Title: ?You could talk about it? ? a study of the experiences of victims of crime who have been receiving help from The Swedish Association for Victim Support.We got in touch with ten victims of crime through a local chapter of The Swedish Association for Victim Support and examined their emotional experiences of the help that was given to them from this organization.Background: Crime has always been a part of society and anyone can be subjected to some form of crime. Whenever a crime is perpetrated, there is always a victim. The purpose of this essay is to investigate how victims of crime emotionally experience the help they receive from the national association in Sweden who help and support victims of crime. Methods: We employed a qualitative method in the process of investigating the topic of this essay, and by employing interviews we got a deeper understanding of how victims of crime experience the help they receive.

I have studied the Swedish artist formation ?1947 års män? with a sociological perspective based on the ideas of Pierre Bourdieu. I initially made a study of the group as a whole, and after that I chose to focus on the sculptors Liss Eriksson, Arne Jones and Knut-Erik Lindberg. I have examined why some of the artists in the formation became more successful than others. My results show that the ones who were versed in culture or came from an economically or intellectually stronger background also were considered to be the most pioneering artists.

The aim with the present study was to investigate whether there is a difference between the course participants who find their way to the dog-school respective the Swedish Working Dog Association. The study have focused on four issues; why the course participants have chosen the dog-school respectively the Swedish Working Dog Association, why the participants bought their dog, if the participants are satisfied with their dogs and if it is more likely that they turn to the dog-school?s than to the Swedish Working Dog Association with their first dog? Course participants from two dog-schools and from two of the local clubs belonging to the Swedish Working Dog Association in Skaraborg, Sweden, answered a questionnaire. In total 85 answers were collected, including 60 from the course participants from Swedish Working Dog Associations and 25 from the dog school?s course.

"Låtskrivande" handlar om mitt arbete som gick ut på att fo?rso?ka hitta mitt egna musikaliska uttryck och att utveckla mitt la?tskrivande samt mig som artist. Detta skulle sedan komma att resultera i konsert besta?ende till allra sto?rsta del av eget material. Genom a?ren har jag breddat mig mycket musikaliskt men inte riktigt fokuserat pa? att helhja?rtat ga? in i vad jag som artist och la?tskrivare vill fo?rmedla och uttrycka.

The purpose of this essay is to analyze and clarify what?s behind the success of artistsin the music sector and what characterizes sustainable success for these. We arecurious about what lies behind the success of an artist and what makes an artist have asustainable career. The essay is based on a qualitative approach where six interviewshave been performed with people in various positions in the Swedish music industry. The interviewees have been selected after their knowledge and experience within thefield.

Ett arbete om hur det är att vara en 3D artist på ett spelföretag..

AbstractArtists ? the invisible assets; a qualitative study about the view on music rights and artist brands as intangible assets within music companies.This paper is a study of what view representatives from Swedish music companies have on activating music rights and artist brands as intangible assets. Throughout the paper, a discussion is held regarding what the representatives think about activating these intangible assets. From this, we have identified and analyzed possible pros and cons to such activation.Our interest to this question was brought to us when we realized that most music companies in Sweden have intangible assets without activating them. This is, even though these are their main source of income.

Syftet med den här uppsatsen är att jag vill undersöka och försöka kartlägga reklamtecknaren och artisten Georg Dahlbecks liv. Hur var det att leva och arbeta som reklamman och konstnär i Sverige första delen av 1900-talet? Jag vill även titta närmare på det Georg ägnade så gott som hela sitt yrkesverksamma liv åt, nämligen filmaffischer. Hur var det att arbeta på den stora filmdraken SF? Hur såg deras produktion av filmaffischer ut? Jag vill även försöka svara på frågan om arbetsprocessen förändrades med tiden.Mina frågeställningar:Hur levde och verkade Georg Dahlbeck?Hur såg SF:s filmaffischer ut och hur tillverkades de?Förändrades produktionen av filmaffischerna på något sätt?.

This paper is built on a studytrip to north India i made under the autumn 2005. The purpose for this trip was to give me as a teatcher an experience and insight how to work with art in another culture. I´ve been in ?Upper Dharamsala? even called Mcleod Ganj and visited art schools and a great artist . Too implement my investigation i have made interviews and observations in schools and i also hade the chance to spend a hole day with a great artist in India, my impresions was many, and i learned so mutch with this yourney.

The purpose of this paper is to bring a British mural painting that originated in England in the 1920?s into the limelight and introduce it to the Swedish public. The mural was commissioned by Tate Gallery, currently known as Tate Britain. The work of art was designed for a semi-public space as a decoration in the Refreshment Room of the gallery, located in the basement where there was little natural light. The artist, a young British man named Rex Whistler, was transformed from being a student at an art school into a celebrated professional artist by this piece of art.

"Låtskrivande" handlar om mitt arbete som gick ut på att fo?rso?ka hitta mitt egna musikaliska uttryck och att utveckla mitt la?tskrivande samt mig som artist. Detta skulle sedan komma att resultera i konsert besta?ende till allra sto?rsta del av eget material. Genom a?ren har jag breddat mig mycket musikaliskt men inte riktigt fokuserat pa? att helhja?rtat ga? in i vad jag som artist och la?tskrivare vill fo?rmedla och uttrycka.

Syftet med min studier att -ur ett musiketnologisk och mentalt perspektiv- beskriva både hur musik och samhälle påverkar mitt val av musikskapande. Att för att förstå vad som skiljer en jamaikansk artist från en popartist.?Genom att göra reflektioner av mina tidigare erfarenheter samt studera Jamaika och dess musikscen vill jag ta reda på vilka faktorer som påverkar artisternas val av ut- tryck.Jag ville även ta reda på hur min syn på kulturen ändras när jag verkar och lever i lan- det. Som europeisk dancehall artist är det viktigt att kunna möta den kritik som upp- står vid utövandet av en kultur som anses vara drogliberal, homofobisk, aggressiv och sexistisk. Det är viktig för europeisk verkande kulturarbetare inom genren att ha bra självkänsla och stärka sitt uttryck.

The Swedish photographer and artist Eva Klasson, based in Paris in the 1970s, gained attention for her series of black-and-white photography of her own naked body, which opened up for an international artistic career in the late 1970s. Despite a promising career she however abandoned photography and disappeared from the artistic sphere only a few years after her debut. There has been a renewed interest in Klasson?s work in Sweden the last decade where she has been exhibited at museums and galleries. Today she is represented at art museums and institutions including Moderna Museet, The Modern Museum of Art, in Stockholm.

Internet  has  given  possibilities  to  a  whole  new world within communication. Nowadays  the communication  inside organisations and companies  takes place  through  the Internet. The  idea  of  this paper  arose when one of  the  authors discussed  the  general  involvement of  the  tenant-owner?s association  in  the committee. Providing a new channel  for  communication  through a homepage  could  affect  the  attitude  of  the  tenants.  We  were  curious  of  what  effect  on communication  introducing a homepage would give.

This essay examines Finnish artist Iiu Susiraja?s self-portraits in relation to Western traditions and tropes of the genre from the 20th century until today. I use an iconological/iconographic model to describe and to further interpret the images. The purpose is to find out which norms and conventions, within the art sphere and society as a whole, that Susiraja?s images reproduce or revolt against.