The aim of this investigation is to explain present and historical differences in the Swedish and Danish unemployment rates between 1976 and 2005 with a broad framework, making use of neoclassical and post-keynesian economic theory. The influence of the rate of investment to GDP, and various institutional factors are assessed in quantitative analysis. It is suggested that the crude answer of the question asked in the title, ?What is it that Denmark does that Sweden does not??, is that Denmark invests. This investigation suggests accordingly that the main reason of the relative labour market success during the 90?s in Denmark was a rising, and rapidly recovering, rate of investment to GDP, and perhaps not primarily its flexible labour market institutions.

This essay intends to provide an understanding of the developments in the right of public access and recreational activities in the forests of Sweden, and which factors and prerequisites that have affected this development. The forest and its history, along with recreational development has in many ways shaped today?s rights of public access, but there is also an age-old tradition of public access that has affected how we have used the forest, and that also has enabled the development of outdoor recreation. Many are unaware of this, which causes misunderstanding to appear around the rights of public access and how it is supposed to be used.The essay opens with historical descriptions of public access, the Swedish forest and outdoor recreation, to thereby provide a picture of how these three fields have influenced each other over the centuries. This is followed by a description of the current access rights and the problems associated with those, and a description of other countries' equivalent of the right of public access.

Hellström, Staffan. Tystnaden i ljudfilm - En studie i Jacques Tatis ?Mon Uncle?. C-uppsats. Falun: Institutionen för kultur & medier, Högskolan Dalarna.

Syftet med vår fallstudie var att undersöka om läraren arbetar med multimodala uttryckssätt, såsom bild, musik, drama, teater, IKT, spel, film och CD i sin undervisning och till omfattning. Vilka utryckssätt som genomsyrar undervisningen samt vilka som utelämnas.Metodvalet som användes för vår undersökning var observationer vilket gjordes under två hela dagar respektive en heldag och två halvdagar. De som observerades var två grundskollärare i årskurs 3 respektive årskurs 4, läraren för årskurs 3 kallar vi för Lärare 1, hon arbetar på en mindre skola ute på landsbygden några mil utanför en storstad i mellersta Sverige. Den andra läraren som observerats kallar vi för Lärare 2, hon arbetar i årskurs 4 på en medelstor skola belägen i utkanten av den centrala delen i en storstad i mellersta Sverige.Observationerna gjordes utefter ett framtaget observationsprotokoll (bilaga 3) där de olika mutlimodala uttrycksformerna bearbetades och sedan analyserades. Slutsatsen var att de båda lärarna tillämpade olika multimodala uttrycksformer i sin undervisning under vår tid som observatörer.

My problem comes out of the bigger question ?why the Catholic church is featured in horror films whenever a religious organization is in one?? I have detected in the horror films that I've seen that when a religious organization is in a horror movie it's the Catholic church that gets to act as church and religion. I have chosen the following problem: How is the Catholic church presented in the horror movies The Exorcist and The Rite, and how can one understand these presentations from a role theoretic perspective?Since role theory has it's background in the world of the theater with it's actors and roles, it came naturally to use role theory, and specifically Goffmans dramatic model. I've used this model in a film analysis of the movies.

Uppsatsen undersöker om den rashygieniska ideologin även florerade i 1920-talsfilmen, med tre valda närläsningar..

Om pornografiska drag av tre reklamfotografier. De tre bilderna analyseras bland annat med hjälp av verk av Jane Burton, Zoe Leonard och Pierre Molinier. Det hävdas att samhället har blivit alltmer sexualiserat och att det syns i de reklambilder som publiceras..

Flustret is a restaurant and an entertainment place situated by Svandammen in Uppsala. It all began in 1842 as a café serving coffee, tea, chocolate and pastry. During the years the building has had numbers of different owners. The owners of today are running Flustret in a same friendly spirit that has been characteristic from the beginning. The buldings history is now approaching an age of 165 years. Throughout the years different historical layers have been placed on top of each other, leaving a layer of patches.

My problem comes out of the bigger question ?why the Catholic church is featured in horror films whenever a religious organization is in one?? I have detected in the horror films that I've seen that when a religious organization is in a horror movie it's the Catholic church that gets to act as church and religion. I have chosen the following problem: How is the Catholic church presented in the horror movies The Exorcist and The Rite, and how can one understand these presentations from a role theoretic perspective?Since role theory has it's background in the world of the theater with it's actors and roles, it came naturally to use role theory, and specifically Goffmans dramatic model. I've used this model in a film analysis of the movies.

This thesis has been written with the intention of investigating a commercial lending library to be found in Stockholm in the first decades of the nineteenth century. We chose this subject because it is a relatively unexplored area. Furthermore, we were curious to know what books could be found in the library. The lending library was run as a business thus giving a good indication of the contemporary reader's taste in literature. The lending library that we chose had a total of three thousand titles in those of its catalogues that have survived to the present day and was run by a woman called Eva Unander.

Uppsats för avläggande av filosofie kandidatexamen iKulturvård, Trädgårdens hantverk och design,Institutionen för kulturvård, Göteborgs universitet, 21 hp, 2012.

Detta arbete har försökt besvara hur en animerad film kan förklara tekniskafunktioner i ett stridsfordon för att underlätta förståelsen för hur fordonstypengenerellt fungerar, hos en allmän svenskspråkig målgrupp med varierandeförkunskaper.Arbete belyser den kritik som finns mot användandet av animation i undervisandesyfte. För att sedan titta på hur den kritiken besvarats av senare forskning, främstinom kognitionsvetenskap, där man diskuterar hur animation kan ha enundervisande funktion.För att finna exempel på hur forskningen kan appliceras på skapandet avanimation i praktiken gjordes analyser av animationer som försöker förklaratekniska funktioner i stridsvagnar. Dessutom har en gestaltning som syftar till attgenerellt förklara en stridsvagn för en allmän svensktalande målgrupp, tagits frami samarbete med Sveriges försvarsfordonsmuseum Arsenalen. Gestaltningenbestår av en fyra och en halv minut lång, animerad film och heter Hur fungerar enstridsvagn?Filmen visades för fem personer som med olika hög förkunskap på områdetstridsvagnar.

Mitt masterprojekt i utbildningen Musikalisk Design var att komponera musik till fem stycken dokumenta?rfilmer gjorda av avga?ngseleverna pa? StDH (Stockholms Dramatiska Ho?gskola). Filmerna var alltsa? a?ven deras examensprojekt. Tva? av filmerna komponerade jag musik till sja?lv och till de resterande tre filmerna komponerade jag musiken tillsammans med min klasskompis Eirik Røland.

Since 1993 the Swedish Forestry Administration conducts a nation-wide inventory of wood-land key habitats covering all forest land in Sweden. The inventory aims at mapping and describing habitats where redlisted species occur or can be expected to occur. According to the inventory stand history is crucial to the presence of red-listed species. However, the current knowledge of stand history in woodland key habitats is very limited. The purpose of this work is to describe stand history in woodland key habitats, i.e. fire history, human activities - mainly cuttings - and structural changes.

The aim with this master's thesis is to describe the work process with the graduation film Player, by a composers perspective and given conditions. It provides a detailed insight into how the work was done from the script stage to the end result, scene by scene reflecting about both the musical performance and the collaboration between the director and me as a composer. The work was done during the spring term of 2012 at the Royal College of Music in Stockholm and Stockholm Academy of Dramatic Arts..