The purpose of this essay is to study two film adaptations of the original Planet of the Apes novel and see what kind of relationship the two adaptations have with each other. The main question is if the secondary film adaptation is restricted by the primary and if the relationships between these two are as two separate adaptations or as a Remake of an adaptation. What the results of the study show is that the secondary adaptation can not be seen as a Remake even though it gets some of its inspiration from both the original story as well as the primary adaptation. The secondary adaptation is, however, restricted in what it can adapt due to the primary adaptation having the first pick, at least if the secondary adaptation wishes to be a whole new adaptation and not a Remake of the primary. The study shows also that the fidelity in the secondary adaptation is not necessarily to either the original or the primary but to the knowledge the audience has about the Planet of the Apes universe which they have gathered from all of the important versions of the story.

En uppsats som via bland annat diskursanalys försöker ta reda på varför det är så starka känslor och åsikter i ämnet Remakes, eller nyinspelningar av gamla filmer. Uppsatsen tar reda på vilka mönster som finns i diskursen och följer dessa spår i ett försök att analysera just varför det är så pass starka åsikter som vädras exempelvis på internetforum och som dessutom underbyggs av kända recensenter. Uppsatsen försöker även svara på frågor som exempelvis varför är vissa Remakes mer okej än andra, vad är det egentligen som irriterar med Remakes och hur hänger alla dessa Remaketankar egentligen ihop..

Syftet med studien är att undersöka vad som är legitimt återbruk och användning av någon annans tidigare designat material, i nya formgivna produkter eller verk. Frågeställningarna som diskuterats i arbetet är; Hur mycket av någon annans tidigare formgivna material får återanvändas i kommersiella återbruksprodukter?Vad är legitimt bruk av ?ready-mades? i konstnärliga verk?Anses det vara ett konstnärligt verk när konstnären inte själv åstadkommit alla delar av verket? Dessa frågeställningar har diskuterats utifrån juridiska och moraliska perspektiv. Som metod användes en litteraturbaserad studie av juridisk litteratur som behandlar immaterialrätt, avgränsat till bestämmelser av lag i Sverige. De juridiska reglerna jämfördes sedan med etiska teorier.

The purpose of this project has been to redesign an already existing cook-book. The title of the book (directly translated), ?Season in food ? the year around with herbs and spices?, contains what the headline imposes: spices, herbs and food. But when the author tries to entwine these parts and communicate it to the reader it is not working all to well due to a poor and inconsistent graphic design.I have followed the theories and values of information design when I redesigned the book layout with the intent to simplify the communication between author and reader. In the progress to make a complete dummie of the book I did multiple literature studies, book analysis, tests and a vast number of drafts.In this report I will describe the whole process from start to finish.

The goal with this project was to develop a graphic template for a new magazine about running, STARK Löpning. Besides the looks of the graphic elements, sections in the magazine would be developed. Finally, a discussion is made about how the magazine can be remade into an electronic format.Content analyses has been made regarding magazines with both a main and a specific orientation, to review the graphic relationship between them. A content  analysis regarding a competing magazine about running was also made.An unstructured interview was done with Art Director Petrus Iggström, to find out his way of working when he creates new graphic templates for magazines.The discussion concerning the electronic format was done based on previous research in the subject.The graphic relationship between main and specific magazines turned out to not be significant, they had few similarities. It was often showed that elements regarding the magazine s?identity had been changed, for example text fonts.