Syftet med uppsatsen är att genom de arkeologiska källorna visa att historierna om vikingens idrottande har en materiell grund och inte enbart en skriftlig. Materialet består av skriftliga källor som exempelvis Egil Skallagrimsons saga och Grettes saga samt arkeologiska fynd från Skåne påträffade mellan åren 1960-2000. Slutsatsen är att en del av vikingarnas idrottande har lämnat spår efter sig i det arkeologiska materialet..

This thesis deals with oval brooches from the Viking age. The aim of the study is twofold; the first goal is to identify and categorize the brooches according to an already existent scheme, created by two scholars on the subject. This has been accomplished in order establish a separate scheme for this particular material, which consists of two intact and 101 fragments of oval brooches, from Uppåkra in Sweden The other part of the analysis intends to ascertain to what degree it is possible to compare the material with other oval brooches found in Scandinavia, which theories exist about their disappearance and what the most plausible reason for this is..

En jämförande studie av glaspärlor från Uppåkra och Sorte Muld för att hitta regionala likheter eller skillnader. Studien visar en skandinavisk gemenskap, en möjlig lokal tillverkning och handel. Diskuterar fortsatt forskning kring datering av glaspärlor..

This thesis concerns the mesolithic relation towards animals and hunting habits among people in Skateholm, Tågerup and Vedbæk - Bøgebakken. The aim is to look at the societies from a cultural point of view and demonstrate that the people living there identified themselves with animals and adapted their lives, their hunting and their burial customs according to rituals and believes concerning animals in their surroundings. The result is convincing and clearly shows that animals where treated differently in manors which can only be explained with specific cultural relations towards different kinds of animals..

The purpose of this essay is to investigate whether bronze workers during the Bronze Age were exclusively specialized, or there actually existed amateur craftsmen. Through archaeological experiments and artefact studies I intend to investigate if it has been at all possible for a less experienced bronze caster to produce usable objects. The purpose is also to investigate and put to the test the casting methods used during the Bronze Age in an attempt to find out which steps of the craft are the difficult and crucial ones, and try to determine if it has been possible to manufacture bronze objects on an industrial level..

The purpose of this essay was to find out if it is possible to:? Detect different groups of gender among children in grave materiel and church art and if that was the case, in what way?? What different groups of children can be seen in these two categories?? What does the material say about children's position in society? The time span is from early Christian time to 17-th century and the geographical region is Sweden and Denmark. I got my information from published literature and different pages on the Internet. The conclusions were that gender among children can be detected in both types of material but different groups were not ?visible? to the same degree.

Paris katakomber är ursprungligen ett stenbrott som togs i bruk som gravplats första gången 1780. Anledningen till detta var att kyrkogårdarna inom Paris murar var överfulla, vilket resulterade i både stank och sjukdomar. Katakomberna har ända sedan de bildades väckt intresse för besökare och idag har de blivit museum. Jag besökte själv katakomberna i december 2002 och reflekterade då över hur dålig informationen var. Dessutom var störredelen av benen mögelangripna och det verkade inte vara inte någon större kontroll på om människor försökte plocka med sig ben ut..

The aim of this essay is to make clear, whether or not, textile research is visualised in a wider archaeological discussion today. The aim is then to discuss what the archaeological and textile technological research situation in Scandinavia looks like today, and how that relate to what has happened in these two research fields during the years. This essay also has a purpose to find out if there is a need of visualising textile research more in future Archaeology, how that shall be done, and what that can possibly supply to our general picture of the prehistory.The head questions are discussed in the light of three investigations. The first is a study of literature used in archaeological education at five Swedish universities. The other two consists of a study which is aimed to find out how textile research results are published, and one in which archaeologists and textile researchers have answered questions about how they experience the relation between Archaeology and textile research.There has also been done a comparison between interpretations of the archaeological material from the site of Löddeköpinge in west Scania.

Syftet med uppsatsen är att studera möjligheterna men kulturlager som utgångspunkt när man analyserar arkeologiskt källmaterial, då fokus för det mesta ligger på fynden. Tidigare forskning som rör Uppåkras generella förekomst av homogena kulturlager visar ofta en bristfällig förankring i kulturlagren som källmaterial. En oberoende analys av kulturlagren som omger kulthuset ger nya tolkningsmöjligheter som pekar på att de religiösa ritualerna i Uppåkra innefattat en central kremeringsplats för tillresande människor i regionen. Studien visar att kulturlager kan ha en stor informationspotential, under förutsättning att de har bevarats och dokumenterats under goda omständigheter..

I denna uppsats undersöks gnagspår på forntida hasselnötter för att spåra de smågnagare som kan ha funnits på de undersökta platserna i Skåne. Vilka smågnagare kan identifieras? Vad kan det berätta om människornas sätt att hantera nötterna? Nötternas storlek är mätt för att se om man kan urskilja ett urval. Skillnader mellan artfördelningen på gnagda nötter och benfynd har studerats. Det är framför allt gnagspår från skogsmus som identifierats till skillnad från när man studerar benmaterial där vattensork och ekorre är de mest förekommande arterna..

The aim for this essay is to identify and distinguish the metal casting of Uppåkra during late Iron Age by examine related material that primarily consist of finds made with a metal detector. I intend to, by analysing maps, concentrations in the detector material and probable constructions within the settlement, find patterns that can indicate a metal casting activity. The results of the essay show that a number of concentrations can be seen and that they both indicate metalworking activities and to some degree a structural specialization in the settlement. The exclusive artefacts also indicate that Uppåkra was a settlement with over-regional functions when it comes to traditions dealing with metal casting..

The content of this essay is the critical treatment of ritual research in Uppåkra during the Iron Age in relation to Charlotte Fabechs research.From what has been concluded for Uppåkra a condensed chart of Uppåkra's rituals is produced. This chart is compared with what Fabech has put forward for Southern Scandinavia. Fabech's categories and theory have been widely used by the researchers of Uppåkra, and this is critically examined.The most important conclusion is that the similarities between the Uppåkra research and Fabech picture are not great. This source critical point indicates that the massive use of her research in order to explain the rituals in Uppåkra can have been misdirected. The mismatch is mainly due to the fact that places like Uppåkra is of extraordinary character..

How does the visitor experience the message and symbolism in an archaeological exhibition?Can they notice hidden elements in the exhibition and what decides if they see it or not?In my work I studied these things by making an investigation among exhibition visitors thathave much or none knowledge about Archaeology and history. I wished to see how well theycan notice this and if knowledge is important for the understanding of the message and thesymbols. The case study takes place at the exhibition Metropolis at Kulturen in Lund, wherethe history behind and about the Medieval town of Lund is shown.My results show that the possibility for understanding the messages and symbolism exist, butthe chances to do so increase with knowledge.My goal was also try to give some guidelines for exhibition which will improve presentationof the exhibition. To express it shortly this include knowledge, self-awareness and to makevisitor´s studies.My paper also discuss related things: how exhibitions are made, the visitor, the society versusthe museum, the new growing trend towards the museum as a great experience, the changeswithin the museum world and how this affect the future of the archaeological museum..

Uppsatsen handlar om att det går att urskilja en lokal identitet på fyra skånska museer ochäven se om det finns någon regional identitet. Undersökningen sker genom studiebesök pårespektive museum och sedan en beskrivning av utställningarna. Sedan följer en analys avmaterialet som finns i utställningarna för att försöka se en lokal identitet i dem. Resultatet avuppsatsen är att jag enkelt kunnat se en lokal identitet på varje museums utställning men jaghar inte lyckats hitta en skånsk regional identitet..

This paper addresses the need to review the modern presentation of textile Archaeology in museums. It is time to look at textiles in Archaeology with new eyes. The reality behind archaeological textilestudy is holistic, embracing many different aspects of society. The presentation of textiles has in my opinion become old-fashioned. I will show in my paper that Jonathan Adams? `seven constraints´ model, developed for research on ancient ships, can also be applied to textile research.