The aim for this essay is to identify and distinguish the metal casting of Uppåkra during late Iron Age by examine related material that primarily consist of finds made with a metal detector. I intend to, by analysing maps, concentrations in the detector material and probable constructions within the settlement, find patterns that can indicate a metal casting activity. The results of the essay show that a number of concentrations can be seen and that they both indicate metalworking activities and to some degree a structural specialization in the settlement. The exclusive artefacts also indicate that Uppåkra was a settlement with over-regional functions when it comes to traditions dealing with metal casting..

As to now, no study has been made of the mica tempered pottery found along side the asbestos tempered pottery in Norrland during the Bronze Age and Early Iron Age. Its occurrence has previously only briefly been noted in a few published works and the dating and geographical distribution of mica tempered pottery in the north of Sweden has to a large extent been unknown. This paper aims to compile the available information about this type of pottery and the locations where it has been discovered in order to date and explain the occurrence of mica tempered pottery in Norrland. It's also suggested that the occurrence of mica tempered pottery is connected to the spread of the early metalwork from the east to areas that today makes up the north of Norrland..

This essay is about Late Iron Age settlement and its production. I want to define the nature ofthree different workplaces on Bornholm, Denmark, and compare them. My aim is to see if itis possible to define a workplace through the traces of the craftsmanship. Several materials areselected in this essay and the analysis provides different perspective on workplaces in the LateIron Age in Scandinavia. The results of the analysis between the three workplacesAgerbygård, Baggård and Kanonhøj shows that Baggård have more traces of melting of bronsthan any other of the places.

Dust, our smallest common denominator                                                                                                                                                                 Charlotta Lindvall ABSTRACT  I find it fascinating to know that we are all made of the same material as the stars and that everything is connected to each other and in a constant movement and transformation, a recycle of material. We are all made of stardust. In fact all life is sprung out of dust.In my essay I investigate the dust and ask the question if there are any traces in the dust. I look at the history of the dust and how it has affected us and our world through the decades. What does this small and airy but oh so unappreciated dust tell us? Why do we want to get rid of it? Is it possible to find a sense of belonging in the big context by investigating the dust and its origin and could I transform such a low material as dust into something magic that makes people reflect on our origin and belonging and how everything is connected? In my work I use dust as a material and in the essay I compare my work with other artists who have worked with dust as a material.Dust is everywhere because its source is from everything.