This thesis is a report concerning the practical aspects on exhibition techniques. During an internship at the National History Museum in Stockholm I participated in the work with their new, temporary exhibition Gränslöst - en global utställning på Historiska museet [Boundless - a global voyage of discovery at the National Historical Museum]. I was part of a small project team of museum staff. The purpose of this exhibition was to show how cultures have met and influenced each other throughout history. The National Historical Museum has in its collections and exhibitions several examples of objects that has been imported from or inspired by other cultural areas.

Essay means attempt, and is a paper written based on self-experienced dilemmas, which the writer then returns to, reflect upon and discusses on the basis of literature and accepted theories. In this essay, I reflect upon my own professional role as a leisure-time pedagogue. The leisure-time pedagogue must provide activities that in different ways relate to the curriculum 2011. I have therefore a responsibility to influence the students' desire for knowledge. Focus of learning is different from the one in school, with an emphasis on informal learning.The dilemma is that I am unable to do any pedagogical work at the museum because of many conflicts.

Under operation Iraq Freedom uppvisades i media en bild av en snabb och tempofylldframryckning mot Bagdad. Denna bild kontrasterade mot den som normalt förknippas med USArmy och dess krigföring. Skulle denna bild kunna vara med verkligheten överrensstämmande?Har nya tankegångar och doktriner fått ett sådant genomslag att US Army anammatmanöverkrigföringens elementa och faktiskt nyttjar det, även på taktisk nivå? Har teori såledesblivit praktik?Syftet med denna uppsats är följaktligen att verifiera eller falsifiera en hypotes, utgående i frånatt amerikanska enheter ur US Army anammat manöverteorins nyckelbegrepp och numeraanvänder sig av manöverkrigföring på taktisk nivå och således lyckats implementera en ny teori ipraktiken. Detta har gjorts genom att genomföra en fallstudie av den tredje amerikanskainfanteridivisionen (mek) och dess agerande vid olika händelser från dess att framryckningenstartar i Kuwait den 20 mars och intill Bagdad faller den 9 april.Analysen visar att divisionens agerande under dessa studerade händelseförlopp i hög gradpräglades av manöverkrigföring och att förbandet följde gällande doktrin vilken i sin tur byggerpå hörnstenarna i manöverteorin.

This is a two year master's thesis in the field of museum and cultural heritage studies. The purpose of the thesis is to examine different opinions among museum employees about the role of museums. The thesis also aims to find out to what extent and in what way these opinions are influenced by the museum's own policy documents, the national cultural policy and the academic field of museum studies. I have conducted qualitative research interviews with six employees from three different cultural history museums. The theoretical framework of the thesis is based on Laruajane Smith's term authorized heritage discourse.

The subject of this thesis is the history of the library at The Göteborg Museum of Art. The aim of the thesis is to depict and analyze the emergence and the expansion of the library?s holdings until 1939. To fulfill the aim, two questions are asked. The first question is: Is it possible to argue that the library?s holdings were collected to document the entire world of art? The question is formulated in relation to a comment by Susan Wyngaard.

Sweden and the surrounding countries have reorganised their armies towards a manoeuvre warfare concept. In Sweden new regulations were produced in the middle of the 90s using manoeuvre warfare as a basic idea. The purpose of this paper is to produce a clearer picture of the Swedish manoeuvre warfare concept and how it can be implemented. An inductive method of working has been used, qualitative data has been gathered and studied.The Swedish manoeuvre warfare concept has been difficult to define because of indistinct actions. It is only after complementing interviews that the picture has cleared up.

This essay is a case study based on two sources of empirical data, qualitative interviews and responses from a questionnaire, which examines upper secondary school students? attitudes to history teaching in a museum context. The students? answers are further analyzed in relation to the concept of historical consciousness. Thus, history teaching in the museum, from a student perspective, and the students? capacity of expressing a historical consciousness in their answers, constitute the core of this essay.

Syfte: Syftet med vår uppsats är att undersöka två turistattraktioner för att se hur de hanterar och arbetar med tillgänglighet när det gäller människor med funktionsnedsättning. Turistattraktionerna vi valt är Flygvapenmuseum i Linköping och Arbetets museum i Norrköping.Metod och material: Vi har använt oss av kvalitativa metoder. Utgångspunkten för val av metod är en lättare variant av fältstudie även kallad observation. Vi gjorde två observationer, först hos Flygvapenmuseum sedan hos Arbetets museum. Efter våra observationer använde vi oss av en semistrukturerad intervju, detta för att få svar på det som vi inte lyckades hitta svar på under observationerna.

The aim of this masters thesis is to analyze how subjects of ethnographical objects should be described. To obtain this we focus on which subject aspects of ethnographical objects that could be possible and valuable to analyze and to index. This is done with the help of established LIS subject indexing theories, and through the perspective of ethnographical museum documentation. The theories are both general, concerning the stages of subject indexing, and more specific, regarding the indexing of pictures. One of the latter is the theoretical model of Sara Shatford, from the article Analyzing the Subject of a Picture.

How does the visitor experience the message and symbolism in an archaeological exhibition?Can they notice hidden elements in the exhibition and what decides if they see it or not?In my work I studied these things by making an investigation among exhibition visitors thathave much or none knowledge about archaeology and history. I wished to see how well theycan notice this and if knowledge is important for the understanding of the message and thesymbols. The case study takes place at the exhibition Metropolis at Kulturen in Lund, wherethe history behind and about the Medieval town of Lund is shown.My results show that the possibility for understanding the messages and symbolism exist, butthe chances to do so increase with knowledge.My goal was also try to give some guidelines for exhibition which will improve presentationof the exhibition. To express it shortly this include knowledge, self-awareness and to makevisitor´s studies.My paper also discuss related things: how exhibitions are made, the visitor, the society versusthe museum, the new growing trend towards the museum as a great experience, the changeswithin the museum world and how this affect the future of the archaeological museum..

There are many kinds of joint operations and combinations of combined arms. This thesis puts its focus on Close Air Support, CAS. Throughout history there have been several cases of success, regarding these kinds of operations, but also failure. Much can be taught from organizational behaviour studies, applied on these military organisations in their cooperation with each other. The purpose of this thesis is to analyze the cooperation between the Swedish army and air force to determine the functionality of their process.

Syftet med denna litteraturstudie är att identifiera exempel då datorgrafik har visualiserat historien och diskutera vilken effekt datorgrafik har på museum. Inledningen presenterar varierande hot från människa och natur mot arkeologiska lämningar och motivationen att bevara samt fördelar med att ha en 3D modell. Nästa kapitel ser tillbaka på uppkomsten av datorgrafik och bakgrunden till museer och vad besökare tycker samt är ute efter vid besök av dessa. Därefter redogörs metoderna med vilka denna studie bedrivits för att sedan skildra teknikerna genom hela arbetsprocessen för att öka förståelsen för icke sakkunniga. Den längre delen spaltar upp exempel på fullbordade projekt; vad som är unikt i varje fall och vilka lärdomar som framkommit.

Syftet med vår uppsats är att vi vill undersöka hur samarbetet mellan skola och museum fungerar. Som blivande lärare vill vi få mer kunskap om hur vi använder oss av museet som arena i vår undervisning på ett bra sätt. Vi frågar oss hur skola och museum samarbetar? Hur samarbetet leder till elevers historiemedvetande och vilka de eventuella hindren i samarbetet är? Vi presenterar och diskuterar tidigare forskning inom området. Några viktiga forskare som vi lyfter fram är Berit Ljung, Monica Cassel och Eilean Hooper-Greenhill.

This bachelor thesis consists of an analysis of museum environment. In the research, case studies have been done at the, Stockholm based museums, Swedish museum of Natural history?s exhibition Natur i Sverige (Nature in Sweden) and the Nordiska museet?s (Nordic history) exhibition Modemakt (Power of fashion) and learning environment Lekstugan (playhouse). The purpose of the research was to study how cultural heritage is used and developed within the museum pedagogy aimed at children. The research is based on a multimodal approach with focus on learning resources.The research examines the museums focus on children and youngsters, what the goals for this focus looks like on respective museum and how the focus is visible in the actual museums.

This essay concerns dance as an exhibition object by examining the permanent exhibition at The Museum of Dance in Stockholm, Dansmuseet. Due to its dependence on the temporality and movement of the lived body, dance does not easily lend itself to being exhibited in a traditional exhibition display; and since the live dance performance itself is ostensibly absent at the exhibition display, other means of representation must be relied upon in order to evoke the exhibition visitors? experiences of time and movement as well as the feeling of dance. Starting from a phenomenological first-person perspective, as an exhibition visitor, I present three ways in which such experiences may come about. The cross-section of the experience evoked and the means that trigger them are intermedial, spatial, and performative taking their departure in the visitor?s pre-understanding of dance..