This essay is an attempt to scrutinize dance improvisation in terms of Aristotle?s concept of the practical knowledge Phronesis. By remembering and reflecting upon lessons and my own practical knowledge and experience as a teacher in the subject of dance improvisation, I want to examine the ability to improvise as the dance students´ Phronesis. Awareness, spontaneity and intuition are vital elements for the comprehension of Phronesis and even represented in the basis training in dance improvisation. During the contemplation I have used philosophical books and texts mainly about practical knowledge, intuition and reflection..

AbstractOur life-experiences and our background form the way we act and the activities we are involved in. The overall purpose in this thesis has been to study what habits are to be found in different activities related to the outdoors and how these habits have been developed. Hopefully this work can contribute to a better understanding of the meaning of habits in our lives and thereby play a part in a further differentiated talk about habits and knowledge in society. The background and my theoretical approach has been three views of habits:In practice these patterns of habits are not separable so this approach should be seen as a way of making the development of habits clearer. Another purpose is to study how the following concepts can be related to habits: Reflection, master-apprentice, episte?me, techne, Phronesis, interest and tacit knowledge.

This paper aims to describe and discuss psychotherapy in rhetorical terms; in particular how psychotherapists can use their ethos, or person, as a means for convincing the patient, and subsequently discuss how these insights in turn can be useful for other rhetors.Classical rhetoric is commonly associated with one speaker exercising influence on an audience of many, but modern rhetoric is broader, and includes all situations where someone is attempting, by speech or in writing, to affect anyone, including the rhetor himself. With this broader definition, psychotherapy may also be considered a form of rhetoric. Psychotherapy does, however, highlight the aspect of power distribution, in that it is clear that it is up to the patient to determine whether the rhetoric will achieve its purpose or not, that is, if he will be influenced by it. In psychotherapy, it is also important to differentiate between persuading and convincing: for a permanent change to occur in the patient?s thoughts and actions, the deeper, "internal" form of conviction is necessary for change to take place.When attempting to convince an audience, it is important for the speaker to establish a credible ethos, that is, present a trustworthy persona.

The essay depicts the opposite views of the director and an actor during the filming of a specific scene in a feature film. The actor feels that he is not being listened to. This leads to unforeseen consequences for the director, as the actor no longer wishes to take part in the marketing of the film prior to its opening night. Everything is seen from the director?s point of view, she is working in a film world dominated by men.Questions are being asked if the director?s instructions are clear enough or if the actor, fearing getting lost, is mixing up his own feelings with those of the character he is portraying? What happens to the collaboration and how does it affect the rest of the team and the completion of the production? The director is also the producer.

The essay depicts the opposite views of the director and an actor during the filming of a specific scene in a feature film. The actor feels that he is not being listened to. This leads to unforeseen consequences for the director, as the actor no longer wishes to take part in the marketing of the film prior to its opening night. Everything is seen from the director?s point of view, she is working in a film world dominated by men.Questions are being asked if the director?s instructions are clear enough or if the actor, fearing getting lost, is mixing up his own feelings with those of the character he is portraying? What happens to the collaboration and how does it affect the rest of the team and the completion of the production? The director is also the producer.

This Master's thesis concerns the professional knowledge of the librarian. The image of this knowledge is regarded as constructed in a social context, which is why the discourse analytic approach is selected as method. The empirical material consists of two texts concerning the education of librarians. A theory of knowledge, emanating from Aristotle, is applied to the results to find examples of the forms of knowledge that are excluded from the discourse. A number of themes, or ways, in which it is possible to discuss the phenomenon of the librarian's knowledge, are identified in the texts.

Att lyckas nå fram med sitt budskap är beroende av ett flertal olika faktorer. Till exempel målgruppens förtroende för avsändaren. Hur ska en göra om målgruppen redan innan budskapet förs fram har en skeptisk inställning gentemot avsändaren? Med utgångspunkt i retorikens ethos undersöker jag i denna studie hur en kommunal verksamhet kan använda ethos för att bygga upp sin trovärdighet gentemot sin målgrupp. Genom att ta fasta på verksamhetens kompetens, deras värderingar och välvilja, och lyfta fram dessa i en informationstext om verksamheten, ligger förhoppningen i att målgruppens benägenhet att nyttja verksamhetens tjänster ökar.

Uppsatsen är till formen en reflekterande vetenskaplig essä som undersöker akutsjuksköterskans yrkespraktik. Den egna erfarenheten gestaltad i form av en berättelse från ett arbetspass på sjukhuset är i fokus och undersökningen tar sitt avstamp i den. Det som belyses är de olika kunskapsformer som akutsjuksköterskan lutar sig mot när hon använder sin "kliniska blick"och hur de samverkar och är beroende av varandra. Kunskapsformerna är hämtade från Aristoteles kunskapsbegrepp och stort utrymme ges till den praktiska kunskapen och den praktiska klokheten, som av Aristoteles benämndes fronesis. Texten undersöker också det för sjuksköterskan centrala begreppet omvårdnad utifrån den egna erfarenheten.

The aim of this Master?s thesis is to study how public librarians? view mediation of fiction: the knowledge needed, the thoughts expressed about their own and other adults reading of fiction and how the informants define their roles as mediators of fiction. The method used was qualitative interviews with six librarians at main libraries in Swedish cities of different sizes. The theoretical starting points are Louise M. Rosenblatt?s reader-response theory, Michail Bachtin?s theory of speech genres and Åse Tveit?s and Jofrid Karner Smidt?s theories about mediation of fiction.

The aim of this master's thesis is to examine whether librarians working in public libraries see fiction as a source of knowledge, and what role this plays in the educational mission of the public library. This investigation, which consists of a literary study and an empirical section, shows that the concept of Phronesis denotes practical wisdom and moral thinking, and that it can be applied to that form of knowledge to which reading can contribute. An important issue in this context is the reader's motivation to learn. The interviews show that librarians see literature as a source from which knowledge can be drawn. When they mediate literature, they believe that they are conveying something of value and they set great store in mediating literature which could have a not inconsiderable import to the borrowers.

AbstractThis work is a pilot study intended to show what an experienced teacher of Swedish in first grade teaches and how she teaches. A further aim is to test methods for the analysis of Aristotle?s forms of knowledge in order to elucidate the teaching of reading and writing. As regards theory, the study proceeds from rhetoric and its doctrine of forms of knowledge according to which the whole in communication consists of episteme, techne and Phronesis. The methods involve analysing the content of the communication and analysing speech acts, rhetorical figures and paralinguistic expressions.

Inledning: Begrepp som ?tyst kunskap?, ?praktiskt vetande?, ?erfarenhetsbaserad kunskap? samt ?fronesis? har förekommit under sjuksköterskeutbildningen men fördjupning och praktisk förankring saknades av dessa begrepp. Upplevelsen var att fokus i de praktiska lärandemomenten lades på ett tekniskt kunnande, på bekostnad av kunskaper kring det mellanmänskliga mötet. Detta skapade en diskrepans mellan utbildning och arbete eftersom det förväntas att sjuksköterskan ska besitta denna form av kunskap i arbetslivet. Med denna kunskapsbrist försvåras förståelsen för vad ord som empati, etik, moral och lyhördhet har för betydelse för god omvårdnad samt hur det är relaterat till det praktiska utförandet.

Syftet med den här essän är att undersöka om det går att synliggöra ett mellanrum som upplevs finnas mellan tillsynsansvarigs upplevelse av förskolans kvalitet, hur förskolan beskriver sin kvalitet och vad kvalitet är för barnen i deras vardag på förskolan.Mellanrummet gestaltar sig som ett fält med information som är svår att få syn på. Essän utgår ifrån två berättelser om hur barn kan uppleva sin vardag på förskolan och vad kvalitet kan vara utifrån ett barnperspektiv.Berättelserna har också fokus på mötet mellan tillsynsansvarig, förskolechefer och pedagoger. Deras roller prövas utifrån att vara nyckelpersoner som har att föra in begreppet kvalitet i förskolan.Teorier och styrdokument om vad kvalitet är i förskolan ställs i relation till tillsynsansvarigs, förskolechefers och pedagogers roll. Aristoteles kunskapsbegrepp fronesis blir ett stöd för att få syn på den praktiska kunskap som nyckelpersonerna äger och utövar.Tillsynsbesöket granskas i skrivandet som ett kontrollerande möte men också som ett möte med möjlighet till utveckling. I mötet har tillsynsansvarig två roller som lyfts fram, den kontrollerande och den vägledande.