Uppsatsen "En utredning av filosofins möjligheter" inleds med ett konstaterande av den bitande kritik som tidvis framförts mot filosofins olika dogmer och traditioner bland andra av Ludwig Wittgenstein, G. E. Moore och Richard Rorty. Det sägs vidare att all denna kritik hotar att förinta den positiva upptäckarlusten. En föresats görs därför att i funderingar och kritik se möjligheter för filosofin för att på så sätt bidraga till att föra denna framåt i något som förhoppningsvis blir ett konstruktivt inslag i debatten.

This essay constitutes an attempt to expose, with reference to contemporary animal research, the limits of Martin Heidegger?s concept of the being of animality in Die Grundbegriffe der Metaphysik (1929/30) and to propose some possible ways to think, within the philosophical style of this particular work, the being of those animals that most distinctly transcends Heidegger?s concept. The essay seeks to address the following question: Do the results of contemporary animal research expose ways of being within animality that withdrawal from Heidegger?s concept of the being of animality in general, and if so, how should we think these new ways of animal being? The motivation to ask this question, I argue, are immanent to Heidegger?s thinking in at least three ways: 1) Because of his standpoint that philosophy cannot, in any meaningful way, create an ontological concept of animality without an orientation towards the results of the positive sciences; 2) Because of the unfinished and tentative character of Heidegger?s analysis, a character that is such that it should be seen, according to Heidegger himself, as an essential point of departure for further thinking; 3) Because of Heidegger?s view that the being of the animal are such that it involves the withdrawal of this very being from any originary access, a withdrawal that necessitates an infinite return to the question concerning the being of the animal. The essay wants to be a continuation of lines that are present in Heidegger?s open-ended thought on this theme rather than to be an external critique that approach the text, which is most often the case, as a closed point of view which we are forced to affirm or reject.

Syftet är att se vilka processer och roller som medverkat till att skapa och integrera en mångfaldsplan i en organisation. För att uppnå detta har vi valt att genomföra en diskursanalys som ger oss svar på hur världen presenteras, tolkas och konstrueras. Vi använder Michel Foucault som inspiratör vars åsikter tolkas och sammanlänkas med Charles Taylors, Philomena Esseds och Jacques Derridas åsikter för att på bästa sätt uppfylla vårt syfte. För att skaffa empiriskt underlag har vi valt att utföra en enkätundersökning, vilken till störst del underbygger uppsatsens empiri. För att få en bredare och även djupare insikt har vi även utfört korta intervjuer och observationer under tiden vi befunnit oss på platsen.

Subject: Independent essay in War Science (15 points) which debate the question if PrivateMilitary Companies is an asset or a threat to the Swedish Armed Forces regarding rerecruitmentwith focus on the soldiers of FS21.That which is investigated is the general attitude amongst soldiers who have completed theirconscript duty according to the old conscript system and now is employed in order to conducta tour abroad with Afghanistan as area of operations. Further investigated is their attitudeagainst the Swedish Armed Forces as an employer, as well as the private sector whichwant/could benefit from the skills the soldiers is possessing. Could the soldiers se themselvesleave the Armed Forces before the contract has expired in benefit of private companies whichclaim they solve similar tasks.Purpose: The purpose with this essay is to contribute with knowledge about a number ofemployed soldiers? attitude against Private Military Companies. Further; if the soldiersbelieve the Armed Forces provide them as they think they deserve/ want in order to stay andnot leave their job in favour of PMC:s, and through it clarify what the soldiers value asemployees.Order of Approach, Method and Material: The method I?m using is a survey in whichsoldiers and squad leaders have answered the questions.

Syftet med denna studie har varit att utvärdera kommunernas arbete med SFI utbildningen, få en förståelse för hur den upplevs av rektorer och elever, samt hur SFI: n påverkar en etablering i samhället och på arbetsmarknaden. Jag har även velat få en förståelse för hur Arbetsförmedlingens arbete påverkar SFI utbildningen. Min studie är sociologisk och sociologi för mig är läran om det sociala i samhället och dess individer. När Sverige tar emot nyanlända är tanken att de ska bli en del av vårt samhälle, de ska snarast möjligt starta en utbildning för att lära sig det svenska språket, de ska lära sig hur vårt samhälle fungerar med dess normer och värderingar och de ska genom att bidra till samhället med sin kunskap och kompetens etableras på arbetsmarknaden. SFI står för svenska för invandrare och går under skollagen.

Within the field of cinema studies, the question of visual representation is a fundamental pillar. An immense volume of theoretical work has been written on the subject, with various academic approaches such as feministic, postcolonial and gay/lesbian. Yet there is a large social group that seems to have been overlooked within the representational discourse: the elderly. This group of people appears to be a blind spot on the multicultural retina, too often neglected within the area of cultural studies. But as the baby boomer generation, who has always redefined the different stages of life (youth, adulthood, middle age), is entering old age, things are slowly changing.

What is the relation of image and word, of sentences and pictures? What kind of message does this combination produce when juxtaposed on a single material plane? And how do we read its ?infinite? relation? These are the questions at the center of this inquiry. My main interest concerns the exact nature of the relation between photographic images and textual elements of poetic language when these are juxtaposed in what I call Phototext poetry.The thesis calls into question the conventional reading habits of the conjunction of photographs and texts, and seeks to understand the more complex connections intrinsic to the relation image/word and its material and perceptual play in poetic works. Does a text always ?anchor? the multiple meanings of an image, as Roland Barthes argues? What if the alterations of an image could ?anchor? certain fractions of a poetic, polysemantic textual construct? Is a photograph indifferent to the visual, material permutations of texts that certain contemporary poetic practices produce?I discuss phototextual works and collaborations of various kinds, from Molin fontän [?Molin?s fountain?] (1866) over classic surrealist poetry to language-oriented writing.