This essay examines the love affair between the two main characters of Rut Hillarp?s novel Sindhia. It draws attention to the schism between the Surrealist version of love as an extatic-religious fusion of the sexes ? that in a way marks the relationship ? and the yet remarkable coolness between the two lovers.With the theories of French psychoanalyst Jacques Lacan, I will show how the man and the woman project their unrealistic individual fantasies on each other, thus rendering impossible the Surrealist Meeting, with its road to an absolute reality. The Surrealist "l?amour fou", I will argue, is trapped in the ritualized "l?amor interruptus"; a Lacanian term for a certain kind of love that wishes to conceal the fact that desire will never find its object.

This essay examine the femme fatal and the head character in the play Lulu Eine Monstretra gödie by Frank Wedekind. I have studied Lulu, who would be classified as a femme fatal, in terms to see what kind of woman?s portrait a femme fatal is. I will show with the theories of Judith Butler, Jacques Lacan and Joan Riviere how the femme fatal can be seen as a construc-tion, a role done by men. As well as a strong self owned woman.

The aim of this study is to explore the fundaments of all psychoanalytic interpretative models, and especially the psychoanalytic literary criticism. Drawing from different fields as affect theory, neuropsychology and Lacan's structural psychoanalysis, strong evidence is found that language in itself contains and transmits affects.The empiric study indicates that different readers of a text, regardless of their interpretation of the text, show similar changes in mood as a function of the text. This seems to be possible as an effect of the separation of the sign between the signifier and the signification. And this supports that the signifier has some kind of direct access to the affects. This is due to the fact that the signifier belongs to the imaginary protolinguistic level while the signification belongs to the symbolic and linguistic level of a higher order.

In this study I have met three authors in a dialogue seminar on their literary work. The discussion, starting from texts by Lacan and Socrates, revolved around the dichotomy of personal and private, and how to benefit from personal material in one?s literary work. The three authors reflected on the writer Karl Ove Knausgård and the photographer Sally Mann, who both are working with their own immediate family as a motif. In Knausgård, you can find a strong and self-dissecting writer persona as a medium of creating recognition in the readers mind.

In this paper Mona Hatoums installation Corps étranger is discussed via a post structuralized method based on associative and semiotic comparisons with vanitas, a post-modern self-portrait, and as a representative for modern visual art. The analyze touches upon pornography, science fiction and the quest for scientific conquest in outer and inner space. Theoretical references are Foucault, Freud, Lacan, Barthes, Dolar, Said and Virilio. Hatoum makes the observer a voyageur with the aid of the latest medical technology, endoscope, which gives her the opportunity to make an introvert self-portrait when she films her own throat and rectum. But at the same time she makes the portrait of us all.

I ett försök att låta psykoanalysen tala med poststrukturalistiskateoribildningar undersöker uppsatsen hur det går att förstå fenomensom kroppslighet, begär och subjektion. Uppsatsen försöker skapaaffiniteter och synteser mellan de inom svensk genusvetenskap oftaignorerade delarna av Judith Butlers psykoanalys och teoretiker sombland annat Julia Kristeva, Jacques Lacan, Sigmund Freud ochJacques Derrida. Genom att låta den freudianska och butlerianskatermen melankoli stå i dialog med Kristevas teori om abjektionenoch Derridas différance-begrepp görs en teoretisk ansats attanalysera ätstörningsproblematikens omedvetna struktur i denmanliga homosexuella subjektspositionen. Uppsatsen argumenterarför behovet av psykoanalysen inom genusvetenskaplig teori för attkunna blottlägga de dolda subjektiverande processer som via enheterosexistisk diskurs skrivs in starkare och mer våldsamt i vissapsyken än andra. Uppsatsen försöker visa på hur den ätstördakroppen hos bögen som subjekt framträder som något förfrämligatoch abjektalt med ursprung i melankoliska heterosexistiskaintrojiceringar i jaget och begäret.

The starting point of this essay was the frustration I felt after having read the novel Nadja (1928) written by the French surrealist André Breton. The title promises the story of someone called Nadja but the promise stays unfulfilled. Recognition of this phenomenon, where a man writes a book about a woman, but the woman hardly is seen, made me want to examine it further.Using the theories of the French psychoanalyst Jacques Lacan I analyze the relation between the male narrator and his female object. I also compare Nadja to a precursor: the novel Bruges-la-morte (1892) of the Belgian symbolist writer Georges Rodenbach. Their stories are, to a large degree, similar.

Inledning: En studie i ämnet om erfarenheter av förändringsprocesser i terapiprocessen i jagstrukturerande psykoterapi. Det kliniska arbetet vilar på terapi med unga personer i psykos, beskrivna av psykoterapeuter.Frågeställningar: Hur visar sig utveckling och förändring hos konfidenten? Hur kan dessa kopplas till metodens faser och teoribildning?Metod: Urvalet är fem verksamma psykoterapeuter vilka valt ut kliniskt material med unga personer i psykos. Studien är kommen utifrån en hermeneutisk och fenomenologisk metod vilka vilar på två delar, en deskriptiv del och en kvalitativ del, där litteratur och tidigare forskning adderas till intervjumaterialet. Till detta har likaledes ett fenomenologiskt raster lagts.

The aim of the study is to investigate pupils? attitudes to and experiences of reading aloud by the teacher in grade 1. The study answers questions about how the pupils perceive the reading aloud, what they think they learn from it, and what books they prefer the teacher to read from. The study was conducted with the aid of semi-structured interviews with eleven pupils, six girls and five boys. The study shows that the pupils have a great deal to say about reading aloud.

A rhetorical analysis of the educational interactive film ?Riskprofilen?, produced by the Swedish Civil Contingencies Agency (Swedish: Myndigheten för Samhällsskydd och Beredskap). This essay uses the theories and methods of Procedural Rhetoric, as described by Professor Ian Bogost, and Visual Rhetoric, as described by Professor Brigitte Mral to analyse the interactive and visual component parts of the artefact, and compares them to the intended purposes of the artefact as stated by documents pertaining to its creation, found to be those of educating the public; marketing the agency; and driving traffic to its webpage. The artefact is through analysis found to fulfil the purposes of marketing the Agency and of likely increasing traffic to the website upon which it is hosted. Regarding the primary, educational purpose this analysis finds that the artefact does not teach a user the accident-avoidance strategies it claims to do, but is dependent upon further materials..

This essay focuses on psychoanalytic theory and its relevance for political studies. It especially draws attention to the conceptual toolkit developed by Jacques Lacan and the way that it serves as the starting point for Slavoj Zizek´s approach to the theory of ideology. One important point of this approach is that the power of an ideology is not primarily related to the ideas or worldview it expresses but rather to the enjoyment it provides the subject with. This enjoyment is obscene in the sense that it forms the necessary, but seldom acknowledged, supplement to public values. Fantasy is a major source for this kind of enjoyment.

Ulf Lundell is one of the most famous songwriters and authors in Sweden. He has written fifteen works of fiction and they?ve all same theme ? a lonely man trying to look into his own past life. They are all built on a character, writing from an I-perspective, having a bit of Lundells own biography in there?s personality. The aim of his thesis is to find out how Ulf Lundell presents him self in his fictive characters, and will trace the authors development from a psychological point of view.

While almost 23 percent of the students in the Swedish upper secondary school are foreigners, only a fraction of the school libraries? collections consists of literature written in other languages than Swedish or English. This study examines how five school librarians experience the task of working with literature composed in foreign languages in the multicultural and multilingual school of today. The results of the qualitative interviews are analyzed in relation to the legislation and policy documents that the school libraries are working by, and also in relation to the theoretical framework of sociocultural theory and the theories on second language acquisition developed by linguist Jim Cummins.The study shows that while multilingualism is discussed as an important matter in the legislation and policy documents that the school libraries work by, the librarians in this study largely view the question of foreign literature as peripheral. Most part of the librarians connects first language reading to leisure-time activities rather than curricular activities, and stresses that the Swedish language should be prioritized in Swedish schools.

The purpose of this Bachelor?s thesis is to explore the useability of bibliometric analysis on scientists of the humanities. This is accomplished by doing a case study on philosopher Slavoj ?i?ek. The work process and the results the case study is able to produce and the limits of these results are then analysed and discussed.In the case study all scientific articles in English published 1987-2010 citing ?i?ek were analysed.

I ett försök att låta poststrukturalismen närma sig materia, för min studie samman en queer psykoanalytisk syn på subjektskap, presenterad av Judith Butler, med miffoteori, en poststrukturell förståelse av funktionalitet, mestadels influerad av Robert McRuer och Lennard J. Davis, för att undersöka hur ramverket inom vilket subjektskap kan intas påverkas. Studien visar att det normata är kontextuellt definierat, och vidare att subjektskap är beroende av mötet mellan subjektet och en potentiellt funktionshindrande miljö; i vilken subjektet antingen passerar som normat eller inte. Detta rörliga subjektskap påverkas därigenom av faktorer såsom rädslan för det miffoeska, en kapitalistisk syn på medborgarskap samt möjligheten att (undermedvetet) nå en (temporär) position mellan det normata och det miffoeska, vars förhållande även genererar en ökad möjlighet för subversivt motstånd. Vidare menar jag att detta kan sägas utgöra ett ramverk inom vilket det blir möjligt att studera subjektskapet, genererat av maktordningar såsom klass, etnicitet etc..