I uppsatsen analyseras de två karaktärerna Harry Haller och Hermine, från Hermann Hesses Der Steppenwolf, med hjälp av Judith Butlers queerteori. Karaktärernas förhållande till varandra, köns- och genusroller samt heteronormativiteten undersöks och sätts i samband med bokens maskerad- och teatermotiv. Förutom att maskerad- och teatermotivet undersöks i relation till karaktärerna, analyseras det också i sig självt med utgångspunkt i Judith Butlers teorier om det konstruerade könet och dragshowens subversiva funktion..

This essay is investigating heterosexuality in Gun-Britt Sundströms Maken. With help from the queer theories of formost Judith Butler, but also to some extent the ideas of Michel Foucault, I have tried to answer the question of which norms are becoming clear and which are being broken in the novel. I have also looked at a few of Gayle Rubin?s opposites in her sexual value hierarchy. Some of the norms that are brought to light in the essay revolves around faithfulness, lust towards the ?right? person and for the ?right? reasons.

The purpose of this study is to examine the popular cultural form of television within the field of gender studies. The study focuses on the representation of masculinities in the American television series The O.C. This is done by using textual analysis to gain information from the first and the second season of The O.C. The theoretical framework used is based on Judith Butler and R.W. Connell.

This essay examines the visual art of Helena Blomqvist with theory of performativity from Judith Butler among others, with a focus on the potential of visual art to question and dislocate norms. It consists of an analysis of three works of art from three aspects: the work of art, the viewer and the situation, and eventuates in an analysis of how the works relate to representation and norms. The construction of the works is related to Butler's theory of identity construction..

The aim of this study is to analyse how pornography is used in the American comics X-Men, published by Marvel under the authorship of Chris Claremont.I have applied Butler and MacKinnons theories about pornography as a performative speech, to this special art form. I have also investigated how censorship has influenced the comics evolution and whether it has affected the way women and sexual and ethnical minorities are represented. To corroborate how these theories apply, I have analysed three main female fig-ures in The X-Men comics - Storm, Phoenix and Shadowcat - and I have tried to identify how they relate to existing stereotypes.The conclusion of this essay is that the women characters in X-Men break the existing stereo-types and create new implications. This reinforces Butler?s theory about the possibility to re-verse hate speech and diminishes MacKinnons perspective of pornography as an imperative..

The purpose of this paper is to explore the female experience as it is spoken of in the novel Sindhia written by Rut Hillarp (1954) and how the main character in the book violates the experience from a queer perspective. My aim is to through a close reading highlight a number of discourses that underpin the book's imminent theme of love and submission.According to Norman Faircloughs critical-discourse analysis, the text one reads produces a certain amount of discourses that one consumes. This way there is a dialectical interaction that can be set into a practical analysis together with a suitable academic perspective. This is the method I use in this thesis.The academic perspective I add isJudith Butler's queer theoriessupported by Michel Foucaults social genealogyin order to understand/analyze the woman?s position in relation to a social empirical history.I came to the conclusion that Sindhia produces the woman's discourse from an ancient biblical/ mythological time up to modern time.

The purpose of this thesis has been to explore in what ways Franz Kafka?s ?The Metamorphosis? can be read as a story of gender. By bringing together Judith Butler?s theory of materialization and Lennard J. Davis?s crip theory I have spoken of Dismodernity as the domain of abject bodies that have been repudiated by (post)modern societies as untintelligible and dysfunctional.

Denna uppsats syftar till att utmana Judith Butlers subjektsförståelse utifrån den italienska filosofen och feministen Adriana Cavareros teorier om det unika, relationella och berättningsbara jaget. I min redogörelse för Butlers subjektsförståelse utgår jag från hennes teorier om subjektionen och om den uteslutande matrisen. Jag visar hur Butler försöker möjliggöra subjektets överskridande av diskursen genom att kombinera Foucaults maktförståelse med psykoanalysens psyke, samt genom att förstå den misslyckade interpellationen som en plats för subversiva handlingar. Jag diskuterar vidare hur dessa teorier kan förstås som problematiska. Därefter går jag vidare och studerar Cavareros berättningsbara jag, för att se hur detta jag kan förstås som en utmaning av Butlers poststrukturalistiska subjektsförståelse.

The purpose of this thesis has been to explore in what ways Franz Kafka?s ?The Metamorphosis? can be read as a story of gender. By bringing together Judith Butler?s theory of materialization and Lennard J. Davis?s crip theory I have spoken of Dismodernity as the domain of abject bodies that have been repudiated by (post)modern societies as untintelligible and dysfunctional.

Mot bakgrund av att asexualitet på senare år formulerats som en möjlig sexuell identitet, orientering eller preferens är syftet med uppsatsen att teoretisera den asexuella positionen ? här definierat som ?frånvaro av lust till sexuell praktik?. Detta görs genom en nära läsning av fyra texter som varit centrala inom feministisk och queer teoribildning, med intentionen att undersöka hur asexualitet positioneras i relation till dessa teorier. De teoretiska utgångspunkterna hämtas från feministiska och konstruktivistiska teorier om kön, sexualitet, makt och subjektstatus, främst Michel Foucault (1976)och Judith Butler (1990). Mina läsningar visar att i Gayle Rubins sexuella värdehierarki (1984) tilldelas positioner utifrån sexuellt aktörskap, och det är således sexuella subjekt som kan emanciperas.

The purpose of this thesis has been to explore in what ways Franz Kafka?s ?The Metamorphosis? can be read as a story of gender. By bringing together Judith Butler?s theory of materialization and Lennard J. Davis?s crip theory I have spoken of Dismodernity as the domain of abject bodies that have been repudiated by (post)modern societies as untintelligible and dysfunctional.

This paper examines in what way the heterosexual matrix is challenged by Stephenie Meyer in Breaking dawn (Så länge vi båda andas). By doing a thematic study on the various family constellations appearing in the novel, I search for the queer elements in it. I discuss incest, family building and motherhood, and find that there are numerous queer elements associated with the themes I have chosen. I conclude that the Cullen family challenges the heterosexual matrix, despite not being typical queer vampire characters. I also find that building a successful family is not based on gender or constellation otherwise, but is instead dependant on democracy and equality.

The purpose of this thesis has been to explore in what ways Franz Kafka?s ?The Metamorphosis? can be read as a story of gender. By bringing together Judith Butler?s theory of materialization and Lennard J. Davis?s crip theory I have spoken of Dismodernity as the domain of abject bodies that have been repudiated by (post)modern societies as untintelligible and dysfunctional.

I ett försök att låta poststrukturalismen närma sig materia, för min studie samman en queer psykoanalytisk syn på subjektskap, presenterad av Judith Butler, med miffoteori, en poststrukturell förståelse av funktionalitet, mestadels influerad av Robert McRuer och Lennard J. Davis, för att undersöka hur ramverket inom vilket subjektskap kan intas påverkas. Studien visar att det normata är kontextuellt definierat, och vidare att subjektskap är beroende av mötet mellan subjektet och en potentiellt funktionshindrande miljö; i vilken subjektet antingen passerar som normat eller inte. Detta rörliga subjektskap påverkas därigenom av faktorer såsom rädslan för det miffoeska, en kapitalistisk syn på medborgarskap samt möjligheten att (undermedvetet) nå en (temporär) position mellan det normata och det miffoeska, vars förhållande även genererar en ökad möjlighet för subversivt motstånd. Vidare menar jag att detta kan sägas utgöra ett ramverk inom vilket det blir möjligt att studera subjektskapet, genererat av maktordningar såsom klass, etnicitet etc..

This paper discusses some concerns about Japanese gender identity as a construct and the subversive means to overthrow it. In my paper I claim that the eastern influences on Japan has created a gap between old and new gender- traditions and norms. This interspace is what the philosopher Judith Butler claims as the site for a possible gender transformation. As Butler claims gender identity to be a construct, I use her methods of understanding and subsequently queertheory, to investigate the construct of Japanese gender identity and also the norms that constitute a national identity. As I elaborate on this theory I use specific artworks from Morimura Yasumasa, Yoshiko Shimada and Bubu de la Madeleine and also the all-male theatre kabuki vs.