The paper discusses and analyzes differences and similarities in depictions of violence in the two narrative media of films and games. The work is based on existing theories on representation, remediation, narration and immersion ? theories which are further developed and discussed by the author. The movies Man on Fire and Kill Bill, as well as the games Ninja Gaiden and Grand Theft Auto are analyzed and used as examples of how depictions of violence in films and games can or should be studied. Also, the possibilities for development of the theories used in the paper are considered.

The purpose of this thesis was to examine the ways in which the constructions of heterosexuality and gender in three Disney movies about princesses affect the power relations between men and women in the movies, and how discourses on gender and heterosexuality have changed over time. Research questions were:How do characters in the movies talk about gender and heterosexuality?How does the interplay between gender and heterosexuality affect the power relations between men and women in the movies?What are the likenesses and differences between movies from different time periods?Discourses were mapped out using a model based on Ernesto Laclau and Chantal Mouffe?s political theories. These discourses were then analyzed with a theoretical framework consisting of Yvonne Hirdman?s concept of gender system and gender contracts, Judith Butler?s view on the heterosexual matrix and an understanding of power relations based on Michel Foucault.

Disney is one of the largest media companies in the world. They have been critizied for portrayting men, women and love relationships with stereotypical behaviours and attributes. This may lead to negative effects on childrens and adolescents perception of reality. The purpose of this study was to investigate how Disney portrays the dynamic between the characters within the love relationship in their movies launched in the 21st century. This study has examined four movies released in the 21st century containing a love relationship between a man and a woman.

Uppsatsen redogör för manusförfattarnas uppkomst och utveckling, medgångar och motgångar, dels med hjälp av teori men personliga erfarenheter i Hollywood, intervjuer och samtal med manusförfattare och andra filmskapare spelar också en väsentlig roll.Uppsatsen innehåller huvudsakligen en teoretisk och praktisk analys av manusförfattarnas tillvaro, analysmetoden används som en referensram i övriga delar av uppsatsen.Historiskt undersöker vidtecknad den primitiva och klassiska perioden inom filmens utveckling där fackföreningarnas inverkan analyseras samt hur Europa påverkat manusförfattandet ur ett historiskt och filmteoretiskt perspektiv, dessutom undersöks vilket inflytande auteur-teorin haft på manusförfattarna som yrkesgrupp.Vidtecknad försöker att med hjälp av en teoretisk men samtidigt undersökande metod knyta samman teori och praktik för att göra en så underhållande och samtidigt lärorik uppsats som möjligt..

The purpose of this bachelor thesis is to examine whether there exists a hegemonic relationship between librarians and users of libraries with a focus on the librarians point of view. The future of movies in the library is also going to be examined. Qualitative interviews were conducted and were examined for signs of hegemony and habitus according to the respective theories. The results of these interviews showed that librarians were in favor of user suggestions to improve the libraries collection. We found that there exists a hegemonic relationship in the libraries, but that it was subliminal and unwanted.

The last ten years two major movies about journalists have been made in Sweden; Sprängaren and Män som hatar kvinnor. This study has looked closer at the heroine Annika Bengtsson and the hero Mikael Blomkvist from these two movies. Since movies do have great influence on how we see the world it is important to find out how these characters are being portrayed. Also, in a time when journalism is about to become a female dominant occupation it is relevant to see how the female journalist compares to the male. It is important to ensure that the films do not give a wrongful picture of male and female journalists.

This thesis examines immigration policy and the problematic of the surveillance society, by analyzing the movies V for Vendetta and Children of Men. In the thesis we use visual analysis, and the theories of Michel Foucault and Nikolas Rose. Central questions to our thesis are how the movies interpret the present time, and how they have chosen to depict the surveillance society to problematize the current immigration policies. We have used thematic analysis to illustrate these questions..

Since the release of Avatar in 2009, the 3D movie industry has experienced an apparent growth. Almost all blockbuster movies are being released in 3D at the cinema, but the 3D format has been met with mixed opinions by the consumers. Some argue that 3D is the future, while others believe that the 2D format is enough for an appreciated movie experience. Through a qualitative survey, twenty participants with 3DTV in their homes answered questions regarding their experience of 3D movies and what improvements they desire. We suggest that 3D film creates immersion, realism and effects that 2D films can´t handle.

Under ungefär en tioårsperiod, från den senare hälften av 1960-talet till den senare hälften av 1970-talet, producerade Hollywood filmer som inte bara tilltalade kritiker, utan även publiken. Dessa filmer var kreativa såväl produktionsmässigt som narrativt, och bröt ofta mot gamla traditioner samtidigt som man byggde vidare på formler för berättande som grundats under studioeran.Frågeställningarna var dessa: Vilka händelser skiljer den här perioden från andra perioder i filmhistorien? Hur skedde förändringarna på olika plan? Och hur såg skildringen av kvinnor på film ut, jämfört med tidigare? För att söka svar användes olika böcker inom såväl filmhistoria som genusstudier, samt läste texter som hittades på internet. Dessutom gjordes en närstudie av tre filmer från denna period, ur ett genusperspektiv:Bonnie and Clyde, Cabaret, och Annie Hall. Dessa år var även mycket händelserika i samhället i stort, och de olika händelserna färgade av sig i filmproduktionen på två olika sätt.

The purpose of this essay is to identify how the drug user is portrayed in motion pictures. My main questions are: How is the drug use described? How is the male and female drug user depicted? How may the movies contribute to the construction, reproduction and change of gender? The method I use in my research is a qualitative, selective discourse- analysis of a number of movies prominently portraying drug use. A gender perspective is also applied on this paper.The main result of the study is that I have found that the great majority of the analyzed films portray drug use as means for something else. Drug use is often portrayed in the beginning as heavenly but changes to be depicted as problematic.

In Sweden there has been a surge of interest in the films classified as pilsnerfilms, i.e. comicalfilms produced for little money in the 1930's and containing a more working class and/or ruralsetting then the so called "champagne comedies" from the same era. The concept"pilsnerfilm" is how ever a little vague and although the main focus of this paper ispilsnerfilms, it will also cover other types of comical films made in Sweden between the1930's and 1940's.This paper examines the now-existing network of people interested in these types of movies.It will do so by interviewing seven of the most prominent fans of movies made during the1930's and 1940's. Most of them are living in Stockholm. The paper discuss how through theconsumption of these types of films, a nostalgic gaze is created.

This Bachelor thesis deals with fictional documentaries, and the aim is to show the aesthetics and the problems with the constructed reality that these films contain. The main focus is how this reality is constructed, which documentary aesthetic methods can be found and in what way you can see that it is a fictional movie and not a documentary. The analysis deals with the three movies, Rampljus, The Blair Witch Project and Påtryckaren. The movies are analysed from a documentary perspective and the method beeing used is constructed for this thesis to find some answers behind the fictional ocumentaries..

By conducting a text analysis this study analyzes possible similarities in the portrayal of story characters between historical Norse myths and contemporary film productions. The chosen historical texts are two stories from Norse mythology which render a myth about Thor and a giant named Hrunge as well as the myth Trymskvädet. The selected movies are two of the comic company Marvel?s productions about super heroes ? Thor and The Avengers. Different categories that this study compares are how the characters are defined by their possessions or artefacts, the actions and the choices which the characters make, and also how their relations, roles and origins are being portrayed.

This thesis is about covers of books and DVD movies. I have tried to find out if the visual communication of the covers differs between the book and movie with the same story. Do they appeal to different target groups? I have also been trying to find out what designers can do to increase the visibility of covers among others. Are there certain rules to follow for making a cover visible?To reach a conclusion I have been studying components in advertising pictures, since covers work as a kind of advertiser for the product.

During this project a photographer and an illustrator have explored if a single image can communicate a bigger whole, in this case a movie. By analysing five motion pictures with visual communication theories, semiotics and colour symbolism as tools, ten images was created. These images do not only consist of symbols, but also communicate the overall feeling and colour scheme of the movie.These images have been tested in interviews with six individuals, who, except for one, work with visual communication of some kind. They have studied the communication skills of the images from their own experiences.The result of the interviews showed that all images could not communicate a movie. One reason for this was that only a few of the test persons had seen two of the selected movies.