This essay aims to examine what subject positions are possible within the discourse of relationship anarchy. Through semi-structured interviews with four people who define themselves as relationship anarchists I've made a discourse analysis to determine how these relationship anarchists explain what, in the discourse they?re in, is described as an relationship anarchistic way of being, what isn?t and how they relate to this. Relationship anarchy is described as an ideology based on freedom. It is about the right to define their relationships as they like, as something constantly changing and that does not hold a specific value based on its label.

This thesis explores the relationship between the Swedish autonomous left and the terrace culture of European football. It has its geographic starting point in Stockholm, Sweden and follows the three larges tStock­holm football clubs, AIK, Djurgården and Hammarby, and its supporters. The author has followed the football club Hammarby from the terrace for the entire 2011 football season, and has interviewed six political activists who visit, or used to visit, the terrace. The research context this study is incorporated into centres around the history of, and relationship between, the terrace cultures of AIK, Djurgården and Hammarby. Previous research has also focused on the radical potential of Ultras terrace culture (which is derived from Italian supporter culture) and the terrace culture from an intersectional perspective.

1998 beslutade Nässjö kommun att ett minnesmonument skulle uppföras lagom till millenieskiftet. En av de drivande personerna till idén var Jan Holmquist som vid tidpunkten var Kultur- och fritidschef för kommunen. Monumentet skulle göras av "den bäste" varpå Carl Fredrik Reuterswärd fick förfrågan.Skulpturen gestaltar Nässjö stad med hjälp av ett minne, historien om stadens uppbyggnad med järnvägen som en central del. Tåg som rörde sig framåt med hjälp av hårt arbete och kol inspirerade konstnären. Skisserna till verket spelar stor roll för att kunna förstå konstnärens intention med Kolskyffeln.