Hälsoeffekter av djur inom äldrevården
Mainstream contemporary phenomenology understands the phenomenology of movement and dance through ?the lived body? of Merleau-Ponty. This paper rather suggests a phenomenology of movement and dance based on an understanding through ?the danced body? with ability to meta-feeling. It is here argued that we need to use a phenomenology of dance to understand the phenomenon of movement whatsoever. Three dimensions of our bodily dance experience are described: ?the body?s centre?, ?the danced body? and ?the room of the dancer?. A discriminating distinction between eight types of movement experiences is proposed.