This thesis explores the validity of feminist poststructuralist theory in relation to gender and culture. Within the theoretical frame¬work of Judith Butler, combined with insights from the field of post-colonial theory, different perspectives of the dilemma of universalism are discussed. Primary sources for the study are policy documents from the Swedish government, literary texts and newspaper articles. The results show a number of paradoxes which need to be continually and critically kept unsolved. This does not mean an end to feminist engagement in other contexts than one's own but rather the need for theoretical awareness and self reflection.

The aim of this thesis is to ascertain if women are discriminated in the European Parliament, and if so, how it is expressed. Our hypothesis is that female members of the parliament suffer a kind of double discrimination. The European Parliament consists of roughly one third women, but nevertheless the discrimination does not end there. According to our hypothesis women do not have the same opportunity to influence as their male colleagues, hence the double discrimination.The results of this thesis show that women are discriminated, mainly by not gaining access to the European Union's important issues, whilst the female dominated issues are scheduled on late evening and at the end of a session week. Another unsatisfactory issue was that even though half of the reports were given by women, they only received one third of the references to their reports while men received two thirds of the references.

Tiden vi lever i är fylld av teknik och snabb utveckling. Vi kommer dagligen i kontakt med teknik utan att lägga vidare fundering kring att den faktiskt ens finns där. Vi tar den för given, troligen eftersom det blivit en så naturlig del för oss att interagera med den. Hur kommer då tekniken och människan samverka i framtiden, och hur gestaltas detta i en populärkulturell text så som TV-serien Futurama? Vi är intresserade av hur människan kan tänkas använda sig av teknik i framtiden och hur synen på tekniken ser ut.

I denna uppsats utforskar jag hur heterosexuella feministiska kvinnors sexuella praktik förhåller sig å ena sidan till den heterosexuella institutionen och å andra sidan till feminismen. I detta syfte har jag intervjuat fyra heterosexuella feministiska kvinnor om deras erfarenheter av sex. Med den teoretiska utgångspunkten att det på ett övergripande plan råder en konflikt mellan feminismen som ideologi och heterosexualiteten som institution undersöker jag hur denna spänning tar sig uttryck i kvinnornas enskilda sexuella praktik.Jag stödjer mig på teoretiker som Stevi Jackson, Sandra Bartky och Michel Foucault.Jag kommer fram till att kvinnorna har ett ambivalent förhållningssätt till att vara både heterosexuell och feminist. Konflikter uppstår i deras sexuella praktik och det sker ett kontinuerligt förhandlande mellan vad jag kallar heteropatriarkala och feministiska imperativ, inom kvinnorna själva och i deras interaktion med omvärlden..

Sexual violence in armed conflict is not a new phenomenon. Although it has a long history, it's only in recent years from 1990 that is has been given more attention in science and media. I will in my thesis look at the conflicts of former Yugoslavia and Congo (DRC) and I will use two theories to investigate how the use of conflict-related sexual violence best can be explained. The two theoretical frameworks I have chosen are Feminist theory and Rational Choice theory. The conflicts will be at the center of analysis.

In this thesis I have done a discourse analysis of the documentary movie A Jihad for Love. A Jihad for Love came out 2007 and is directed by Parvez Sharma. The documentary movie is about homosexual Muslims and their jihad, struggle, for love and to be accepted in a world where they are barely recognized as a group. My aim of the thesis was to see how the movie portrays the persons who are in the film and their relationship to Islam and who gets access to the religion. I have also analyzed if Islam can be used to strengthen the sexual identity or if it works in the opposite way.

Malmö högskola Medie- och kommunikationsvetenskap 180 p Sammanfattning Chamila Olofsson ?Hur görs kön?? Examensarbetets syfte är att undersöka hur kön/genus konstrueras i bild på Dagens Nyheters kultursidor. I huvudfrågan läggs särskilt fokus på intersektionalitet mellan kön/genus, klass, sexualitet, etnicitet och ålder. Undersökningen omfattar både en övergripande kvantitativ granskning och en djupgående kvalitativ analys. Utifrån ett poststrukturalistiskt feministiskt perspektiv och med hjälp av semiologisk och retorisk bildanalys har jag granskat sex fotografiska porträttbilder.

This study is based on the feminist belief in the importance of a reorganization of the existing gender hierarchy, where women have less power than men. Since news media reflect as well as contribute to create the reality we live in has the purpose with this study been to shed some light on how the gender structure is expressed in Sweden?s most popular television news program. I chose to examine one broadcast per day from the Public Service SVT news program Rapport during January 2010 using quantitative content analysis and the result was as follows:65 % of the news programs was presented by a woman news anchor 36 % of the news reports was carried through by a women journalist 31 % of the interviews contained a female participant The representation of female participants in interviews did not depend onif the journalist was a woman or a manThe representation of female participants in interviews did not depend on if the report was from Sweden or abroadWomen were more often than men interviewed in the role as nursing staff, development aid worker, teacher or principal, parent of a son, retired and sick or sick leaveOnly men were interviewed in the role as rescue worker, custom staff, member of the armed forces, house owner and tourist..

Syfte: Studiens syfte a?r att underso?ka och ja?mfo?ra hur kvinnor framsta?lls som hja?ltar i tva? samtida actionfilmer.Metod: I denna studie har vi pa? ett komparativ sa?tt analyserat tva? samtida actionfilmer. Vi har anva?nt oss av av kritisk diskursanalys inspirerad av Norman Fairclough?s modell och a?ven Van Dijks analys pa? mikro­ och makroniva?. Dessa metoder a?r tilla?mpbara pa? studien da? de bero?r a?mnen som analys av text i relation till sociala och kulturella aspekter, samt hur representationer kan forma strukturer och praktiker av en social natur. Semiotik har a?ven anva?nts som ett verktyg i analysen av symboler och tecken i materialet.

This thesis explores how three contemporary Mexican women artists, Teresa Margolles, Julieta Aranda, and Minerva Cuevas navigate and critically engage with the global art world through a postcolonial and transnational feminist lenses. The study investigates how their artistic practices address issues of gender, identity, power and violence by examining six artworks by their aesthetic and material strategies, revealing how these artists challenge dominant Western narratives. Drawing on theoretical frameworks by Marsha Meskimmon, Ania Loomba, and Homi K. Bhabha, among others. The thesis discusses concepts of cultural hybridity, the ?third space? and gender to analyze the complex intersections between the local and the global spaces in contemporary art.

This essay is a discourse and a feminist theoretical analysis that focuses on the alternative discourse that we consider Feminist Initiative to be constitutive of. Our theoretical stance, with base in Laclau and Mouffes discourse theory, builds on the notion that reality is characterised by conflicts between different competing discursive formations and that the social is an endless struggle over the preferential right of interpretation of meaning. More specifically, the essay focuses on the discursive struggle over the meaning of the term politics. It is our understanding that the dominant perception of politics necessarily excludes other understandings, which can according to Eduards, be explained as a consequence of a patriarchal distribution of power that renders the subordination of certain understandings of politics accordingly. Feminist Initiative, as an alternative discourse, can therefore be perceived as a threat to the dominating discourse of politics, which in order to maintain its preferential right of interpretation seek to illegitimatise and depoliticise the politics that the alternative discourse represents.

Here I study some European films from the late 1950?s and the early 1960?s by directors like Fellini, Visconti, Pasolini and Godard. By comparing them with different sociological studies on the subject of female prostitution I try to find out if these films are interested in the actual situation of the prostitute, or in their own image of the phenomenon. Is she an object used for sex or just an sex object? Is she positively or negatively pictured? With realism or as a stereotype? Which aspects of her situation is shown and which ones are concealed? What is the view on the men who actually use her services?It seems natural that different types of films, with different types of prostitutes, illustrates different aspects of what prostitution might be.

The aim of this master's thesis is to investigate how adults and especially children's librarians and intermediate level teachers experience children's literature. The aim is also to examine how children at the age of nine to twelve experience the literature that is written for them, according to a few master's theses written at Bibliotekshögskolan in Boras. Which criteria in children's books do the different groups consider as the most important, that the children can learn something when reading or is it the experience of the literature itself that is the most important? To fulfil the aim of this master's thesis I have interviewed three intermediate level teachers and three children's librarians and the result has been analysed using a model created by Maria Nikolajeva that shows four ways to get close to children's literature. My study is too small to be counted as a general result but it shows that both the children's librarians and the intermediate level teachers mainly ends up in the field that concerns the reading experience one can have when reading fiction.

I denna uppsats har en audiovisuell analys gjorts på de inledande minuterna till filmen 9 med ett stort fokus på ljudet. Syftet med uppsatsen var att beskriva och skapa en ökad förståelse för ljudets funktioner i filmen samt se på hur ljudet påverkade filmupplevelsen. Förhoppningen med detta var också att bidra till en bättre förståelse av filmljud och ljuddesign i helhet och vad det bidrar till berättarfunktionen i film. I uppsatsen granskades först ljud och bild för sig och slogs sedan ihop till sin helhet och analyserades utifrån en teoribildning av franska författaren Michel Chion.Ljudets viktigaste funktioner i filmen 9 var att ge en trovärdighet och äkthet, att beskriva föremål och speciellt huvudkaraktärens fysiska attribut samt att ge en respons på det som sker i bild. Vidare fyller ljudet funktioner som att beskriva rum och miljö som ger åskådaren en tydlig känsla för omgivningen filmen.

The purpose of this essay is to examine how Elin Wägner depicts the middle-aged woman who lives in the country in Sweden, in the 1920?s. The question at issue is: What problems and what subjects for rejoicing does she raise? My aim is to try to understand the women?s situation, as well as how Elin Wägner describes the situation in her four novels from the 1920?s: Den namnlösa (1922), Silverforsen (1924), Natten till söndag (1926) och Svalorna flyga högt (1929). At the same time I intend to compare the woman of the 1920?s to the situation of women today.I am writing from a feministic literary theory called ?omläsning? according to the description of Gunilla Domellöf.