This essay examines the relationships between the different elements in Lisa Jonasson?s collage Existentiell Progg #6 and her very detailed technique. The essay has as its aims to understand and analyze both the details and the wholeness of the artwork and to try to put the collage in an art historical context. The thesis finds that Existentiell Progg #6 has a connection to the imagery of Africa and other collage artist such as Hannah Höch and Nancy Spero, which also gives the paper a perspective of feminism in the arts. The paper continues to create an understanding for the collage work by putting it in to Theodor Adorno?s theories about nature, the human being and the animal kingdom.

This essay examines the relationships between the different elements in Lisa Jonasson?s collage Existentiell Progg #6 and her very detailed technique. The essay has as its aims to understand and analyze both the details and the wholeness of the artwork and to try to put the collage in an art historical context. The thesis finds that Existentiell Progg #6 has a connection to the imagery of Africa and other collage artist such as Hannah Höch and Nancy Spero, which also gives the paper a perspective of feminism in the arts. The paper continues to create an understanding for the collage work by putting it in to Theodor Adorno?s theories about nature, the human being and the animal kingdom.

Den här uppsatsen handlar om Alternativfestivalen, en kulturfestival som anordnades årligen i Halmstad mellan 1975 och 1982. Syftet med undersökningen är att studera och analysera aspekter av politisk kommunikation vid och omkring festivalen. I uppsatsen analyseras även festivalen utifrån teoretiska begrepp från brittisk ungdomskulturforskning. Källmaterialet i undersökningen utgörs av tidningsartiklar som publicerades av lokaltidningen i Halmstad, Hallandsposten, under den aktuella perioden. Den övergripande slutsatsen är att det fanns klara aspekter av politisk kommunikation vid Alternativfestivalen, vilket kan sägas ha haft tvåsidor: dels en innehållslig och dels en formmässig.

This thesis describes how the punk movement was started in Sweden and how it continued to grow in the late 70's. The main questions are: How was the punk movement regarded in Sweden?; How did punk reflect the society? and What does the term punk represent?The study is based on journalistic texts in newspapers and magazines from the period of the breakthrough of punk. The work is based on a methodical review of the material and is organized thematically under topics like opinions, gigs, clothing and music. Initially, punk lead to misunderstandings and misperceptions since few people knew what punk was all about.