Roy Andersson är en internationellt hyllad regissör som genom användning av en stilistiskt, särpräglad bildestetik vunnit stort erkännande bland både kritiker och publik. Denna uppsats behandlar människo- och rumsgestaltning, samt granskning användningen av den komplexa bilden i ?En kärlekshistoria? (1970), ?Giliap? (1975) och ?Sånger från andra våningen? (2000). Med utgångspunkt från en hermeneutisk metod och Auteurteori utförs analyser av dessa filmer..

In this paper, I have examined if and how Saul Bass adapts his title sequences to the respective film in the matter of genre, plot, milieu, feeling and appearance. Saul Bass was really a graphic artist who has made himself a long career in film production, foremost as a creator of title sequences. Of all the films Bass has created title sequences to, I?ve chosen six films, whose title sequences I analyse more thoroughly. I do this to point out the differences between them and thus also show how Bass adapt them to the individual work.

Sustainability work is something that is emphasized more and more. Corporate Social Responsibility, CSR, is discussed and the question of how much responsibility companies should really take is frequently in the news. Companies tend to ask themselves how much responsibility they should take. CSR is a common concept of companies environmental and social work and a concept we tend to see here and there in our modern society. CSR includes companies? social responsibilities, both in terms of carbon footprint, working conditions, social responsibility and more.