Purpose: To examine the hearing environment for tattoo artists regarding occupational noiseand to see whether tattoo artists are exposed to hazardous noise according to Swedish WorkEnvironment Authority regulations. Method: Using a dosimeter we measured a total ofseven sessions of approximately one hour on seven different subjects, located on five studiosin Gothenburg. As a complement we did also hand out surveys based on twelve questions toexamine habits, experienced sound environment and to see if there were any hearing relatedpatterns. Results:. Sound level measurements showed that the lower exposure action valueLpAeq,8h 80 dB(A) in one case was reached if applied to the average working time of sixhours.

Denna uppsats hanterar hur kvinnliga karaktärer porträtteras i romantisk komedi genom att närmare studera begreppet ?Manic Pixie Dream Girl?. Detta begrepp leder till missförstånd om kvinnans roll i filmens värld och skapar diskussioner om jämställdhet och västerländsk berättarkultur. Syftet med denna uppsats är att undersöka två kvinnor i två olika romantiska komedier uppfyller de kriterier som nämns av Manic Pixie Dream Girl-begreppets myntare, Nathan Rabin, har lagt fram och om det således är motiverat att argumentera att karaktärerna upprätthåller sexistiska synsätt. Den teoretiska grund som uppsatsen bygger på kommer främst från feministisk teori, men även från Laura Mulveys teori om skopofili och den manliga blicken.

This essay investigates the results of participation by teenage girls in feminist groups, the so called girl groups. These groups are descendants of the awareness-raising groups of the 1970?s feminist movement. The essay assumes the relevance of theories of heteronormativity and performativity, as well as theories surrounding two different ways to organize girl groups. It is done either through the Pippi-feminism, named after strong independent book character Pippi Longstocking, or through the collective empowerment feminism.

The aim of this study was to investigate and gain a deeper understanding of how the staff at the youth clinic approaches, and might influence, participation and responsibility as regards the girl and boy respectively in the process that follows when an unplanned pregnancy has been verified. Qualitative interviews were carried out with staff at five youth clinics in Skåne. All staff did routinely work with girls and boys that were involved in an unplanned pregnancy. The theoretical starting point of the study was a gender perspective involving feministic gender theory and masculinity theory. The main questions were: How does the staff at the youth clinic view the responsibility distribution between the girl and the boy involved in an unplanned pregnancy, and how does the staff explain this distribution? Are there any guidelines to how the boy and girl should be approached, and in this way ensuring that they both feel involved in the unplanned pregnancy and its consequences? How does the youth clinic staff view and discuss a gender perspective in relation to their work? The result of the study showed that at four of the clinics a difference was evident in the staffs´ views as regards participation and responsibility in the unplanned pregnancy of the boy and girl respectively.

I slutet av 90-talet sköljde en våg med asiatisk skräckfilm in över västvärlden. Filmerna handlade om kvinnor som dött en våldsam eller orättvis död och nu var tillbaka för att hämnas.Takashi Miike är en av de mest kända japanska regissörerna som har bidragit till den japanska skräckfilmsgenren som fick så stor spridning i väst.Syftet med den här uppsatsen är att undersöka vilka kvinnoroller som finns representerade i fyra utav Miikes skräckfilmer och hur de framställs.Uppsatsen utgår från klassisk feministisk filmteori och undersöker om Barbara Creeds ?the monstrous feminine? och Carol Clovers ?the final girl? finns representerade i Miikes filmer.Bland uppsatsens slutsatser går det att finna att ?the final girl? delvis finns representerad i Miikes filmer, dock inte i samma utsträckning som i amerikansk skräckfilm, samt att man kan stöta på en viss problematik när man applicerar Creeds och Clovers teorier på filmer som inte följer ett västerländskt berättande.  .

Den här uppsatsen undersöker de diskurser som kan formuleras kring hur tatuerade personer talar om sig själva och om tatueringskonsten, utifrån en diskursanalytisk studie av intervjuer i Scandinavian Tattoo Magazine. Uppsatsens teoretiska och metodologiska ramverk är byggt kring Marianne Winther Jørgensens och Louise Phillips diskursteoretiska begreppsbygge, som i sig framförallt grundas i Ernesto Laclaus och Chantal Mouffes diskursanalytiska begrepp. De formulerade diskurserna; sexualitetsdiskursen, ironiseringsdiskursen, möjligheternas diskurs, individualitetsdiskursen och maskulinitetsdiskursen, har diskuterats utifrån begrepp tagna från Mary Douglas (renhet och fara), Slavoj ?i?ek (cynism) samt Peter L. Berger och Thomas Luckmann (typifieringschema och face-to-face-situationen).Uppsatsens analys visade att kvinnor inte bara föredras som representanter för tatuering i tidskriftens intervjuer, utan också att de, till skillnad från männen, sexualiseras kraftigt.

The aim of this Masters thesis is to examine how the image of the girl and her environment in the Swedish youth literature has changed during the 1980s to the 2000s. We have focused on how the girls creates gender in fiction. The introduction chapter in this essay covers a short history over Swedish youth literature and how the Swedish youth culture has developed, followed by a description of how the girl in the real world relates to gender. The books we have chosen are written by Swedish authors and the plot partakes in Sweden with female protagonists. We decided to do a close-reading of the novels and analyse them by an analytical model, consisting of several questions.

The purpose of this master?s thesis is to examine from a psychoanalytic point of view how Mare Kandre narrate the complex process when girl becomes woman. Earlier theoretical work concerning Mare Kandre is sparse and limited to narrow cut-outs of her authorship. There are two dissertations, but none with Kandre and her unique fictional works alone in focus. Most frequently she is presented as part of different groups of authors.

AbstractThe main objective of this essay is to come to an understanding as to why girls, together in groups, walk against the conventional image of women and take on more violent and aggressive behaviour against their surroundings. In this essay I hope to gain an understanding of how ?girl gangs? work as a social phenomenon as well as identify the characteristics of these gangs. Furthermore, this essay aims to understand what role the violence and aggression plays in the lives of these girl?s.The following questions are the focus of the essay:? Why have girls in groups become more aggressive and violent?? What is characteristic for ?the girl gangs? as a social phenomenon?? What role does the girls? aggressive behaviour play in their life?The essay touches on an escalating problem within society, which has received considerable attention in the media lately.

The purpose of this paper has been to study and to compare three novels, written by Katarina von Bredow, Syskonkärlek (1991), Som om ingenting (1999) and Som jag vill vara (2007), with focus on the protagonists. The aim was also to map how the novels relate to the contemporary youth novel, the girl book, Chick lit and Chick lit junior. The protagonists were compared on the basis of themes, sow as relationships within the family, boyfriend and friends, as well as identity. The protagonists have in common that the relation with their family members is important. The three protagonists consider that friendship is important.

Denna rapport syftar till att beskriva utvecklingsprocessen fo?r skapandet av salong Laserias nya hemsida. Hemsidans design a?r skapad med anva?ndbarhet i fokus vilket uppna?ddes genom studerande av relevant litteratur samt en fokusgruppsintervju med na?gra av salongens kunder. Hemsidan utvecklades med hja?lp av Wordpress fo?r att uppdragsgivarna pa? egen hand ska kunna administrera hemsidan efter leverans..

This essay focuses on the relationship between Islam, secularism, girls and sexuality. These categories problematize gender and how it affects identity processes of young women with a Muslim background. Sexuality is especially emphasized. The Muslim background is placed in contrast to the prescribed norms and ideals of the Swedish society/context concerning gender, sexuality and identity and this essay analyses how young women create gender and identity and which possibilities and strategies they have and use to negotiate about space in the relationship to other people. A girls? relationship to her own and others? sexuality is precisely what makes her a girl, but more importantly, also to which kind of girl.

ABSTRACTErik Ageberg: Who's that girl? ? Skivbolagskultur och dess påverkan på Robyn. Uppsala Universitet: Institutionen för Musikvetenskap. C-uppsats, 2006.Robyn has been one of the most successful Swedish pop stars during the last decade. She has during these ten last years gone from being a young star to being the owner of her own record label, Konichiwa Records.

The purpose of this essay is to examine formations of gender and class of so called horse girls in a riding school located in Stockholm, Sweden. The essay is based on interviews with six girls in the ages between fifthteen and eighteen. Through the theoretical framework of Judith Butler and Beverley Skeggs, I examine how the girls negotiate the boundaries and probabilities within doing gender in an upper and middleclass associated area. As a result of its female domination, the stable functions as a place where the girls can dislocate themselves from otherwise normative feminine practises. This is possible since the premises of the stable are constructed in the light of the heterosexual matrix, where the girls organise themselves within the heterosexual girl collective.

The purpose of this essay was to examine young people's view of how intoxication influences the communication and responsibility in sexual situations between two heterosexual adolescents, and to explore how young people define rape.The main questions were to examine how young people describe the communication of "yes" and "no" in sexual meetings, and who is responsible for that communication. Other questions included examining how the interviewees viewed a situation where a girl shows and/or says "no" and a boy still ignores her sexual integrity.The study was based on six qualitative interviews.The interviewees considered non-verbal communication about both "yes" and "no" to sex in a sober condition superior to verbal communication. The study also showed that the sexual responsibilities for girls increase during intoxication, while the responsibilities for boys decrease. A majority of the interviewees considered that a girl who didn't want to participate in sex must be very explicit when expressing her "no", and if not, there was an understanding that a boy can misinterpret or ignore a "no". Rape was by some defined as an act done against one's will, while others claimed that several explicit "no"s had to be infringed to classify it as rape..