We aim to develop knowledge of how new technology, in this case social media, can contribute to how sports fans interact with their idols. Therefore our framing of a question is to present how fans experience their contact with mixed martial arts (MMA) & ultimate fighting championship (UFC) through social media platforms. To specify our study, we also have a supplement question with in which way sports fans uses social media.We have chosen to conduct a qualitative study consisting of interviews and data observations of websites, related to the organization UFC, to approach our main question. We have interviewed nine randomly selected people with one common interest - MMA/UFC. With an implant of theories, consisting of social media, fandom and lurking, on the result of the interview and website data, we try to come closer to a conclusion for our intention with this thesis.Our conclusion is that the interviewed fans express that through the usage of social media, they feel like they have come closer to UFC.

Den här studien utforskar deltagande kring det populärkulturella fenomenetThe Twilight Saga. Ett fenomen som både utgörs av fandom och kommersiell franchise. Fokus ligger på hur praktiker utvecklats fördeltagande på Internet. Materialet är både fansidor ägda och administreradeav enskilda fans och webbsidor som representerar aktörer inom franchise.Syftet är att undersöka relationen mellan fandom och franchise. Det för attundersöka karaktären av deltagande när fans har sina egna kanaler för attpublicera och producera material.

Begreppet ?fan edits? betecknar filmer som klipps om av fans, vilka är missnöjda med hur en adaption för vita duken som gjorts. I min uppsats vill jag påvisa dels hur samspelet mellan fans och filmmakare/filmbolag sett och ser ut, dels försöka klargöra varför copyright/fair use är så knepigt att applicera på området..

This Master´s thesis examines the conceptual ideas of science fiction and science fiction fandom produced in the Swedish fanzine Science Fiction Forum (1960-) between the years 1960 and 1980. Science Fiction Forum was and still is a fanzine published by Skandinavisk Förening för Science Fiction (Scandinavian Science Fiction Club). Both the club and the fanzine are a part of the phenomenon called fandom.A fandom is a collective of people called fans who form a community by sharing a special interest in a special object. The fanzine is one of the many material products produced by fans within a certain fandom. Science Fiction Forum and Skandinavisk Förening för Science Fiction were founded in 1959 and are a part of swedish science fiction fandom, where the object of fandom is literary science fiction..The primary focus of this thesis is the meta discussion on science fiction and science fiction fandom in Science Fiction Forum.

The aim of this paper is to study whether the way directioners (One Direction fans) on Twitter express self-understandings denote fandom as a sacred experience. For this purpose, the data was analyzed in relation to Nicholas Jay Demerath III typology of the varieties of the sacred experience. The method used was discursive psychology. The data was analyzed by how the fans draw the line between ?us? and ?them?, when expressing their self-understandings and their position in relation to others. Five themes were identified: (1) positioning and demarcation for membership, (2) group identity, (3) conflict, (4) the norms for behavior, opinions and language and (5) the group?s role and function.

This study investigates Swedish and Finnish official perception of Russia following the Cold War. This is aimed at categorizing changes in perception of Russia over time and assessing the impact of perception on defense policy. The study uses a comparative method where the contents of three foreign policy reports of Sweden and Finland respectively are analyzed according to dimensions based in image theory. Results show that Swedish and Finnish perceptions of Russia are overall similar between the reports being compared, except for Finnish perception of Russian relative power being significantly greater. Changes in Swedish and Finnish official perception do not clearly correlate with changes in defense policy.

Motorik och perception är viktigta delar i alla barns utveckling,men hur viktgt är det för banrets skrivinlärning. Syftet med denna uppsats är att ta reda på hur pedagoerna ser på sambandet mellan motorik, perception och skrivinlärning och vad säger forskningen.Vad gör pedagogerna om de ser att barn har problem med motrik, perception eller skrivinlärning för att hjälpa barnet inom dessa områden. Hur påverkar det pedagogernas arbete samt hur påverkar det barnet om denne har sårigheter inom motrik och perception..

Purpose;the purpose of this study is to investigate whether a product ad observer's purchase intention, perception of product quality, brand image perception and price perception is affected depending on the size of the text that was used in the ad to communicate the product price.Methodology;the study was conducted using a quantitative method through a survey. The implementation of the study has been done by using three variants of the same suit ad where the three different variants have been manipulated on the text size on the price information, by reduced / increased the text size. The implementation has also been carried out using two different ad sender, with three ads for each sender.Result and conclusion;the text size on the price of a product ad mainly affects the observer's price and quality perception, where the small text will have a positive effect on quality perception and a negative effect on the quality perception. Even brand image changes depending on the text size where small text will have a positive effect..

Earlier studies and research on the subject of perception and social media during the working process resulted in a change of the problem. At first the focus of the study was to examine how social media affects the perception of a brand although later on the problem had to be developed to instead examine if social media reflects the perception of a brand. The purpose of this study is to figure out if social media reflects consumer?s perception of a brand. This will contribute to company?s knowledge on how important social media is in their branding and will give pointers on how many resources that is necessary to spend on branding in social media.

SyfteSyftet med denna uppsats är att tydliggöra samt klarlägga hur artister och teamenkring dessa arbetar för att bygga och bibehålla starka relationer mellan fan och artist.Fortsättningsvis vill vi även öka förståelsen kring hur fansen uppfattar denna typ avarbete för att upprätthålla relationen.Utifrån syftet har vi utvecklat följande forskningsfråga;- Vad präglar artistens och dennes medarbetares arbete med relationerna gentemotfansen?MetodVi har i denna uppsats valt att arbeta utifrån en kvalitativ ansats för att kunna samla inrelevant information från olika perspektiv och för att få en djupare förståelse förämnet. Vi har intervjuat tio olika respondenter, både fans och inflytelserika personerinom musikbranschen. Dessa har genomförts face-to-face, via mail samt över Skype.Förutom intervjuerna har vi även analyserat litteratur, artiklar och onlinekällor.SlutsatserUppsatsen sammanfattas i ett avslutande kapitel bestående av våra slutliga tankar ochen kort sammanfattning av svaret till vår forskningsfråga. I detta kapitel presenterar viatt relationen mellan artist och fan behöver vara personlig för att en artist ska kunnaskapa en varaktig lojal fanbase.

The main aim of this research was to investigate four humour styles, affiliative, self-enhancing, aggressive, and self-defeating humour, and compare these with emotional perception. Forty-eight persons took part in the research, 27 women and 21 men living in the southern part of Sweden. Two humour tests were used: the Humour Scale Questionnaire ? HSQ, with 32 items, and a newly composed video test, assembled after pilot testing from 26 video clips, the Humour Video Questionnaire ? HVQ. To measure perception and interpretation of emotion, the revised version of the ?Reading the Mind in the Eyes? Test was used.

Detta är en undersökning med syftet att ta reda på vad en groupie är, vad det är som driver unga kvinnor att bli groupies samt hur det har sett ut från 1960-talet fram till idag. Detta då groupies fått dåligt rykte som några som enbart är ute efter att ha sex med rockstjärnor.Jag har utifrån intervjuer och litteraturstudier av biografier samlat in empiri från Lexa Vonn, Nikki McWatters och Pamela des Barres till undersökningen. Detta material har jag sen kopplat ihop med teorier om fans och fanskap för att komma fram till en slutsats. Resultatet visar att groupies drivs av kärlek till musiken och rockkulturen samt att de känner en samhörighet med musikerna de beundrar. Deras egen definition av vad en groupie är stämmer väldigt bra överrens med Sandvoss definition av fans.

The purpose of current paper is to identify the differences (ifany) between Swedish and Turkish consumers in terms ofproduct design perception and to identify the differences toproduct design in relating the four dimensions / characteristics:1.Aesthetical attractiveness, 2.Functionality, 3.Value and4.Quality.The findings of the study indicate the existence of a universal perception of design. Despite the culturally different countries that are examined the empirical material consistently display similarities between the two countries. Both the quantitative and qualitative data point to a very similar perception in terms of design. The possibilities of global design are discussed for companies as well as managerial implications and future research..

This thesis deals with the concepts of individual and individuation as defined by Leibniz and Spinoza. I go through the use and definition of the concept of individual in four stages.First I discuss the individual as conceived by Spinoza as a relation formed by a composition of parts and the individual as conceived by Leibniz as a complete notion consisting of all the events in the life of a subject.Next is the roll of perception in Leibniz discussed, likewise individuation through different perception with varying distinctness, and the affinity of perception with affection.The discussions concerning the individual concludes in a section about the essence of the individual as being the desire of the individual. In the last stage, I discuss the multitude as being an own individual..

The standard model concerning the relationship between perception and motility is linear and one-way. It depicts the flow between the two as moving from sensation to perception to representation to computation, and finally, to motility and action. According to this model, animal being is basically a bundle of reflexes. But what can correctly be considered a bundle of reflexes from a natural science point of view, doesn't necessarily have to be true. This conception does not take into consideration the more complex interactions between motility and perception that constitutes, or generates, animal and human beings.