Title: Belting in teaching. A study of views and teaching-procedure.The purpose of this study is to map how the singing teachers at a Swedish college of music describe and implement the vocal technique 'belting' in their curriculum. This study is based on watching and interviewing six different teachers. The theoretical part deals with voice physiology and four different theories surrounding belting. The results show that the descriptions of belting vary between teachers and experts alike.

In Sweden there are laws and recommendations from The National Board of Health and Welfare about the importance of a user's involvement in and possibility of influencing services directed at them. Even with such good intentions the same board reports that it is hard to know if people experience that they do. The purpose of my study was to examine how professionals can use their knowledge to help users increase their sense of influence in services that they use. My focus has been on adults with neuropsychiatric disabilities within the autistic spectra, such as Asperger syndrome, and on the professionals working with them. The specific problem among people with neuropsychiatric disabilities is a lack of social skills.

AB Perstorps Persienn är ett mindre företag i solskyddsbranschen. Deras omsättning har ökat stadigt under flera år och de är nu nära en kapacitetsgräns. Informationssystemet som har funnits på företaget har varit ett lösbladssystem där ett lösblad med information cirkulerar genom hela verksamheten och dess processer.Detta examensarbete består av två, i tiden åtskiljda, delar. I sin helhet handlar det om verksamhetsutveckling på AB Perstorps Persienn. Den första delen är just en förundersökning för ett utvecklingsprojekt som involverar effektivisering och att upphandla ett nytt standardsystem till verksamheten.

Title: The municipal school of arts and music - "a school for everyone?" - A study of the accessibility of "Kulturskolor", focusing on the absence of fees. The aim of this thesis is to increase the understanding of a complex of problems concerning broadened recruitment of students and teachers in "Kulturskolor". I have chosen to focus on three schools of performing arts offering programs free of charge to ascertain how they work with broadened recruitment and to see what effects they have achieved by having no fees. I have examined these schools through a qualitative study where I have interviewed the principals and teachers from each school.

Uppsatsen tar upp museipedagogik på Statens Museum for Kunst i Köpenhamn. Eftersom det är ett konstmuseum handlar pedagogiken om konstpedagogik men också om pedagogik som står i relation till skolan. De pedagoger som tas upp är de som varit speciellt inflytelserika för 1900-talets skola och undervisning. Pedagoger som Piaget, Vygotskij, Dewey och Klafki nämns såsom förebilder även till museipedagogiken. Undersökningens huvudsakliga material är samlat genom en intervju och några samtal samt från ett antal observationer av visningar för barn.

I have made an inquiry about stage communication, small talk and on-stage rhetoric. The essay is divided into different parts. There is a background part that gives a short overview about other research and literature that has been made on the subject. A background has been put together to help you as a reader to understand the complex science can be. Here you will find work written by Dorothy Irving and Åke Lundberg among others.

Title: Silence please: Silent students' thoughts on shyness and nervousness in the classroom. This thesis deals with silent students' thoughts on shyness and nervousness in the classroom. During this study I have been talking to silent students about their experiences of being silent. After a look at the literature on the subject of shyness I have found that there the perspective of the students is lacking. My study deals with three main questions: How do silent students describe their experience of their shyness? How do silent students describe the possible training regarding oral presentation that they may be able to get? And finally, how do silent students describe their possible needs of pedagogical support? In my study I have adopted a qualitative method, which is a method that mainly concerns interpretation of people's thoughts.

English Title: "The unquestionable tuition of music theory". During my years as a musician and a musical student, I have encountered many prejudices when it comes to views on music played by ear and the routines and discourses belonging to its creation and performance. I have experienced that there is a concealed hierarchical view on different styles of music, particularly amongst those educators and musicians who are highly educated in musicology. The Afro-American tradition, has historically been a part of the musical education at university level for much shorter a period than that of the classical tradition. In my opinion, the formulation of the music theory lessons is still strongly influenced by the classical tradition.

Studien visar på hur informell kunskap blir synliggjord genom användandet av validering i skolmiljö. Inom ramen för dagens snabba samhällsutveckling ställs det höga krav på moderna, flexibla metoder för det livslånga, livsvida lärandet. Detta kräver att utbildningsanordnare är uppdaterade och förändringsbenägna i sitt ledarskap. Det är också viktigt att lyfta blicken och informera sig om vad som händer och sker i världen. För att kunna uppfylla dessa krav har det krävt förändringar i nationella styrdokument.

I oktober 2006 presenterade jag för Utbildnings- och kulturförvaltningen i Markaryd idén att samla sångintresserade i Markaryds kommun till en projektkör för att uppföra ett större körverk med orkester. Målen med projektet var att stimulera till ökad sång- och körverksamhet i skola och kommun och genom denna aktivitet, dels skapa närkontakt med klassisk musik, dels att bygga broar mellan olika grupperingar i kommunen. Då man år 2007 firade Markaryds kommun 700 år, Markaryds kyrka 150 år och Linné 300 år tillkom aspekten att projektkören skulle kunna bidra med en konsert som avslutning på jubileumsåret. Min forskningsfråga i detta arbete är: På vilket eller vilka sätt har projektets målsättningar uppnåtts? Skriftliga utvärderingar med de deltagande körsångarna, reaktioner från kommunen, press och allmänheten samt en DVD dokumentation utav konserten ligger till grund för min resultatdiskussion.

Title: Spykist ? of course, what then? - A study of the future plans of young music students in a Swedish high school. This study is dedicated to examine in what direction music students on a Swedish high school are planning to continue their education. The students, mainly 18-19 years old, are in different ways influenced in their specialised music studies by the arts program offered by their school. Will they aim for future higher musical studies or are they satisfied to have music only as a leisure pursuit? This study is based on a survey which included 99 students from grades 2 and 3 in a high school in the south of Sweden, called "Spyken".

Title: Experiential learning in the upper secondary school ? a study of film as a method in music education. Today the school competes foremost with TV and the computer regarding the spreading of knowledge. I believe that it is of great importance for the school to move with the developments of society in order to, to a greater extent, reach and motivate pupils. My degree thesis is about how you, as a teacher, can use experiential learning in music teaching in the upper secondary school.

Title: "Everybody is talking about reception but what do they really mean?" - Teacher trainers' experience of work with aesthetic communication in perspective of a receiver with a special attention to the reception of music. The purpose of this thesis is to study the notion of reception among a group of teachers at the department of education at Malmö University. Our principal aim is to illuminate reception in an educational context as well as experiences of the teachers´ work with aesthetic communication in perspective of a receiver within the main subject KME (Culture Media Aesthetics). We are paying special attention to the reception of music since this is a part of our profession.