This thesis revolves around an obvious fact: printed (or otherwise two- or three-dimensional) poetry is always and inevitably visual. By analysing a representative selection of poems, including conspicuously experimental and image-like poems as well as examples of more conventional poetry, the thesis points out that visual iconicity is an equally inevitable consequence of the visuality of printed poetry. The analysis applies terminology relating to iconicity and intermediality (presented by Lars Elleström, whose theoretical basis is the semiotics of Charles Sanders Peirce) to the selected poems, while avoiding making too specific interpretations, in order to maintain a discussion of the ever-present phenomenon of visual iconicity as such, and not just the individual examples.Rather than introducing visual iconicity specifically to confirm more or less specific interpretations of poetic texts, this method of approaching poems as two-dimensional works of art is what this paper mainly aims to propose, as a productive starting point for literary analyses in general; as is concluded in the theoretical framework by Elleström, the actual Modal and iconic properties of printed poetry contradict mutually exclusive dichotomies such as verbal/visual and text/image. While indirectly visually iconic poems tend to have a wider range of possible interpretations at the outset, the existence of iconic potential, however, does not depend on any specific interpretation..

 AbstractJohan Landgren: Tonalitet i tjugoförsta århundradet ? Populärmusik och spel med tonala konventioner. Uppsala universitet: Institutionen för musikvetenskap, C-uppsats 2007.I uppsatsen studeras spelet med tonalitet och tonala konventioner i den nutida populärmusiken. Fyra låtar (av Avril Lavigne, Fall out boy, My chemical romance och Nickelback) analyseras med avseende på melodi och harmonik, för att visa hur musiken förhåller sig till traditionella tonala system. Den teoretiska utgångspunkten är en diskussion av Carl Dahlhaus om indelningen av musik i harmonisk respektive melodisk (Modal) tonalitet, och i underkategorierna tonarter respektive modi.

I den här uppsatsen undersöks sex olika texter från tidskrifterna Kamratposten och Julia för att komma fram till vilka modelläsare som konstrueras. Modelläsaren är den identitet som erbjuds i en text och den läsare som avsändaren föreställer sig. Syftet med undersökningen är att hitta och sedan jämföra modelläsarna från de olika texterna och därigenom se vilka förväntningar de två tidskrifterna har på sina riktiga läsare. Analysen är kvalitativ och har sin grund i den systemisk-funktionella grammatiken. Jag har valt att analysera texternas interpersonella betydelse och deras presuppositioner.

SAMMANFATTNINGUppsatsens titel: Framtidens alternativ till bomullSeminariedatum: 30 maj 2011Kurs: Projektbaserat textilt utvecklingsarbeteFörfattare: Li Lindsjö, Lisa Nilsson, Sara SaandHandledare: Olle HolmuddSyfte: Syftet med arbetet är att upplysa och undersöka vilka textila material som kan vara ett komplement tillbomullsfibern där faktorer som miljö, egenskaperoch pris beaktas.Metod: I steg ett byggdes en teoretisk förståelse med hjälp av faktalitteratur, hemsidor och tidningsartiklar. I steg två kompletteras den teoretiska analysen medempirisk fakta. Empirin inhämtas genom intervjueroch kundundersökningar.Teoretiskt ramverk: Kartläggning och sammanställning av bomull och andra textila materials miljöpåverkan, funktionella egenskaper och pris. Med utgångspunkt i detta kan alternativa användningsområden och materialanalyseras. Analyserade material är ekologiskbomull, bambu, hampa, lyocell och Modal.

This thesis of 15 hp has been implemented at Halmstad University, incollaboration with Saab Dynamics in Linköping. Saab Dynamics is a companyoperating in the defence industry where competition is tough. This necessitatesnew ways to increase efficiency in the company, which is the basis for this thesis.Saab Dynamics wants to introduce simulation driven design. Since SaabDynamics engineers have little experience of simulation, required a usermethodology with clear guidelines. Due to lack of time, they chose to assign thetask to students, which resulted in this thesis.The aim of the thesis is to develop a methodology in mechanical design, wherethe designer uses the FE analysis early in the design process to develop thestructures' mechanical properties.

This thesis of 15 hp has been implemented at Halmstad University, in collaboration with Saab Dynamics in Linköping. Saab Dynamics is a company operating in the defence industry where competition is tough. This necessitates new ways to increase efficiency in the company, which is the basis for this thesis. Saab Dynamics wants to introduce simulation driven design. Since Saab Dynamics engineers have little experience of simulation, required a user methodology with clear guidelines.

This thesis of 15 hp has been implemented at Halmstad University, incollaboration with Saab Dynamics in Linköping. Saab Dynamics is a companyoperating in the defence industry where competition is tough. This necessitatesnew ways to increase efficiency in the company, which is the basis for this thesis.Saab Dynamics wants to introduce simulation driven design. Since SaabDynamics engineers have little experience of simulation, required a usermethodology with clear guidelines. Due to lack of time, they chose to assign thetask to students, which resulted in this thesis.The aim of the thesis is to develop a methodology in mechanical design, wherethe designer uses the FE analysis early in the design process to develop thestructures' mechanical properties.

AbstractThe project "Sound and Play" have been implemented in collaboration with the toy company BRIO in Malmo. The purpose of the project was to examine whether and how BRIO in the future could develop toys around sound for Toddlers.The problem formulations that would be answered after completion of the project was "How could BRIO broaden its product range with the help of audio toys?", "How can you combine toys and sounds in an interesting way for children?", "How do you create a toy with sound that is fun for the child, but not annoying for parents?". Currently BRIO only has two toys with sound in this age group.The expression of the toy was going to be a mix of classic and cool and the overall feeling of the toy was going to be explorative and arouse curiosity in the child. This feeling would be communicated through simplicity and joy.