Detta är en studie vars syfte är att undersöka vilka attityder ett urval aerobicstränande kvinnor har till sin egen träning samt att utforska vilken femininitet de konstruerar genom och i sin träning. Studien har sin grund i sex kvalitativa intervjuer med frekvent aerobicstränande kvinnor. De teoretiska utgångspunkterna har utgått ifrån de starkast lysande teman som framgått i kvinnornas berättelser, vilka är femininitet, normalitet och disciplinering. Teoretiker som används är Judith Butler, Michel Foucault och Beverly Skeggs. Studiens analys visar att det finns en överbyggande disciplineringsgrund när det kommer till syn på kropp och träning.

AbstractThe author Selma Lagerlöf was born in 1858 at Mårbacka, in Värmland and died in 1940. Fifty years after Selma´s death were her correspondence released and ten thousand of letters were found in the collection. But it was just the correspondence between Selma and Sofie Elkan who interested people because they wanted to know if Selma and Sofie have had a sexual relationship. Later, in time for Christmas 2008 the Swedish Television shows a film about Selma. "Selma Lagerlöf Society" was critical to the movie and thougt that the movie focused too much on Selma`s sexual orientation.

Analysis of the piece Pygmalion in set at the Gothenburg City Theatrefrom a gender perspective with the purpose to investigate which genders that arepresented and how the piece relates to the heterosexual norm. The method consists inthe analysis and discussion of how the pieces portrays females and males (with focuson feminine and masculine coded expression and presentation of desire) and whatconsequences it brings. This based on various method books of norm-breaking designwork for Aesthetic staff, and a theory based on Judith Butler's research. Primarymaterial consists in a piece analysis of Pygmalion, from a spectator's perspective.Main Results: The designing is consciously working with a set of norm-breakinggender expression, particularly female genders. The set translates socially criticalviews against patriarchal hierarchies.

Uppsatsen Män med män handlar om hur par bestående av män bildas i två svenska romaner, Jonas Gardells Präriehundarna (1987) och Bengt Martins Sodomsäpplet (1968). Det som studeras är gestaltningen av hur förhållandet mellan männen påverkas av heteronormen och hur heterosexuella förhållanden står som en motpol för parbildandet. Identitet och maskulinitet är andra ämnen som behandlas i uppsatsen som tittar på hur romanpersonernas identitetssökande gestaltas. Uppsatsen finner hur paret i Präriehundarna gestaltas att de starkt är påverkade av den heteronormativa och väljer att använda detta som ett sätt att utgå ifrån och ta avstånd från detta, men samtidigt har paret svårt att finna sig själva och vara bekväma i sin maskulinitet i en samkönad relation. I Sodomsäpplet finner uppsatsen tydliga bevis på att den kulturella kontexten påverkar stort i identifikation hos huvudpersonen och att Martins gestaltning är grundad i den samma.

Detta arbete undersöker hur homosexuella killar skildras i ungdomslitteraturen. Syftet problematiserar dikotomin maskulint/feminint och män/kvinnor. Målet är att införa ett icke heteronormativt perspektiv i ungdomslitteraturforskningen kring genus och queer. Detta görs utifrån teorier av Judith Butler, Tiina Rosenberg och R. W.

This thesis aims at examining factors that influence women?s choice of clothing. Focus lies on what women want to communicate with their clothes, how consumption is used as a means of expression, women?s attitude towards the clothing and the body image that media has created. Is there an underlying idea in a women?s choice of clothing and is she trying to express something specific? Why do women buy the clothes they do? The aim with this thesis is to identify if there is a difference between people from an urban area and those from a small town, as well what role the geographic difference plays in how fashion conscious you are or how you choose your clothes.

Given the possibility that the world, as we know it, is a consequence of human interaction and verbal communication our understanding of the world can be seen as contingent rather than essentially given. Conceptions such as "entrepreneur", "woman" and "man" can then be understood as socially constructed subjects. Departing from poststructural and social constructionist perspectives I will examine medial representation of women and men as entrepreneurs. My main purpose is to examine how the entrepreneur is constructed as a discursive subject in the journal Eget Företag. Drawing upon Ernesto Laclau´s and Chantal Mouffe´s Discourse Theory and the poststructuralist feminist theoretical perspective of Judith Butler I will discuss both the construction of the entrepreneur as well as the more explicit question; is gender significant for the construction of the entrepreneur and entrepreneurship in Eget Företag? In this study I come to the conclusion that the discourse of entrepreneurship, as well as the journalistic discourse, draws upon discourses of femininity and masculinity but also upon discourses of ethnicity.

Ett gemensamt drag i den tidigare forskningen om Stina Aronsons modernism har varit att betona Artur Lundkvists betydelse. Den här uppsatsen undersöker en roman som utkom före det att Aronson hade någon kontakt med Lundkvist, Två herrar blev nöjda från 1928, i syfte att nyansera nämnda historieskrivning. Romanen undersöks utifrån en modernistisk diskurs baserad på tre representativa översiktsverk för perioden. Dessutom anläggs Judith Butlers performativitetsteori i ett försök att åskådliggöra hur Aronson i romanen skenbart anpassar sig till en traditionellt kvinnlig författarroll.Resultatet visar att Två herrar blev nöjda tar avstånd från realismen och istället präglas av modernismens estetik och radikalt nya världsåskådning. I såväl form som innehåll märks ett tydligt intresse för det omedvetna, för det irrationella, för slumpen och för det splittrade jaget.

The purpose of this essay is to examine how theory and practice intertwines through theactivism of the feminist punk performance collective Pussy Riot. I have also focussed on the political tools with which the activism is performed. Within the academic context of gender studies, I believe there is a need for research that aims to reduce the gap between scholarly and activist feminism. The theoretical framework for the analysis in this essay consists of material feminist theory and postmodern theory. The empirical material is a diversified assemblage of images, court excerpts, newspaper columns, interviews, lyrics and videos.

A qualitative interview study how the normative gender images affects on women, their roles and positions in a drug abuse. The purpose of this study aims to shed a light at the consequences that the normative gender scenario inflicts on women with drug abuse and how these prejudices affects these women. Based on interviews with four different women who all lived with a drug abuse we have problematized how the gender system and the normative gender images affected them. We have used gender perspectives and social constructivism theories while analyzing the empirical basis. More specifically we use the theories of Butler about how gender constructs through performative actions and Hirdmans theories of the gender system.

The purpose of this paper is to investigate how gender and sexuality are made in the videogames Prince of Persia and Fable II, and more specifically to look at possibilities and limitations for the construction of gender and sexuality in these games. I understand videogames as an interactive media form that differs from other types of media like film and literature. It is a media form that depends on a player to be played. At the same time it is constituted by rules of how it can be played. I have analyzed my material by a method called close-playing.

AbstractThe author Selma Lagerlöf was born in 1858 at Mårbacka, in Värmland and died in 1940. Fifty years after Selma´s death were her correspondence released and ten thousand of letters were found in the collection. But it was just the correspondence between Selma and Sofie Elkan who interested people because they wanted to know if Selma and Sofie have had a sexual relationship. Later, in time for Christmas 2008 the Swedish Television shows a film about Selma. "Selma Lagerlöf Society" was critical to the movie and thougt that the movie focused too much on Selma`s sexual orientation.

Föreliggande uppsats syftar till att undersöka heterosexuella arbetarklassmäns föreställningar om och attityder gentemot homosexuella mäns och kvinnors genusöverskridande. Eventuella föreställningar och negativa attityder kring detta innefattas i begreppet homofobi som titeln antyder att uppsatsen handlar om. Dessa aspekter av homofobi kopplas i sin tur till maskulinitetsskapandet inom en specifik klassmässig kontext. Empirin består av intervjuer med fem män inom denna klassmässiga kontext. Materialet har analyserats med hjälp av Faircloughs version av den kritiska diskursanalysen och tolkats utifrån teorier om genus, sexualitet, maskulinitet och klass från bland andra Yvonne Hirdman, Judith Butler, Michael Kimmel, R.W Connell, och Pierre Bourdieu.

After recognizing a lack of children?s voices in the debate about the children?s book Kivi och monsterhund and the gender-neutral pronoun hen that occurred in the beginning of the year of 2012, I decided to interview pre-school children about the same book. My purpose with the study was, using semi-structured group interviews, to examine how 6-year olds talked about the main character Kivi. With the help of Judith Butler?s theory of performativity, I have studied how the children constructed Kivi?s gender in their speech.

The purpose of the essay is to examine the views on sexuality that guide the Swedish Migration board and court?s judgments and decisions in asylum cases. The essay investigates seven cases from the Swedish Migration court regarding asylum seekers from seven different countries seeking protection in Sweden due to their sexuality and/or gender identity. By applying discourse analysis, along with the theoretical perspectives of Judith Butler and the postcolonial critique of Chandra Talpade Mohanty, the essay discuss what kind of criteria and/or practice is demanded of the asylum seekers to be rendered as trustworthy. The essay concludes that the asylum seekers are considered untrustworthy by the migration authorities when not acting according to a (hetero)normative sexuality.