I have with this thesis sought to understand how chick lit could be useful in the classroom in the teaching of Swedish B-course in high school. Based on the model of critical literacy I am arguing that this Genre would help to meet the objectives of the policy documents which, among other things, are to critically examine and analyze various types of texts.I have found that some of these texts could be used for analyzing and critically examine the ideological dimensions of texts and cultural heritage by the model of critical literacy, and also as a counterweight to the more traditional teaching of the canonical literature as a literary historical stuff that students should learn. I have also wanted to create a basis for discussions about literature in the classroom based on the chick lit Genre. To do this I have, based on three themes and questions from the model of critical literacy, tried to focus on issues that might emerge from the ideological analysis and critical review. The model aims to deconstruct norms of society, and in the work of chick lit, I wanted to show how you could deconstruct norms around gender..

Although research on gothic fiction has given limited attention to children?s fiction, the last two decades have witnessed an increasing interest. To date the focus has been mainly on English literature with a recurring tendency to define children?s gothic fiction as a text corpus separate from gothic fiction in general. As a result, children?s gothic fiction has become isolated and is not considered as part of the gothic Genre, neither the literature nor its adaptations.The aim of this study is to view children?s gothic fiction as an integral part of the gothic Genre.

I have with this thesis sought to understand how chick lit could be useful in the classroom in the teaching of Swedish B-course in high school. Based on the model of critical literacy I am arguing that this Genre would help to meet the objectives of the policy documents which, among other things, are to critically examine and analyze various types of texts.I have found that some of these texts could be used for analyzing and critically examine the ideological dimensions of texts and cultural heritage by the model of critical literacy, and also as a counterweight to the more traditional teaching of the canonical literature as a literary historical stuff that students should learn. I have also wanted to create a basis for discussions about literature in the classroom based on the chick lit Genre. To do this I have, based on three themes and questions from the model of critical literacy, tried to focus on issues that might emerge from the ideological analysis and critical review. The model aims to deconstruct norms of society, and in the work of chick lit, I wanted to show how you could deconstruct norms around gender..

Syftet med denna studie är att undersöka hur musiker ser på begrepp som ljudnivå, musikupplevelse och relationen mellan dessa. Underlaget för studien är sex intervjuer med musiker och ljudtekniker, med och utan hörselskador. Studien byggs på sex kvalitativa intervjuer och är avgränsad till att i första hand behandla detta inom musikstilar vilka är baserade på trummor och bas ? pop/rock, jazz/blues.Studiens resultat visar att parametrar som t.ex. Genre, lokal, ljudteknik, ljudtekniker och arrangör har inverkan på det ljud och den ljudnivå som uppnås vid en konsert.Vidare redovisas respondenternas syn på relationen mellan ljudnivåer och musikupplevelse.

I have with this thesis sought to understand how chick lit could be useful in the classroom in the teaching of Swedish B-course in high school. Based on the model of critical literacy I am arguing that this Genre would help to meet the objectives of the policy documents which, among other things, are to critically examine and analyze various types of texts.I have found that some of these texts could be used for analyzing and critically examine the ideological dimensions of texts and cultural heritage by the model of critical literacy, and also as a counterweight to the more traditional teaching of the canonical literature as a literary historical stuff that students should learn. I have also wanted to create a basis for discussions about literature in the classroom based on the chick lit Genre. To do this I have, based on three themes and questions from the model of critical literacy, tried to focus on issues that might emerge from the ideological analysis and critical review. The model aims to deconstruct norms of society, and in the work of chick lit, I wanted to show how you could deconstruct norms around gender..

The purpose of this text is to show how the mother motif is portrayed in four selected novels by Alfred Kämpe, but the thesis also serves the purpose of emphasizing the fact that the mother motif can be seen interacting with the class motif.This text will account for a new insight into the motifs in Alfred Kämpe?s Trälar. Known as one of the first authors to write in the Genre of working-class literature in Sweden Kämpe?s texts provide motifs common for this Genre such as class, identity and solidarity. As this thesis shows there is yet another motif that should be included among these typical Swedish working class literature motifs: the mother motive.

The purpose of this Master?s thesis is to investigate the female reader of science fiction literature, a Genre by tradition dominated by men. Through qualitative interviews with seven female science fiction readers, the relation between the reading and the readers? lives, as well as their concepts of the science fiction Genre and the community of science fiction readers, was examined. The main theoretical framework used for the analysis was Yvonne Hirdman?s gender theory, Judith Butler?s concept of identity and Louise M.

Denna studie undersöker läsbarheten i ledarGenren i morgontidningarna DN och SvD med hjälp av läsbarhetsfaktorerna; meningslängd, bisatsfrekvens, personliga pronomen och personord, LIX samt OVIX. Hypotesen som prövas i uppsatsen är att ledarGenren, liksom skriftspråket i allmänhet, har gått mot ett allt ?enklare? och mer läsbart språk med mer inslag av talspråklighet. En annan hypotes är att DN som är en liberal tidning har ett enklare språk än SvD som är konservativ/moderat. Materialet består av sammanlagt 12 ledartexter från åren 2004, 2008 och 2012.

The very short story, på arabiska ????? ??????? ??? och på svenska Den mycket korta berättelsen är en Genre som är ny i sin nuvarande utformning men har rötter långt tillbaka i tiden. I denna uppsats begränsar jag mig till mycket korta berättelser på arabiska. Jag undersöker de kännetecken som enligt Ibrahim Taha (2000) karakteriserar denna Genre genom att jämföra dem med några mycket korta berättelser i boken Ritualer för den olyckliga kvinnan ( ?????????? ?????? ) av den palestinske författaren Mahm?d Shuqayr (1994).

In the media richness of everyday life, the encounter with information graphics ishappening on a daily basis, whether we are aware or not. With the development andeasy access of technologies, new ways to create and display information graphics hasemerged. Among them, the animated information graphics, which in the few pastyears appears to have increased in popularity on video sharing websites such asVimeo and Youtube. In the Genre of animated information graphics, there seems to bean inherent diversity regarding the design characteristics. In this study we exploredliterature and research on information graphics and related subjects.

Sammanfattning Nikolai Zavgorodni (2008) Titel: Rock- och popmusik i undervisningen. Syfte med denna studie är att undersöka vilken betydelse har musicerandet i elevernas musikaliska utveckling. Studien omfattar musikundervisningen i gymnasieskolan. Jag har använt mig av både kvantitativ och kvalitativ metoder i min studie. Den kvantitativa metoden var i form av enkätundersökningen och kvalitativa metoden i form av observationer men framförallt i form av definitioner, konceptioner och teoretiska konstruktioner. Resultatet visar att musicerandet har en stor betydelse för musikstuderande och rock- och popmusik har en hög status i undervisningen.

The aim of this Bachelor thesis is to gain an insight into whatgirls and boys choose to read in their spare time. Thetheoretical perspective with which the subject matter isviewed is that of gender and Genre. I would like to see ifthere are differences or similarities in their choice of Genre.The material stems from a promotional reading projectconducted in the summer of 2012 aimed at children in theage group 6-16. The number of participation children were146 an 730 books were read. They were divided into agegroups and Genres respectively.The analytical method is a quantitative and qualitativecontent analysis.

Examensarbetets syfte är att undersöka påståendet om att homosexuella mäns identitet inte bör representeras i tragedi, på grund av Genrens maskulina ideal. Istället bör representationen ske i melodram då Genren relaterar till feminina värden. Textanalysen av två teaterpjäser, tragedin The River and the Mountain (Uganda, 2012) och melodramen The Boys in the Band (USA, 1968), visar att tragedin står för en essentialistisk (biologisk) syn på sexuell identitet medan melodramen står för en konstruktivistisk (kulturell och social). Kunskap om homosexuell kultur kan inte ses som en nödvändighet för en homosexuell identitet. Tragedi bör därför inte avfärdas som en politiskt svag Genre att representera homosexuella män i.

SkräckGenren ses ofta som den mest extrema filmGenren. Det är Genren som sticker många i ögonen, då man där hittar allt det en annan Genre väljer bort, eller snarare undviker. Man tänjer på gränserna. Varför tittar man på skräckfilm, vad kan man tänkas få ut av det? Är skräcken enbart till för att skrämma oss eller kan det faktiskt komma något gott ur den? I detta arbete har vi forskat kring hur filmindustrin jobbar med skräck.

In this paper, I have examined if and how Saul Bass adapts his title sequences to the respective film in the matter of Genre, plot, milieu, feeling and appearance. Saul Bass was really a graphic artist who has made himself a long career in film production, foremost as a creator of title sequences. Of all the films Bass has created title sequences to, I?ve chosen six films, whose title sequences I analyse more thoroughly. I do this to point out the differences between them and thus also show how Bass adapt them to the individual work.