Syftet med denna fallstudie var att undersöka studerandes musikskapande. Deras beskrivningar relaterades till den kompositoriska processen. Ett delsyfte var att studera skillnader i detta avseende mellan studerande med olika musikbakgrund. Deltagarna gick en fristående kurs i musikskapande där de komponerade och framförde musik. Med utgångspunkt i löst strukturerade intervjuer, processprotokoll samt inspelade kompositioner sökte jag förståelse för den kompositoriska processen och förutsättningarna för den.

Syftet är att studera instrumentallärares syn på hantering av elevers internalisering av musikaliska uttryck. Det sociokulturella perspektivet med fokus på hur redskap påverkar internaliseringen är utgångspunkt för studien. Metoden utgörs av semistrukturerad intervju där fyra formellt och reellt utbildade instrumentallärare som arbetar på musik- eller kulturskola har intervjuats om vilka musikaliska uttryck de har i fokus i undervisningen och deras syn på hur elever lär sig musikaliska uttryck. Resultatet visar att det finns flertalet olika redskap för att nå musikaliska uttryck, bland annat eleven själv, musiken som sådan och den sociala omgivningen. Det viktigaste musikaliska uttrycksmedlet är rytm i förhållande till tempo.

Repetition of Non- word (make- up word that has not some semantic content) has been proposed as a reliable index of phonological memory in children with language impairment (LI). The aim of this study was to find out the possible similarities and differences concerning phonotactic non-words and working memory in 18 bilingual Swedish-Arabic children with and without LI ages 4-6 years. The investigation was undertaken by conducting three tests including NEPSY, WPPSI-III and a Word repetition test. The results showed that there are not significant differences between the two groups regarding various parts of NEPSY. On the other hand the results showed two significant differences in WPPSI-III regarding Picture categories and Word repetition tests for Swedish Non-word.

Pitch Correction - is it a must? An interview inquiry about opinions concerning pitch correction in music making today. This work intends to find out what music producers, singers and those with a great interest in music really think about the use of pitch correction programs, both in the studio and live. The thoughts concerning this came when I began to work with these programs in a studio, mostly for vocal use. I realized that the thoughts and opinions about the use of pitch correction varies a lot.

This project is a learning CD-ROM production aimed at first-time parents. It is using both sound and images, moving as well as non-moving. The purpose of the production is to be an interesting alternative to traditional books. We have been looking at similar productions like drivers license educational CD-ROMs and encyclopedias for inspiration and ideas on how to proceed. In order to give the content some dynamics, we've also added the element of 3D-animated sequences.

The problems caused by the current engine casing in aluminum for Volvo Buses Corp. are the mainfoundation for this degree project. Lack of maintenance combined with a construction poorlyadjusted for assembly has resulted in the fact that the engine casings rarely get reassembled whenthe service is completed.The degree project has mainly been following ?Olssons. F, Principkonstruktion, Compendium, Lund?and ?Olssons.

This essay in musicology is combined with a CD-recording of piano improvisations. Its purpose is, on the one hand, to examine some of the ideas permeating piano improvisation during the first part of the nineteenth century, and, on the other, to find ways to apply these nineteenth century ideas of improvising to modern piano playing. The artistic part of the work is as important as the theoretical, and the two strands are supporting and reinforcing each other.The first section of the text focuses on preluding ? that is, a genre of improvisation. The second section investigates some aspects of the improvising of Franz Liszt ? that is, different types of improvisation as practised by an important nineteenth century musician.

The purpose of this thesis is to investigate the concept of a work and the problems with its definition and will also examine bibliographic relationships. The main question is what are the boundaries of a work and at what point a work becomes another. What is the meaning of the concept of a work within the context of the library? What are the solutions of bibliographic relationships and the concept of a work in KRS and FRBR? The thesis is based on a literature review. In the literature I have examined the discussions of the work and bibliographic relationships.

The aim of this study is to analyse and investigate a rather new field of LIS studies, i.e. link analysis which is a part of webometrics. Webometrics has been described as the quantitative study of web based phenomena drawing on bibliometric or informetric methods. Link analysis has its counterpart in citation analysis within the field of bibliometrics. The questions the study investigates are if webometrics can provide LIS with new knowledge and if there is a place for webometric studies in LIS research.

Mass distribution with techniques as multicast and peer-to-peer are becoming increasingly important in the Internet. Today the distribution of sound and video over Internet, so called streaming media, is static due to the unicast method. This results in a linear increase of distribution costs and therefore no conditions for commercial scalability. This thesis describes why multicast may be the only scalable alternative for commercial mass distribution of streaming media over Internet. Mass distribution through peer-to-peer technology promises a lot but is fronting a couple of great challenges, for example asymmetric bandwidth, locality and legalization.

The purpose of this study was to compare less experienced veterinarians? subjective assessments of lameness in horses on the lunge. Previous studies on subjective lameness evaluation have mainly focused on horses trotting in a straight line and the results have shown generally low compliance. With a web-based questionnaire, 43 veterinarians assessed 60 recordings that showed both fore- and hindlimb lameness, interspersed with sound horses that were trotting on the lunge in one direction. The horses showed mild to moderate lameness.

Anne Reese: Johan Lindegrens vägval : en studie i de faktorer som påverkade enskilda aktörers verksamhet inom Stockholms musiksamhälle 1860-1908, Uppsala universitet: Institutionen för Musikvetenskap, uppsats för 100 poäng, 2007.The aim of this essay is to show some of the factors which affected the production and work of the individual musician or composer within Stockholm's music society in the late 19th century. By a case study on Johan Lindegren (1842-1908) I demonstrate how a musician or a composer functioned in the social structures of the music society and how power affected the work of the musician or composer. This essay also fills another purpose as it gives Lindegren a more detailed biography, which is something that has been missing until now.By applying a concept of power, as discussed by Michel Foucault, to this subject and interacting it with the concepts of musical opportunism, I present a new way of talking about the social, as well as the individual factors that affects the individual musician within the music society.The conclusion is drawn that there are two different types of factors that affects the work of the individual; 1) the social network and power within society, which presents positions and opportunities for the musician and 2) the individual character of musician which determine the way the individual uses the position or opportunity he or she is given..

Uppsatsen behandlar fra?gan om musiklekens betydelse fo?r de yngsta barnen (1-3 a?r) i fo?rskolan. I just denna ma?lgrupp a?r gra?nserna fo?r omsorg, lek och la?rande ta?mligen flytande. Den svenska fo?rskolan har en la?ng tradition av att anva?nda sig av musikaliska aktiviteter i verksamheten vilka kan uppfattas som tagna fo?r givna.

Syftet med denna studie är att undersöka hur musiker ser på begrepp som ljudnivå, musikupplevelse och relationen mellan dessa. Underlaget för studien är sex intervjuer med musiker och ljudtekniker, med och utan hörselskador. Studien byggs på sex kvalitativa intervjuer och är avgränsad till att i första hand behandla detta inom musikstilar vilka är baserade på trummor och bas ? pop/rock, jazz/blues.Studiens resultat visar att parametrar som t.ex. genre, lokal, ljudteknik, ljudtekniker och arrangör har inverkan på det ljud och den ljudnivå som uppnås vid en konsert.Vidare redovisas respondenternas syn på relationen mellan ljudnivåer och musikupplevelse.

Denna uppsats behandlar fenomenet organisationskultur, och undersöker hur organisationskulturen kan ha kommit att förändrats på ett företag i samband med en organisationsförändring i form av ett uppköp. Detta undersöks genom att två valda teoretiska ramverk används, och att aspekter som tid och förändring inkluderas i studien. Studien genomförs i form av en kvalitativ fallstudie på ett enskilt företag, där semistrukturerade intervjuer av anställda gjorts.Uppsatsen syftar till att undersöka hur bättre förståelse av organisationskultur kan erhållas när en kombination av två teoretiska modeller appliceras i samband med att en organisationsförändring har skett, där det både tas hänsyn till interna nivåer och externa faktorer.Studien visade att en rad olika förändringar gällande organisationskulturen har skett efter det att organisationsförändringen har ägt rum. Studien kan sägas ha bidragit till en djupare förståelse för organisationskultur som enskilt fenomen, och hur fenomenet på olika sätt kan påverkas. .