This essay presents an example of the musical life of a female composer active in Sweden during the late 19th and early 20th centuries. Through a case study on composer Sara Wennerberg-Reuter (1875-1959), the essay contributes information to her biography, which had been lacking specific details.Wennerberg-Reuter's biography has been discussed regarding traditional roles of women in music, her relationship to her own artistry and other active women composers, and finally the contemporary reception of Wennerberg-Reuter as a legitimate composer. Aesthetical theories prevalent during Wennerberg-Reuter?s life has been applied in these discussions, such as those presented by Citron, Öhrström and Hanson, combined with Citron's additional theories considering masculine/feminine elements in the musical approach.The main conclusions reached regarding the specific conditions enabling a professional status as a composer and woman in Sweden during the given time are;a) the liberal permission by the family to pursue higher education in composing, since this was in opposition to the traditions of the time.b) the access to a network of musically active women, from which a sense of being part of a female community can be created.c) the acceptance from musical institutions such as higher educations, composer's societies and media critics..

The purpose of this study has been to examine how Afro-Cuban musical traditions and concepts are integrated in compositions for solo guitar by the Cuban guitarist and composer Ñico Rojas and how this can be expressed in the performance of his music by a classical guitarist. For this purpose a guide to Rojas music, which is included in this report, was written based on literature about Afro-Cuban music. Then a classical guitarist learned to play a piece by Rojas with help from the written guide. The result was examined using recordings of the guitarist's interpretations and an interview with him. The conclusion is that different aspects of the Afro Cuban musical tradition are present in Rojas? music, but that the concept of the clave was the most useful aspect for the classical guitarist that interpreted the music of Ñico Rojas in this study..

Detta är en konstnärlig uppsats som är fokuserad på utveckling av mitt musikaliska språk. Mitt syfte är att undersöka användningsområden för de begränsat transponerbara modus som tecknades ner av den franska kompositören Olivier Messiaen. Detta är mina frågeställningar:Hur kan jag hitta metoder för att utforska Messiaens begränsat transponerbara modus?Hur kan jag applicera resultaten av utforskandet i mina improvisationer och i mitt komponerande?Jag har utifrån mitt eget undersökande av Messiaens modus arbetat fram ackordsserier som jag sedan utvecklat till modeller att använda i komposition och improvisation. Jag har även undersökt hur Messiaens modus, och därmed också de ackordsserier jag tagit fram, relaterar till mer ordinära tonaliteter.Resultatet är bland annat kompositioner som jag på ett eller annat sätt grundar på Messiaens modus.

Denna litteraturbaserade studie undersöker hur det entreprenöriella lärandet diskuteras i aktuell forskning samt hur det kan förstås i en teaterutbildningskontext. Kan teaterundervisningen främja elevernas entreprenöriella lärande? När den nya gymnasiereformen, GY11, lanserades fick landets skolor ett nytt uppdrag ? att eleverna ska utveckla entreprenöriella förmågor under sin studiegång. I samband med detta tillkom ett nytt pedagogiskt förhållningssätt: entreprenöriellt lärande.Studien visar att det finns en definitionsproblematik kring entreprenöriellt lärande. Analysen av litteraturen visar vidare att flera källor är överens om att kreativitet är en viktig byggsten för entreprenöriellt lärande.

Title: The impact of environment on music students' commitment to music - a study of attitudes among music students and their parents. The purpose of this essay is to illustrate the importance of environmental influence on childrens' musical interests and factors inspiring children to play instruments and sing. The parents' opinions, regarding the extent of the effect of the environment on the musical interest of their child, are compared in the text, with the childrens' own opinions in this matter. I conducted the survey in two music classes in Malmö. I used a questionnaire, where all students participated and I also conducted qualitative interviews with four students and their parents.

I detta arbete studeras metoder att lära ut jazzimprovisation på elgitarr. I bakgrunden behandlas utifrån litteratur och tidigare forskning, ämnet improvisation samt jazzimprovisation och metoder att lära ut detta på elgitarr. I resultatdelen redovisas och jämförs vad fyra elgitarrlärare vid kulturskola och gymnasium tänker kring ämnet jazzimprovisation, samt metoder för att lära ut det. De berättar utifrån sin erfarenhet som elgitarrlärare om vilka svårigheter som finns vid jazzimprovisationsundervisning på elgitarr. De talar också om metoder de inte använder i dagsläget, men kan tänka sig använda.

För att en organisation ska kunna överleva i en tid som präglas av förändring och hård konkurrens, krävs en organisationskultur som främjar innovation. Många av de komponenter som litteratur inom innovationsområdet beskrivs som essentiella för just en sådan här kultur, återfinns också i improvisationsteater. Den här studien binder samman dessa två områden, både ur ett teoretiskt perspektiv och genom en praktisk, undersökande studie. Studiens hypotes var: ?Improvisationsteaterworkshops kan, av ett arbetslag, upplevas som ett fungerande verktyg till att på längre sikt kunna skapa en organisationskultur som främjar innovation.? För att kunna verifiera eller falsifiera hypotesen, genomfördes tre improvisationsteaterworkshops på ett företag där åtta deltagare på ett lekfullt och prestigelöst sätt fick ta del av hur improvisationsteater kan relateras till arbetslivet på olika sätt.

This Master Thesis is a product development project that has been carried out in cooperation withLappset Sweden AB.The purpose has been to develop a group of products suited for parks andtraditional playground locations. The specific target area has been courtyards of newly builtresidential areas. (These pieces of open land resemble glades that can be found in the forest,which in Swedish is called ?gläntan? and has given name to the product family). Therefore thedesign should match contemporary architecture.

My interest in examining what happens when you as a teenager are exposed to five or six times the amount of time as ordinary classes to music education derrives from my own experience as a music teacher at a school which has those kind of special music classes. During my career as a music teacher in grades 4 ? 9 in Swedish compulsory school I have taught music classes as well as ordinary classes for 18 years. During this time I have often wondered what this exposure means in retrospect. Is it the conquering and mastering of music skills that students remember when they?ve grown up to young adults, or is it something else?The aim of this study is to find out what it means for teenagers to have music as a school subject every day of their years in Swedish high school.

Det ha?r arbetet handlar om hur jag utvecklar mitt oboespel och min musikaliska fo?rsta?else fo?r tva? stycken: Mozarts oboekonsert (sats 1 och 2) och Strauss oboekonsert (sats 1). Anledningen till att jag har valt just dessa stycken a?r att de vanligtvis a?r obligatoriska pa? provspelningar. Eftersom jag ga?rna vill ha ett orkesterjobb ma?ste jag fo?rst vinna en provspelning.

What is it that I do in my artistic work? And above all, what is it that I meet in the making? I become aware of a strong link between reality and art, for example, when I tell a fictional story on stage or compose, mirror, a human destiny in music. My compositions are, together with events before, during and after they've began to exist, an experience where I move between - sometimes I have chosen to express it - different dimensions of reality..

The main purpose of this essay is on one hand to try to find and explain the formula of success of the rock group Status Quo, and on the other to elucidate and explain the foundation and essence in the music made by Status Quo, but also to study how, if and why the foundation and essence have changed over the years. The method of investigation is partly based on a musical analysis of three albums from three different periods: Hello! (1973), Ain´t Complaining (1988) and Heavy Traffic (2002), and partly on a sociological study of the group?s career between 1962 and today, 2005.The first part of the essay concerns the period between 1962-1973 with an analysis of the album Hello!; the second part concerns the period 1974-1988 and the album Ain´t Complaining; finally, the third part concerns the years between 1989-2002 with an intensified analysis of the album Heavy Traffic. In the forth part of the essay I discuss the career of Status Quo from a sociological point of view.I run to the conclusion that the essence of Status Quo is the boogie-woogie comp on Fender guitar by Rick Parfitt, the riff on Francis Rossis´ Fender guitar in combination with the base, the piano and the drums. This has been the essence through all the years, even though it was more difficult to apprehend it during the 1980s.

Studiens syfte är att upptäcka strategier och metoder för att på gehör planka musik. Detta har undersökts genom studier av min egen lärprocess när jag plankar en för mig okänd låt på gehör. Under processen har jag filmat mig själv och fört loggbok för att kunna dokumentera vad som har hänt och vad som har upplevts. Vid analysen av filmerna har jag tittat på mitt lärande utifrån ett designteoretiskt perspektiv. Jag har då upptäckt olika resurser för att ?höra och göra?.

A pupil with ADHD is constantly getting new impulses and is unable to focus and remain concentration on their task at school. When the pupil loses concentration he or she can often be loud and thereby disturbing all the other pupils in the classroom. One of the reasons for losing their concentration is that these pupils got poor working memory. A recently study shows that working memory can be improved by playing and practice music.A theory that all people have a multiple intelligence that emerges from learning is a part of this study because school should encourage all children and ensure their individual learning. Multiple intelligences means that each person learns in different ways, for example through the musical intelligence that this essay partly focuses on.

Purpose/Aim: The purpose of this thesis is to define and analyse how Swedish record companies work with digital musical content distributors. A more narrow aim is to show how the record companies and with the digital musical content distributors iTunes Music Store and Spotify create incentives for consumer?s to use legal digital music channels through the Internet. To further circle the core of the problem following questions have been asked: How does the record companies provide iTunes Music Store and Spotify with digital content and what is done by the record companies to retain control over the material? How do the record companies view digital musical sales and what incentives are given to consumers to buy music digitally? Finally, What position of power do iTunes Music Store and Spotify have on the digital content arena?Material/Method: The data collected for this thesis is retrieved through personal interviews with representatives from three of the four major record companies Universal Music, Warner Music and EMI and their Swedish branches.Main results: The consumer?s access to digital content through iTunes Music Store and Spotify is of the utmost importance and is a prerequisite.