Detta examensarbete behandlar lärares sätt att se på och undervisa i etik, samt lärares påverkan på barns etiska och moraliska utveckling. I arbetet kommer det fram att lärarna i min undersökning ser som sin främsta uppgift att stödja barnens utveckling, så att de ska klara av framtida konflikter och problem. Detta sker bl a genom etikundervisning, ofta i form av diskussion eller värderingsövningar. Informanterna anser att deras påverkan på barnens utveckling är väldigt stor, något som styrks av litteraturgenomgången..

Då den statliga granskningen av läromedel upphört är det upp till varje undervisande lärare att bedöma huruvida läromedel ligger i linje med de gällande kursplanerna eller ej. Syftet med uppsatsen är att granska 1800-talet i fyra läromedel i litteraturhistoria. Med hermeneutiken som verktyg tolkas två olika kursplaner i svenskämnet, den nu gällande kursplanen i Svenska 1 hämtad ur Gy 11 och kursplanen för Svenska B hämtad ur Lpf 94. Tolkningen av aspekter som kan kopplas till litteratur ligger till grund för analysen av de aktuella läromedlen. Resultatet visar att de fyra läromedlen tar upp information som ligger i linje med det kursplanerna föreskriver och kan således möjliggöra att eleven uppnår målen när det kommer till studier av författare och dess verk under 1800-talet..

The common asylum and migration policy of the European Union is a struggle between a strong belief in the protection of human rights and the need of strong and secured borders. This paper highlights the dilemma that occurs in the common asylum and migration policy of the European Union. What happens when the union have to choose between liberal standards with high priorities to human rights and a realistic focus on security? The aim is to study the asylum policy presented in the Stockholm Program, and thereafter evaluate what kind of character the union has itself. By an ideal type analysis of the Stockholm program from 2009, the common asylum policy is divided into either liberal or realistic ideas.

The purpose of this thesis is to study how swedishness is constructed and narrated in two Swedish documentary series that picture the Swedish participation in the international ISAF mission in Afghanistan. The main focus lies on how the Swedish soldier as such is portrayed, on which values, characteristics and qualities that they are said to embody and how these are linked to notions of swedishness, particularly the strong historical narrative, formed during the second half of the twentieth century, that defines Sweden as a peaceful, neutral and humanitarian state, with peaceful, enlightened and democratically minded citizens. Theoretically it draws on the concept of metanarrative to explain how ideas of shared national origin translates in to a broad organizing discourse, that defines, interprets and communicates notions of what it means to be a Swede and what is needed to make claims on swedishness. Another concept, that of national bodyscape, is also used to further define and explain how ideas of nationality are embodied and take the form of specific characteristics and  personal qualities. The meaning-making in these two series makes use of the above mentioned definition of swedishness as defined by humanitarian concerns, democratic ideals and moral superiority to construct an image of the Swedish soldiers as on the one hand soft, humanitarians, who are needed in Afghanistan because of their especially strong sense of justice and moral, and, on the other, as tough soldiers, who are able to participate in every aspect of the war as fighters.

The purpose of this thesis is to study how swedishness is constructed and narrated in two Swedish documentary series that picture the Swedish participation in the international ISAF mission in Afghanistan. The main focus lies on how the Swedish soldier as such is portrayed, on which values, characteristics and qualities that they are said to embody and how these are linked to notions of swedishness, particularly the strong historical narrative, formed during the second half of the twentieth century, that defines Sweden as a peaceful, neutral and humanitarian state, with peaceful, enlightened and democratically minded citizens. Theoretically it draws on the concept of metanarrative to explain how ideas of shared national origin translates in to a broad organizing discourse, that defines, interprets and communicates notions of what it means to be a Swede and what is needed to make claims on swedishness. Another concept, that of national bodyscape, is also used to further define and explain how ideas of nationality are embodied and take the form of specific characteristics and  personal qualities. The meaning-making in these two series makes use of the above mentioned definition of swedishness as defined by humanitarian concerns, democratic ideals and moral superiority to construct an image of the Swedish soldiers as on the one hand soft, humanitarians, who are needed in Afghanistan because of their especially strong sense of justice and moral, and, on the other, as tough soldiers, who are able to participate in every aspect of the war as fighters.

Att spela tv- och datorspel är idag en stor del av många människors liv. Ioch med en förfinad teknik hos spelen, med bättre spelmiljö och artificiellintelligens skapas det en större realism och funderingar kan uppstå hur dettakan påverka en utövare. Den här undersökningen testade sambandet mellanempati och graden av våldsamhet i spelen hos en utövare. Det var 64gymnasieelever som deltog i en enkätundersökning, varav 16 var män. Föratt mäta empati användes Davis-IRI.

Vad var viktigast? Moralen eller spelet? Enligt Miguel Sicart så beror det på din erfarenhet. Den här undersökningens huvudsyfte var att ta reda på: Hur påverkas en spelare vid moraliska val av sin tidigare spelerfarenhet? För att testa detta byggdes ett spel med moraliska val som testpersoner sedan fick spela och svara på frågor om varför de gjorde de valen. Enligt den här undersökningen är spelet viktigast för dom som spelar mycket, medan moralen är viktigast för dom som spelar mindre.

During the past 10 years Sweden has updated its penal code for sexual crimes twice. Despite this few are convicted for the crime of rape in Sweden. As the majority of perpetrators being male, this is a problem concerning women?s rights to respect for their bodies and personal integrity. A possible explanation, and this study?s point of departure is a potential discrepancy between the intention of the law and the interpretation of the same as the Swedish legal system rests on a foundation of legal positivism.

This essay concerns the fantastic and its position in narration. The fantastic's defintion is based on Martin Horstkotte's defintion in The Postmodern Fantastic and the essay focuses on the noncontextual aspects such as the clash between two incompatible fictional worlds and the absence created. Instead of the ordinary identification of the established fictional world with realism and our reality it is suggested that both of the colliding fictional worlds are fictive and that the established one not necessarily need to be realistic. Exampels on how the fantastic takes place on the syntagmatic level in a narration is drawn from the short story ?Samvetets fantasi? by Clas Livijn when analysed with Peter Brooks' closurebased narratology theory in Reading for the Plot.

This study examines the possibilities of interpreting the moral values and ethics presented in the current curriculums in a way that makes them inclusive and constructive. The study also reveals how the liberal democratic ideal, presented in the curriculums as a hyper-ideology, is not at all easy to define or live up to in the pluralistic school of today.By close-reading and criticizing the curriculum for the Swedish senior high school (Gy11)and by looking at it from two different points of views, as rules or norms and as a process, Ishow how the curriculum can be interpreted as a basis or starting point for a communicationabout values. I also discuss wether the aim of this communication should be consensus or anongoing process..

This text concerns itself with war, the just war theory, and the application of that doctrine on the ?war on terrorism?. I present different views on the theory's place in the discourse, its relevance for unconventional wars followed by the analyses of above mentioned empirical situation.Particular interest is given the criteria concerning proportionality, both ad bellum and in bello, due to in part its difficult nature, and the attention it has received from others. This paper asks the question: Is the just war theory adequate for analysis of modern war?There are few alternatives.

This essay concerns the fantastic and its position in narration. The fantastic's defintion is based on Martin Horstkotte's defintion in The Postmodern Fantastic and the essay focuses on the noncontextual aspects such as the clash between two incompatible fictional worlds and the absence created. Instead of the ordinary identification of the established fictional world with realism and our reality it is suggested that both of the colliding fictional worlds are fictive and that the established one not necessarily need to be realistic. Exampels on how the fantastic takes place on the syntagmatic level in a narration is drawn from the short story ?Samvetets fantasi? by Clas Livijn when analysed with Peter Brooks' closurebased narratology theory in Reading for the Plot.

I det här examensarbetet studeras Astrid Lindgrens litteratur utifrån ett didaktiskt perspektiv. Syftet är att i en idéanalys undersöka vilka idéer och värderingar som förmedlas i ett urval av Astrid Lindgrens verk som kan vara en tillgång i undervisningen i grundskolans tidigare år, i detta fall från förskoleklass till årskurs fyra. Fokus ligger på vad litteraturen förmedlar, varför den är didaktiskt relevant samt på vilket sätt innehållet kan vara en tillgång i undervisningen. Idéanalysen är gjord utifrån fyra olika teman, som är relationer, känslor, genus och självkänsla.Analysen framhåller att böckerna förmedlar olika sorters relationer, som elever kan identifiera sig med. Dessa är relevanta att lyfta i undervisningen för att behandla viktiga ämnen så som identitet, kränkande behandling, mobbning, demokrati, alla människors lika värde, respekt, moral, etik och värdegrund.

Denna uppsats rör den moral som presenteras för oss i amerikanska äventyrsfilmer. Tre filmer, King Arthur, Robin Hood och Gladiator, presenteras och analyseras. Hjältens handlingar är i fokus men även antagonisten och andra bikaraktärers handlingar är av vikt. Detta ställs mot den traditionella pliktetiken då vi får se om hjältens handlingar är förenliga eller strider mot den. En diskussion följer också kring filmernas upplägg och vad lockelsen med denna typ av film egentligen är..

This essay concerns the fantastic and its position in narration. The fantastic's defintion is based on Martin Horstkotte's defintion in The Postmodern Fantastic and the essay focuses on the noncontextual aspects such as the clash between two incompatible fictional worlds and the absence created. Instead of the ordinary identification of the established fictional world with realism and our reality it is suggested that both of the colliding fictional worlds are fictive and that the established one not necessarily need to be realistic. Exampels on how the fantastic takes place on the syntagmatic level in a narration is drawn from the short story ?Samvetets fantasi? by Clas Livijn when analysed with Peter Brooks' closurebased narratology theory in Reading for the Plot.