Studiens syfte är att undersöka vad verksamma pianopedagoger har för erfarenheter av gruppundervisning och samspelsmöjligheter för nybörjarpianoelever. I bakgrundskapitlet ges en överblick vad som finns skrivit om samspel, pianogruppundervisning, traditioner inom pianoundervisning och material för grupper. Därefter följer en presentation av tidigare forskning inom ämnesområdet. Den teoretiska utgångspunkten för studien utgörs av det sociokulturella perspektivet på lärarande och kommunikation.Det insamlade datamaterialet består av kvalitativa intervjuer med fyra verksamma pianopedagoger som har erfarenheter av samspel och gruppundervisning för piano. I resultatkapitlet beskrivs informanternas erfarenheter av gruppundervisning, samspel, förutsättningar och material.

Reflektioner kring hur den kreativa processen kan observeras på olika nivåer. .

The purpose of this thesis was to examine if users of digital music games may acquire skills from the games that may be of use in learning to play a real instrument, that is a non-digitally simulated instrument like an acoustic piano. We have used Gee?s theory regarding a possible interconnection between different semiotic domains, and how this connection may enable a transfer of skills between related domains. In this thesis we examine possible skill transfer between the domains ?digital games? and ?non-digital instruments?. To examine our question formulation we chose to conduct a pilot study from which we collected both quantitative and qualitative data.

In this study the reliability of dominance profiles as a method of establishing a person's learning style was tested. Eight students at Malmö Academy of Music tried three different ways to learn a short melody at the piano. In this way, their preferred way of learning things (either visual, auditive or kinestetic) was established. Five of the students did best when they used a visual cue to learn a melody, and the remaining three did best when auditive cues were used. All but one of the students had the worst result in the kinestetic trial.

The main purpose of my essay is to inquire into the situation in the preparatory classes. The focus of interest in the essay is to see how new arrived pupils/children from Iraq integrate in the new school environment, foreign culture and what difficulties they come across during their period at the preparatory class. Such as language difficulties and how they manage with the traumatic memories from the war and the effect of that in their learning.I choose to do a qualitative survey and taking part in observing a preparatory class to see how they work. Thereafter, to see from a different perspective and understand the pupils more and perhaps go deeper with some questions I choose to interview some of the pupils. The responds I received gave me a more comprehensible idea of the struggle these children have been through and still go through in a daily basis.The result of this study illustrates the character of a preparatory class, and the central factors that occur in their education.

In this study the reliability of dominance profiles as a method of establishing a person's learning style was tested. Eight students at Malmö Academy of Music tried three different ways to learn a short melody at the piano. In this way, their preferred way of learning things (either visual, auditive or kinestetic) was established. Five of the students did best when they used a visual cue to learn a melody, and the remaining three did best when auditive cues were used. All but one of the students had the worst result in the kinestetic trial.

Efter många års pianospel med inriktning på klassisk musik med det akustiska pianot i fokus insåg jag när jag började spela pop och rock att det då antogs att jag skulle behärska många olika klaviaturinstrument. Inte alltid helt lätt, då det inte finns någonting som säger att du till exempel är en bra orgelspelare bara för att du är en duktig pianist. I mitt examensarbete ville jag fördjupa mig i några klaviaturinstrument för att fundera på hur man spelar på dessa i olika musikaliska sammanhang och vilka olika spelsätt de genom sin teknik för med sig. Jag skrev tre låtar, en för varje valt instrument (piano, orgel, Clavinet) och spelade in dessa, utan klaviatur. Sedan gjorde jag en version av varje låt med varje instrument för att se hur jag själv spelade på olika sätt beroende på instrument.

The purpose of this study is to use a qualitative method to investigate the Swedish curriculums of 1919, 1962 and 2011 in search of attitudes and different usages of the popular culture of the time. To reach these conclusions Antonio Gramsci?s theories about cultural hegemony have been applied to prove how the superior classes, in this study these classes are represented by the Swedish school as an institution, use popular culture to maintain sovereignty of the lower classes. Ergo the problem highlighted in this study is whether the cultural class society exists in a fixed state since the 1919?s with the school as the institution to implement the tradition of cultural hegemony.

I mitt examensarbete har jag valt att undersöka de tankar som finns kring vem som spelar vilket instrument. Vilka ord, som har med utseende respektive personlighet att göra, förknippar studerande vid en svensk musikhögskola samt en svensk folkhögskola med de utvalda instrumentalisterna; -klassisk tubaist, fiolspelande folkmusiker, klassisk tvärflöjtist, afrosångaren, afrotrummisen, klassisk pianist? Vilket kön, vilket utseende och vilken personlighet tänker de sig att respektive instrumentalist har? Genom en enkätundersökning har jag försökt ta reda på detta. Jag delade ut enkäter till studerande vid en svensk musikhögskola samt till musikstuderande vid en svensk folkhögskola. Av 201 utdelade enkäter fick jag in 49 svar.

Att framföra kompositioner ur minne kan innebära ett hot eller vara en tillgång för elever som spelar klassiskt piano. Syftet med min uppsats är att undersöka hur pianopedagoger kan hjälpa elever att utveckla deras verktyg för memorering och framförande utantill, och bidra till att spelet ur minne upplevs av elever som en tillgång. Svar på denna fråga söker jag med mitt framtida yrke i åtanke. Jag har genomfört en enkätundersökning bland pianostudenter vid Musikhögskolan i Piteå för att få en verklighetsförankrad bakgrund till uppsatsen, samt studerat litteratur skriven av pianopedagoger och verksamma konsertpianister från olika länder. Enkätens resultat visar på en klyfta mellan studenternas positiva uppfattning om memorering å ena sidan och brister i deras memoreringsverkstad å andra sidan, vilket resulterar i att de inte längre memorerar sin repertoar.

To regularly remove woody vegetation along the roadside of forest roads is an important part of the road maintenance, since the vegetation binds moisture in the road side and, thus, the removal makes the road drying faster with results in improved bearing capacity. Vegetation removal also makes it easier to upgrade the road by material recycling from the ditch and, moreover, the visibility along the road is maintained.The aim of the study was to evaluate what type of chain flail is the best and most cost-effective for removal of different kind of woody vegetation along forest roadsides.Time studies were made on two chain flails when removing woody vegetation in three different classes; easy-, middle- and heavy shrub removal. The studied flails were one light and rather simple flail named Optimal M160 and a heavier and more advanced flail named Slagkraft H210. The removal was made according to Holmen Skogs? specification and the quality of the cleaning was measured by objective belt inventory.The productivity was higher with the heavy flail within all cleaning classes.

 My goal with this essay was to find out what makes certain teachers more successful than others to hold good and well functioning classes. This is important because this in turn affects the learning of the students. I wanted to find out what factors people within the world of research have pointed out as important aspects when creating a good teaching situation, with focus laying on the teacher?s behaviour in the classroom. In my investigation I have used qualitative research, observing two upper secondary school classes, for a total of nine lessons during a two-week period. In my observations I wanted to see if the class as a whole was behaving differently when interacting with different teachers.

This study investigates whether teachers working with children ages 6 ? 9 are including an LGBTQ perspective in their teaching methods. The purpose is to critically examine sexuality and gender as part of the teaching methods in Swedish schools; whether teachers are working with LGBTQ questions in their classes, and if so, how. The following research questions are answered: Are the teachers incorporating an LGBTQ perspective in their classes, and if so, in what sense?Are LGBTQ questions relevant and of interest in the education?Do teachers feel like they have gained the right tools in their pedagogical education and/or in their workplace to work with LGBTQ questions in their class room? And if so, in what way? The method used is qualitative research in the form of interviews and observations.

The present study deals with the usage of the school library for upper secondary school students. Is it a place for working or studying? The questions are:? What do the students say they use their school library for?? Are there any differences between students in theoretical programs and students in practical programs with regard to their use of the school library?? What are the features of the ideal library from a students? point of view? My study represents a user?s perspective. The investigation is both quantitative and qualitative. Eighty-two inquiries from four different classes, representing two theoretical and two practical programs were carried out.

Fokus på basens roll i musik. Hur används instrumentet i ensemblen? Vad händer om basens roll utvecklas och hittar nya ytor i gruppen? Ett arbete om skapa musik med influenser från jazz och fusion som sätter basen i nytt ljus..