D-uppsatsen "I samhällets periferi - om normer och strategier bland hemlösa kvinnor", bygger på en två veckor lång fältstudie genomförd under hösten 2007, på ett daghärbärge för hemlösa och utsatta kvinnor ? någonstans i Sverige. Syftet med studien och således med uppsatsen, är att undersöka könsidentitetens betydelse för livet i samhällets periferi. Avsikten är att söka utröna huruvida det finns något samband mellan könsidentitet och klasstillhörighet när det gäller de hemlösa och på andra sätt ?samhälleligt utstötta? kvinnornas subjektskonstruktion.Genom det etnografiska språket, skildras i uppsatsen några av alla personliga möten, händelser och situationer som erfors under fältstudien, då den deltagande observationen fungerade som metod för insamling av material.

Yrkesfiskare är få till antalet i Sverige och än färre är de kvinnor som valt att skaffa sin licens och börja utöva yrket. Syftet med denna uppsats är främst att studera dessa kvinnor men också männen inom fiskenäringen. Hur uppfattar de sig själva i en tillsynes mansdominerad näring? Vilka hierarkier är de som råder? Uppsatsen kan ses som en kulturell arbetslivsstudie. Analysen utgörs av en kulturanalys och de teoretiska språngbrädet består av: Foucault, Butler och Connell..

My thesis deals with the novel Ladies, written in 2007 by the Swedish author Mara Lee. When published, it was received as a book belonging to the chick lit genre but still got good reviews. This combination is really unusual and awoke my interest in the novel. My thesis is therefore an analysis whether Ladies can be considered a chick lit novel or not, and in what way it is similar to or differs from the genre. I start my thesis with an overview of former research of chick lit and what earlier was called trivial literature.

Sammanfattning: Vid min granskning av mottagandet av de sex böcker jag har behandlat i denna uppsats kan man se vissa likheter och skillnader hos recensenter och bloggare. Att gestalta könsöverskridande hos flickor verkar överlag vara lättare än när det gäller pojkar och inte alls lika uppmärksammande.  Också könsneutralitet verkar kunna passera som något positivt inom vissa gränser Men det är tydligt att flickpojkarna får mest plats i recensionerna och bloggarna eftersom detta alltid är något som nämns.  Detta gäller dock inte Kivi och monsterhund, som ju introducerade ett nytt begrepp inom barnlitteraturen, hen. Kanske är det så att flickpojken och böcker som använder ordet hen ännu är ett så ovanlig perspektiv att man reagerar mest på det?Stina Nylén som skrev en recension om Kivi och monsterhund i Göteborgs-Posten slår nog huvudet på spiken när hon skriver att författarna aldrig kan göra rätt när de skapar könsöverskridande barnbokskaraktärer. Böckerna fick nämligen kritik från alla håll som jag har visat här ovanför, även om de också hyllades i många fall.

Our purpose has been to review and analyse the representation of rape, as well as discussions concerning rehabilitation, present in texts targeted at professionals and/or female victims of rape. We wish to investigate whether female victims of rape themselves are given the opportunity of individual positioning with regard to the crimes they have been exposed to. We consider it to be of relevance that female victims of rape themselves are given the opportunity to act, react and feel individually in the context in which they find themselves, without judgement or certain expectations on how to act being dealt to them from their surroundings. Our research questions have been as follows; what views of the phenomenon that is rape are presented in the texts? Do the texts apply any specific theoretical analysis aimed at the possible explanations of the phenomenon that is rape? In what ways do the texts present the significance of rape for the female rape victim? How are the victims feelings of disgrace, guilt and disgust with regard to rape explained, are these reactions linked to the understanding of female sexuality? How are methods of the rehabilitation of female rape victims presented in the texts? Do the texts render possible any other/varying subject positions as a female rape victim? To answer these research questions we have applied a critical discourse analysis on our selection of texts and thereafter made a connection to relevant theory.

The study analysis Anaïs Nin's work, Henry & June from a queer theoretical perspective. The purpose is to show what the work makes with text and how it produces ambivalence with sex and gender and thereby demonstrate the queer leakage in heteronormative performativities. The first part analyzes how it is working with self-representation in diary form. In order to view the work historically and linguistically the work has been related to analyzes and essays by other researchers mentioned in the analysis. The analysis shows that the writer Anaïs Nin has a clear agenda with her work.

The Barbie doll is an icon filled with meanings; this thesis discusses the Barbie doll and herfeministic potentials and subject positions using a discourse analysis. The thesis analyzeswhat sort of femininity Barbie portraits in magazines, web series and films about her.Theories being used originate mainly from gender and queer studies, where the focus is on theperformative constructions of gender and femininity. Since the material mostly consists ofmoving images some influence is taken from feminist film theorists and semiotic theory,which focuses on signs and their meaning. The thesis centres around the questions: how isBarbie?s femininity challenged, strengthened and constructed in different types of mediaabout her produced by Mattel? And is there any feminist potential in Barbie?s subjectpositions in these media forms?.

Violence is put in a specific context when the police are the perpetrator of violence rendering violence possibly legitimate through sovereignty. The possibility of legitimization of police violence raises important questions of how such violence is legitimized and how resistance is conceived of and defined. I have interviewed seven people in Sweden from different backgrounds, all of whom share the experience of having been subjugated to police violence, including threats, harassments and physical violence.This paper analyzes the performativity of police violence through the relations between police violence, power, sovereignty, subjectstatus and resistance, in order to understand how police violence is being legitimized and to understand its consequenses with respect to those subjugated to it. I?ve also analyzed if this violence is being politicized and, in that case, how politicization is made possible.

Violence is put in a specific context when the police are the perpetrator of violence rendering violence possibly legitimate through sovereignty. The possibility of legitimization of police violence raises important questions of how such violence is legitimized and how resistance is conceived of and defined. I have interviewed seven people in Sweden from different backgrounds, all of whom share the experience of having been subjugated to police violence, including threats, harassments and physical violence.This paper analyzes the performativity of police violence through the relations between police violence, power, sovereignty, subjectstatus and resistance, in order to understand how police violence is being legitimized and to understand its consequenses with respect to those subjugated to it. I?ve also analyzed if this violence is being politicized and, in that case, how politicization is made possible.

The aim of this master thesis is to study the reliefs of a Romanesque tombstone from 1130 AD, with the intention to form a plausible understanding of their meaning. During the course of the investigation, my main focus will be on collecting materials of an iconographical and historiographical nature, as they appear in previous studies. I will also use performative analysis when examining the tombstone. Consequently this thesis can be seen as a survey of history and place; early Christian iconology as well as the experience of the viewer. As a result, the 900-year-old tombstone will not only be seen as a memorial in this text, but also as a performance of one man?s faith and as representing the core message of the early Christian church.The tombstone is a rarity in Swedish art history and well worth a closer examination.

The purpose of the study was to look into the subjects which the students express when they cry out to their recreation instructor, if there are similarities and differences in the subjects when they turn to their recreation instructor or when they instead turn to their teacher, which different roles and positions the students place their recreation instructors and the teachers in. I have used focused observations during three days in two different schools. Using the ideas of J.Butler on performative perspective, I´ve analyzed the way the students have positioned their recreation instructors and teachers through speech and actions. My conclusion is that students early on see hierarchical structures in school and help maintaining them..

This essay concerns dance as an exhibition object by examining the permanent exhibition at The Museum of Dance in Stockholm, Dansmuseet. Due to its dependence on the temporality and movement of the lived body, dance does not easily lend itself to being exhibited in a traditional exhibition display; and since the live dance performance itself is ostensibly absent at the exhibition display, other means of representation must be relied upon in order to evoke the exhibition visitors? experiences of time and movement as well as the feeling of dance. Starting from a phenomenological first-person perspective, as an exhibition visitor, I present three ways in which such experiences may come about. The cross-section of the experience evoked and the means that trigger them are intermedial, spatial, and performative taking their departure in the visitor?s pre-understanding of dance..

This essay analyzes three Swedish cartoon artists: Elias Ericson, Lisa Ewald and AmandaCasanellas. The aim is to examine how they construct feminist strategies through their workand how they convey this visually. The issue of whether these Swedish cartoons can be seenas a part of a bigger political platform is central. Through semiotics and post-colonial andqueer feminist theory, some answers to these questions are searched for.The result shows that all three of the artists can be seen in a bigger activist context, even ifthey work in and through different platforms. Casanellas questions the racism in Swedenand how we should prevent it.

Erik Andersson: Utanför Murarna: En studie av Ulf Lundells och rockkulturens outsiderpositionering. Uppsala universitet: Institutionen för musikvetenskap, 2007.The main aim of this essay is to show how the artist Ulf Lundell presents himself as someone with an outsider's view of life. This also includes showing that this aspiration is a common one among artists in the rock culture.The aim was reached by studying texts, lyrics, interviews, articles of and with Lundell and then applying theories about authenticity and performativity on this material. In order to put this in a context I looked at a similar material but with a much broader perspective, artists from different countries, genres and eras is here included.The conclusion of this study is that a kind of norm system in the rock culture has developed and Lundell is acting accordingly to these rules. The outsider position has become an important ingredient in Lundell's persona and this position can also be seen as a given norm in the wider context.

Uppsatsen syftar till att söka svaren på frågor om vilka maskuliniteter som uppstår i Jan Fridegårds ursprungliga trilogi om Lars Hård samt hur dessa maskuliniteter uppstår, varierar och upprätthålls. Undersökningen utgår från teorier formulerade av bland andra Judith Butler och Raewyn Connell; teorier som vill förklara både genus och kön som sociala konstruktioner. Arbetet bygger vidare på ett forskningsläge om manlighet i litteraturen som främst kan karaktäriseras som internationellt, eftersom den svenska litteraturvetenskapliga manlighetsforskningen ännu är förhållandevis blygsam. Undersökningen kan delas in i tre delar som i tur och ordning behandlar maskuliniteter som uppstår i Lars Hårds relationer till kvinnor, till andra män och till samhällets institutioner.I Lars Hårds relationer till kvinnor söker han främst konstruera sin maskulinitet genom att söka efter en stabil och naturlig femininitet att spegla denna maskulinitet mot; något som i allt väsentligt misslyckas.I hans interagerande med andra män visar sig en maskulinitet präglad av distansering från familjen och de plikter som därmed associeras. Denna maskulinitet uppstår främst i grupper av män; grupper som även präglas av hierarkier och dominans av andra män.