I detta examensarbete skapades illustrationer och modeller i digital 3D-grafik, föreställande den svenske skalden Carl Michael Bellman (1740 - 1795). Förebild för arbetet var en 2D-bild i detta fall Per Krafft d.ä:s (1724 - 1793) målning av Bellman från 1779. Arbetet utfördes med föresatsen att åstadkomma en så realistisk återgivning av en verklig karaktär som var rimligt tidsmässigt. Den modellerade karaktären poserades och renderades i flera bilder. Den praktiska delen av arbetet resulterade alltså i en remediering av en målning till digital 3D-grafik.

While the strategy of lending a voice to the monstrous is a well known aspect of Howard Phillips Lovecraft's works, the female monster is a notable exception to this case. In this thesis, I excavate a theory of female monstrosity through a reading of some of Lovecraft's most read stories and the agency of female characters that appears within. Comparing these female registers of monstrosity to their masculine counterpart, I develop a concept of female monstrosity manifested through categories of class, race and gender with the help of Judith Halberstams theories of monstrosity.Rather than treating these women as active characters, I argue that Lovecraft's inability to handle these monsters forces him to literally put them away ? in attics, cellars, or boxes. These are the marginalized positions from which these women elaborate a monstrous form that transcends the boundaries of sex, gender, class and race.

Obemannade flygplan med attackförmåga (UCAV) används i allt större utsträckning i konflikter idag. En av de främsta fördelarna med dessa är att det inte finns någon risk att mista en pilot, då dessa är fjärstyrda. I attacker utförda av amerikanska UCAV:er i framför allt Afghanistan och Pakistan, har collateral damage inträffat vid ett flertal tillfällen. Det innebär att civila oavsiktligt fallit offer för attacker. Enligt krigets lagar kan sådana händelser rättfärdigas av att militär nödvändighet föreligger, men det är tveksamt om det går att hävda det när man inte riskerar egna förluster.

Studien behandlar vare sig en stigmatiserad grupp av människor i vårt samhälle med ett brottsregister blir utsatta för diskriminering vid etablering på arbetsmarknaden. Syftet är att få en insikt i tidigare dömdas möjligheter till anställning ur ett arbetsgivarperspektiv genom att undersöka hur arbetsgivare motiverar utdrag ur belastningsregistret, samt vilka riskbedömningar som ligger till grund för dessa utdrag. För att bli bekanta med problemområdet har vi studerat tidigare forskning kring vårt ämnesområde som främst berör ökningen av utdragen ur belastningsregistret, vilket har medfört svårigheter gällande etableringen på arbetsmarknaden. Vi har även använt oss utav tidigare forskning som påvisar en social uteslutning bland tidigare dömda, som följd till begränsningen till en eventuell anställning. Studien utgår utifrån en kvalitativ metodik där vi har intervjuat sex arbetsgivare.

Hur uppfattar Temple of Set sin relation till den fornegyptiska religionen och vilka aspekter anser de att deras moderna ockultism har gemensamt med eller har utvecklats från denna?.

Den ha?r uppsatsen handlar om den svenska arbetarro?relsens musikanva?ndning. Ro?relsens anva?ndande av musik belyses och analyseras ur ett historiskt, politiskt och strategiskt perspektiv. Uppsatsen belyser arbetarro?relsens tidiga period i Sverige, vilket inneba?r att senare a?r och nutida perspektiv inte sta?r i fokus.

Böckerna Imperiet (2000) och Multitude (2004), skrivna av Michael Hardt och Antonio Negri, har skapat stor debatt i politiska sammanhang, i synnerhet inom den globala rättviserörelsen. I böckerna presenteras en teori som beskriver den nya världsordning som vi idag lever i. Hardt och Negri anser att världens medborgare ? mängden ? lever under en ny global självständig politisk enhet som de kallar för imperiet. De menar att nationalstaternas suveränitet har kringskurits av de trans- och övernationella institutioner och organisationer som vi ser i dagens globaliserade värld och deras suveränitet har således övergått till imperiet.Man kan se referenser till Hardt och Negris teorier i delar av den globala rättviserörelsen, där begrepp som imperiet och mängden förekommer.

The history of rhetorics in documentary film is a long one. The French brothers Louise and Auguste Lumiére were among the first persons who produced a documentary and their work has had a big impression in the history of documentary during the 1900 century. John Grierson has been called ?the father? of documentary film. He produced films in the English speaking part of the world and he is the founder of the concept ?documentary film?.

Böckerna Imperiet (2000) och Multitude (2004), skrivna av Michael Hardt och Antonio Negri, har skapat stor debatt i politiska sammanhang, i synnerhet inom den globala rättviserörelsen. I böckerna presenteras en teori som beskriver den nya världsordning som vi idag lever i. Hardt och Negri anser att världens medborgare ? mängden ? lever under en ny global självständig politisk enhet som de kallar för imperiet. De menar att nationalstaternas suveränitet har kringskurits av de trans- och övernationella institutioner och organisationer som vi ser i dagens globaliserade värld och deras suveränitet har således övergått till imperiet.Man kan se referenser till Hardt och Negris teorier i delar av den globala rättviserörelsen, där begrepp som imperiet och mängden förekommer.

Defining the concept of information has long been the subject of debate within Information Science (IS) and new challenges are constantly presented by new scientific discoveries and new theoretical positions. It is, nevertheless, of key importance for any academic discipline to find definitions on which there is a consensus. The paper therefore aims to clarify the relevance of one of these new theoretical approaches for IS, namely poststructuralism. It does so by describing the theories found in the writings of poststructuralists Mark C. Taylor, Jacques Derrida and Michel Foucault, and discussing their relevance for the three definitions of information suggested by Michael Buckland (Information-as-knowledge, Information-as thing and Information-as-process), thereby answering the following questions: What relevance does Mark C.

My problem comes out of the bigger question ?why the Catholic church is featured in horror films whenever a religious organization is in one?? I have detected in the horror films that I've seen that when a religious organization is in a horror movie it's the Catholic church that gets to act as church and religion. I have chosen the following problem: How is the Catholic church presented in the horror movies The Exorcist and The Rite, and how can one understand these presentations from a role theoretic perspective?Since role theory has it's background in the world of the theater with it's actors and roles, it came naturally to use role theory, and specifically Goffmans dramatic model. I've used this model in a film analysis of the movies.

The aim of this thesis is, from a business perspective, to examine how the pharmacy chain Medstop is working with their positioning in order to achieve competitiveness in the re-regulated pharmacy market. This is studied through a theoretical framework that demonstrates five forces that affects the competitiveness in an industry, the five-force model by Michael Porter.The thesis is a qualitative case study where data collection was done through interviews, literature, articles, websites and internal information from Medstop. The data was then complied into the theoretical perspective the authors have chosen for this paper, the five-force model by Michael Porter. This model was chosen because it gives a broad description of the competition a company faces by describing five different forces that affect the competition within a branch. The fact was collected on the basis of the marketing strategy positioning, and the essay is written from a business perspective.Our cunclusions are that the pharmacy chain Medstop are in their initial positioning and has chosen to position itself on the basis of their core values; credibility, safety and security.

My problem comes out of the bigger question ?why the Catholic church is featured in horror films whenever a religious organization is in one?? I have detected in the horror films that I've seen that when a religious organization is in a horror movie it's the Catholic church that gets to act as church and religion. I have chosen the following problem: How is the Catholic church presented in the horror movies The Exorcist and The Rite, and how can one understand these presentations from a role theoretic perspective?Since role theory has it's background in the world of the theater with it's actors and roles, it came naturally to use role theory, and specifically Goffmans dramatic model. I've used this model in a film analysis of the movies.

My problem comes out of the bigger question ?why the Catholic church is featured in horror films whenever a religious organization is in one?? I have detected in the horror films that I've seen that when a religious organization is in a horror movie it's the Catholic church that gets to act as church and religion. I have chosen the following problem: How is the Catholic church presented in the horror movies The Exorcist and The Rite, and how can one understand these presentations from a role theoretic perspective?Since role theory has it's background in the world of the theater with it's actors and roles, it came naturally to use role theory, and specifically Goffmans dramatic model. I've used this model in a film analysis of the movies.

My problem comes out of the bigger question ?why the Catholic church is featured in horror films whenever a religious organization is in one?? I have detected in the horror films that I've seen that when a religious organization is in a horror movie it's the Catholic church that gets to act as church and religion. I have chosen the following problem: How is the Catholic church presented in the horror movies The Exorcist and The Rite, and how can one understand these presentations from a role theoretic perspective?Since role theory has it's background in the world of the theater with it's actors and roles, it came naturally to use role theory, and specifically Goffmans dramatic model. I've used this model in a film analysis of the movies.