This examination paper defines how educators work with Esthetic, and Esthetic learning in pre-school. I have done research by interviewing four pedagogues. The result shows that the pedagogues does work with Esthetic and practice Esthetic learning processes, but their work shift. Some pedagoues practice strong Esthetic and some practice more modest Esthetic. Some of the pedagogues are more aware than other of the Esthetics influens of the childrens life long learning.

The aim of the study is to find out what pre-school teachers perceived of the curriculum, regarding Esthetic subjects. The study is built on the teachers thoughts and ideas about the Esthetic work, and how it is supposed to help all children develop. How the teachers has interpreted the curriculum points on how they have chosen to work with the Esthetic subjects. The study is based on interviews with six teachers, from two pre-schools. The material from the interviews has then been analyzed with theories and earlier research.The result shows that the teachers think that the Esthetic expressions are a language, and that the pre-school is supposed to give the children the opportunity to experience different types, for example dance, music, drama and art.

This study intends to examine teacher´s thoughts and perception of Esthetic activities at preschools. I have chosen to restrict the Esthetic area to the significance and function of clay to the teachers and children. On the basis of the belief that children can, and need access to a variety of ways to express themselves, we used the interviews to take part of teachers work and thoughts concerning clay, and the Esthetic work. I have in this qualitative study addressed four questions: How do the teachers use clay in preschool activities? What do the teachers think about clay as a tool in the educational work at the preschool? Are the teachers working from the perception of children?s rights to express themselves in different ways and with the help of different tools? What function does clay fill for the children?I have interviewed eight teachers and taken part of both older and more recent theories around children and the creativity in Esthetic contexts.

My purpose with this essay is to examine the relationship between Esthetic learning processes and language development to find good practices in my work with multilingual children. In my report, I describe a few activities from my work as a preschool pedagogue in a multicultural area, with a large group of children where age and knowledge of Swedish varies. The background to this essay is the problems I experienced in my work with children´s language development in an organization that, in my opinion, is limited by economic factors. The questions I poses are about the way Esthetic learning processes can help children develop their language skills as well as their participation in preschool activities. I also pose the question whether there is a connection between the musical ear and children´s development of language.

High heels ? a fashion that has not gone out of style after hundreds of years. Despite their Esthetic advantages, high heels become uncomfortable and harmful after repetitive and long term use. With this as a starting point, Huyen Nguyen ? a student at the Innovation Engineering Program at the University of Halmstad ? decided to make a final thesis project. The project goal has been to combine the Esthetic advantages of high heels and bring a comfortable solution to the equation.

The result of this work is a plan for the development of an 1128 m2 elderly raised garden. The purpose has been to create an overall plan covering the long-term development of the garden. The work process has covered a description of the garden of today, review of requirements, analysis of the garden sections, design of a new plan as well as starting the construction of the new garden. The plan covers a time period of a couple of years to create the new garden since the construction work is carried out during spare time with small resources available. The planning must contain review of functions such as protection from insight, eating area and compost area. Also the Esthetic expression must be planned. Colors, shapes, choice of material and plants together make up the Esthetic expression. It is recommended to include anything you wish to create in the garden. In a raised garden one has to overcome the step to remove trees and shrubs and think different.

In Sweden, discussions about artistic freedom are common both in a political and media context. At the same time, the role of contemporary art in Sweden?s society continues to grow and contemporary art has become more visible to the public. In the present work, we analyze the ?artistic freedom? concept by examining what it stands for and how it is being used.

Purpose: The purpose of this thesis is to study the adaptation of recently recruited young professionals to a top consulting firm through their identity construction efforts. We analyze the influence of a major organization-related discourse on young professionals in order to account for the effects of emotional labor on their adaptation to work. Methodology: We have studied our empirical material in the light of a reflexive pragmatic approach. Thus throughout the analysis of interview material, we try to interpret carefully the material from various perspectives. As authors, we also reflect critically upon our own interpretations.

Sammanfattning Inledning: Det finns olika helkeramiska material på marknaden idag. En av dessa materialgrupper är glaskeramer som framställs genom pressgjutningsteknik. För att öka frakturresistensen hos dessa keramer cementeras de med adhesiv cementeringsteknik. Genom etsning och silanisering av keramytan skapas mikromekanisk och kemisk bidning mellan keram och cement. Risken för missfärgning av cementskarven beror på ett flertal faktorer, däribland bindningsstyrka, cementskarvens tjocklek samt cementets abrasionsresistens och löslighet i munvätskor. De adhesiva cementen är mycket teknikkänsliga. År 2002 introducerades de självadhesiva cementen genom RelyX? Unicem.

With this empirical essay I want to research how and why pedagogues use music in their preschool activities. Music is important to me and in relation to the new educational plan I have cautions about that the Esthetic subjects may be less prioritized than before. The purpose with my study is to find out preschool pedagogues perspective in learning and evolving children?s educational matters through music. I base my literature theories in this study on Vygotskij and Fröbels theoretical perspectives.

The aim with the project was to portray something to step on. Its purpose has been to experiment and explore the interaction between pattern, structure, material and colour for something to be applied on a floor. Focus has been on Esthetic expression and not the creation of some¬thing for a specific environment or audience. My goal was also that this project would illustrate the importance of the floor to create a certain atmosphere in a room.The project was divided into three phases. The first one was the experimenting and exploring phase, where the goal was to find an expression.

Syftet med studien var att undersöka hur pedagoger på en kommunal skola arbetar med estetiska inslag i sin undervisning och varför de gör detta. Vidare var syftet att få reda på vilka resurser som behövs för ett vidgat användande av estetiska inslag i undervisningen. Genom kvalitativ forskning har jag intervjuat fyra pedagoger om deras användning av estetiska inslag. Resultatet visade hur de intervjuade använder sig av estetiska inslag i sin undervisning. Det visade också vilka motiv de har för att använda sig av dessa inslag.

During the years of development in the 60s and 70s the need for new housing in Sweden arose. Sweden was going to be the most modern country in the world. This period has later been called ?the time of the big programmes?. One of the parts in this building of a welfare society was a large policy of building politics with few counterparts in history.

Denna essä kan läsas som en reflektion över tre års arbete med och utveckling av estetiska lärprocesser pa? lärarutbildningen. Även om exemplen är hämtade från matematikdidaktiken rör sig diskussionen huvudsakligen på en mer generell nivå än detta specifika ämne. På många sätt handlar essän lika mycket om lärande i allmänhet som om matematikdidaktik.Utifrån den fenomenologiska undersökningen rör sig diskussionen mellan mina personliga erfarenheter och den filosofiska teorin. Jag använder mig av tankar från Aristoteles, Hans-­?Georg Gadamer och John Dewey och låter dem möta några av de svenska forskare som under de senaste åren bidragit till det aktuella fältet eller till angränsande fält.Jag hoppas i denna essä kunna synliggo?ra olika aspekter av erfarenhetsbaserad undervisning och lärande likväl som de problem och möjligheter som finns i fenomenet estetiska lärprocesser ? förhoppningsvis kan mina iakttagelser och reflektioner vara av värde vid en utveckling av såväl matematikdidaktiken som av andra ämnen på lärarutbildningen .

The purpose of this paper is to clarify and understand the difference between Brunius?, Zettervall's and Graebe's valueing of a historical building, the cathedral of Lund. Between 1833 and 1963 the cathedral of Lund went through three larger restorations. The character of the restorations however differs a lot between the three church architects, Brunius, Zettervall and Graebe. In a time of low interest for the Middle Ages and of many demolitions of churches in the countryside, Brunius stood out as a researcher and an enthusiast of that special time.