångfald av perspektiv på Gudinnan, kön, kropp och kvinnlighet framträder parallellt. Samtidigt framkommer dock ett antal perspektiv på Gudinnan, kön, kropp och kvinnlighet som tenderar att bli normativa inom gudinnereligiositeten, vilket till stor del tycks bero på den normativa effekt som skrivet material från traditioner som wicca, new age, jungiansk teori, samt amerikansk feministisk wicca har.

Denna studie erbjuder en litterär analys av gestaltandet av sexualitet i den amerikanske författaren Rymond Carvers novell "So much water so close to home". Analysen lyfter bland annat fram den obligatoriska heterosexualiteten som den teoretiseras av Adrienne Rich och hur manlig kontroll av kvinnans sexualitet inom den heterosexuella institutionen tar sig uttryck i texten.Utöver det undersöks i analysen vilka principer som kan anses ligga bakom konstrueringen av sexualitet i novellen samt hur dessa tar sig uttryck. Den aspekten av analysen tar avstamp i Judith Butlers teori om diskursivt skapade kön och genus samt den heterosexuella matrisen som utgångspunkt för all sexuell åtrå. .

This essay examines the relationships between the different elements in Lisa Jonasson?s collage Existentiell Progg #6 and her very detailed technique. The essay has as its aims to understand and analyze both the details and the wholeness of the artwork and to try to put the collage in an art historical context. The thesis finds that Existentiell Progg #6 has a connection to the imagery of Africa and other collage artist such as Hannah Höch and Nancy Spero, which also gives the paper a perspective of feminism in the arts. The paper continues to create an understanding for the collage work by putting it in to Theodor Adorno?s theories about nature, the human being and the animal kingdom.