AbstractThe focus of this essay is the american director Wes Anderson and the use of colour in his films. I also put some focus on colour as a neglected element in film studies, and what has caused this neglect. In my own research, I have analysed three of Anderson's films: Bottle Rocket (1996), The Royal Tenenbaums (2001) and The Darjeeling Limited (2007). To get a broad sense of a films use of colour, I have investigated the colour scheme, the colours of the costumes, as well as colour patterns. I have also interpreted the symbolism related to certain colours and then used the results of the analyses to answer the question; "how does Wes Anderson use colour, and in which film is this most apparent?" A very generalizing answer to this question, is that Anderson use colour as a means of signifying the characters' feelings and ambitions, and also their relations to the themes of the films.

Det undermedvetna är ett enormt ämne med många teorier. Bland dessa finns det olika uppfattningar om hur vi ska tolka dess betydelse. Uppsatsen belyser hur vi kan se på det undermedvetna. Hur vi kan laborera med det undermedvetna i film? Vad har det för syfte att i film använda det undermedvetna och upphäva de normala livsmönster som gäller? Vilken betydelse har bilden för våra minnen? Vad händer med oss när vi kommer i kontakt med våran inre värld? Uppsatsen beskriver hur våra inre bilder skapas.

Syftet med min undersökning var att studera hur gymnasieelever upplever att tala engelska, både ur allmän karaktär samt att undersöka hur de upplever att tala om detta sker med utgångspunkt i en film. Undersökningen genomfördes under två olika tillfällen med två olika gymnasieklasser: vårterminen 2004 och höstterminen 2004. Min undersökning visade att flertalet elever känner osäkerhet och bristande självtillit inför att tala engelska. Att använda film som motiverande faktor visade sig fungera väl, och utgjorde dessutom ett hjälpmedel till att kunna placera engelska termer i sitt rätta sammanhang. Dock visade resultatet att filmen i sig kan ersättas av andra läromedel.

The discussion about high culture and popular culture in our society has been going on for decades. In few places is it as loud as within culture journalism and the critics? society, where the question of what is good taste and what is dumb entertainment constantly gets brought to the surface. Film is a particularly vulnerable area, since it is such a universally appealing and rather young medium. In America and England several studies have been performed of the reviewing society and reveiwers? use of high and low art-discourse in their writing.

Hägglunds Drives in Mellansel, Sweden, manufacture radial piston hydraulic motors foremostwithin applications in the industry. These motors have several sliding contacts, one of these, isthe contact between piston ring and cylinder bore. The radial piston hydraulic motors advantageis to produce high torque in very low rotation velocity, this result in that the maximum slidingvelocity between piston ring and cylinder bore, during the whole stroke, is very low. Theconsequence of this low sliding velocity is that the contact between piston ring and cylinderbore, during the whole stroke, is bound to the boundary lubrication regime. This result in, thatthe piston ring is exposed to wear, thus affect the service life of the complete hydraulic motor.To minimize wear of piston ring, it is essential to determine the oil film thickness between thepiston ring and cylinder bore.

Denna uppsats är en studie i huruvida spelfilmer kan sägas vara en pedagogisk metod eller underhållning i religionsundervisning. Uppsatsens syfte är därför att ur både pedagogers och elevers perspektiv beskriva och besvara frågan om film gynnar lärande och undervisning i religionsämnet. För att få svar på våra frågeställningar har vi genomfört både en kvalitativ och en kvantitativ studie. Som metod har vi använt oss av intervjuer bland pedagoger och enkät bland elever. Vi har utgått ifrån följande teman: attityd, förväntan, motivation, filmens tillämpning samt filmens fördelar och nackdelar.

The essay depicts the opposite views of the director and an actor during the filming of a specific scene in a feature film. The actor feels that he is not being listened to. This leads to unforeseen consequences for the director, as the actor no longer wishes to take part in the marketing of the film prior to its opening night. Everything is seen from the director?s point of view, she is working in a film world dominated by men.Questions are being asked if the director?s instructions are clear enough or if the actor, fearing getting lost, is mixing up his own feelings with those of the character he is portraying? What happens to the collaboration and how does it affect the rest of the team and the completion of the production? The director is also the producer.

Although I myself haven?t been bullied per say during my school years. I?ve sure been teased and occasionally felt left out. On the other hand ? who hasn?t? And that as well is my point.

Filmskapare har unika hantverksmässiga kunskaper om hur man påverkar mänskliga kognitiva processer för att uppnå önskade effekter på åskådaren. Om dessa kunskaper blev systematiserade med hjälp av empirisk forskning, skulle de kunna komma till nytta även inom vetenskapliga discipliner där man intresserar sig för människans kognition.I denna uppsats kombineras analysen av två filmsekvenser med ett experiment i vilket åskådarnas ögonrörelser filmades och personerna fick svara på frågor om sina intryck av filmen. Resultaten tyder på att människor framför allt blir medvetna om sådana intryck som liknar verkligheten, t.ex. karaktärers personlighet och beteende, snarare än sådant som rör filmens form. Dessa fynd diskuteras i ett allmänt kognitivt perspektiv och ytterligare empiriska undersökningar föreslås för att studera samspelet mellan filmen och åskådaren.Summary in English:Through their craft, film artists have unique insights into methods of influencing human cognitive processes to achieve desired impact on the spectator.

This project was about the creation of a shorter computer animated film. Thegoal of the project was to explore a different technique of the visual outcomethat should not rely on photorealistic rendering and how to find new interestingways to use 3d-graphic for visuals. A big part of the project was also toincorporate music to create a chosen atmosphere and impact on the viewer butalso to help the story forward and questions such as; ?How can you create anexpression for the feeling you want to transmit?? were formulated. The scenewas built up in a 3d-application consisting of a house and surrounding garden,which within an character was animated to tell the plot.

The essay depicts the opposite views of the director and an actor during the filming of a specific scene in a feature film. The actor feels that he is not being listened to. This leads to unforeseen consequences for the director, as the actor no longer wishes to take part in the marketing of the film prior to its opening night. Everything is seen from the director?s point of view, she is working in a film world dominated by men.Questions are being asked if the director?s instructions are clear enough or if the actor, fearing getting lost, is mixing up his own feelings with those of the character he is portraying? What happens to the collaboration and how does it affect the rest of the team and the completion of the production? The director is also the producer.

The purpose of this study is to generate a greater understanding of the different ways in which music can be used to build an identity and create image within movies, and also to explain the different impacts this can have on the parties involved. Through the history of movies music has been used as a tool for enhancement and for expression of emotions. Through music the audience relates to personal memories or emotional states and the experience is given a deeper impact, helping to create memorable movie scenes. Certain directors have created a unique identity through the use of music in their movies, and also artists have been brought forward by starring in a soundtrack. What we find interesting, and what is also the discussion in this study, is in what ways this collaboration/artistic expression can be done and what impact it has on the parties involved.

Idrottsrörelsen involverar i dag över 3 miljoner människor i Sverige. För att hålla ordning på alla idrottsutövare behöver förbund och föreningar pålitliga administrationssystem och bra IT-lösningar. Riksidrottsförbundet utvecklar ett gemensamt administrationssystem, IdrottOnline, som i dag används av ungefär 50 specialidrottsförbund och 13 000 föreningar (maj 2010). Majoriteten av användarna till systemet är ideellt arbetande föreningsmänniskor. För att underlätta deras arbete bör systemet vara enkelt och smidigt att använda och inte kräva alltför stora ansträngningar att lära sig.Syftet med det här projektet är att utforma en åtgärdsplan för IdrottOnline med förändringsförslag.

Syftet med denna studie är att undersöka på vilket sätt Jesus beskrivs på film. Mer specifikt är syftet att beskriva hur Jesus gudomliga och mänskliga egenskaper gestaltas i fyra olika filmer. Film är ett växande medium och det är också ett medium för att behandla livsåskådning, både explicit och implicit. Det kristologiska grundproblemet kring Jesus natur aktualiseras på film ibland utifrån en teologisk medvetenhet, men ibland också omedvetet. Syftet med denna studie är alltså att undersöka hur Jesus gudomliga och mänskliga natur gestaltas på film.

In this paper we examine how young women present themselves on their weblogs. The main purpose of this study is to get their own opinions and thoughts about their own blogging, to see if we can find norms for how they present themselves and how the presentation online matches themselves offline. We put this in relation to information technologies, social software and Computer mediated communication, CMC. It´s also in our interest to see how the phenomenon of blogs, its role and methods of communication have changed and developed in the last few years, and whether there are differences in the way people use it according to age. The major finding is that, unlike previous research, the women in our study tend to be themselves in their weblogs and they do not manipulate their identities.