Detta arbete omfattar en studie angående ett blivande kompetensutvecklingscenter för urbefolkningen på ön Mindoro i Filippinerna. En central punkt på centret är ett rum avsätt för varierande verksamheter. Min studie omfattar hur detta rum på bästa sätt kan bidra till flexibilitet och användbarhet genom rumsliga element. En fallstudie utfördes i Filippinerna under perioden mars-maj 2012. En kvalitativ studie innefattande intervjuer, observationer, diskussioner, analyser och litteraturstudie, med fokus på visioner, hinder och förutsättningar. Analys av studien och designprocessen resulterade i ett gestaltningsförslag som skapar förutsättningar för inkludering och funktionalitet. Resultatet blev en stapelbar låda som går att använda som sittplats, en plats till förvaring, samt går att sätta ihop till önskade moduler.

In recent years the arts institutions? role in society have changed. With increased demands on attracting greater number of visitors they use concepts from corporate marketing to communicate with greater success. Theories from museum studies show that the importance of rendering authenticity now has become the new imperative in order to retain the status of a reputable institution. This thesis aims to discuss the development of a new visual identity for the public and non-profit institution Malmö konsthall.

In my degree project, I explore the importance of distance and how our perception of distance is affected by our experiences.During my investigatory work I studied the relation between distance and experiences. Among other things I concluded that distance can refer to several different kinds of distances (for example spatial, temporal or social distances) and that experiences are what you?ve learnt of these distances. The importance of distance can be illustrated by highlighting the effects of the distance, i.e. experiences.My degree project resulted in a pair of interactive binoculars which are used for looking at an virtual world of illustrations in 360°; a world of illustrations where distance and the importance of distance is shown..

The final stage of a designers work is always a bit tricky. Design is an abstract phenomenon and no one can tell when a design is really finished. The design process that designers work within has been thoroughly studied but cannot be truly mapped with strict constraints which the designer can follow to succeed. Therefore, in this paper we take a look at the final stage in the design process. The main goal is to get more knowledge and highlight key factors about what designers face when they are about finish their design or what forces them to leave a project that can stay in development for eternity.

I work on a lighting design for a dance performance to be on tour. A lighting design adapted for three different conditions was made: - One comprehensive where I allow myself a great deal of creative freedom, adapted for the stages with major technical conditions. - One smaller version for stages with less equipment and with less time for preparation on site. - One design for very simple conditions. I also examine the specific differences between typical theatrical lighting design and typical dance lighting design, and the best way to prepare for the hands-on stage design phase..

Parkinsons sjukdom drabbar 15 av 10 000 personer. Sjukdomen kan påverka gången genom freezing, då individen stannar upp och är oförmögen att fortsätta att gå. Detta är ett mycket besvärande symtom som kan behandlas med olika cueingstrategier. Även gånghastighet kan förbättras med hjälp av cueingstrategier. I den senaste litteraturstudien var evidensen för cueing oenig.

A design methodology to mitigate timing problems due to long wire delays is proposed. The timing problems are taking care of at architecture level instead of layout level in this design method so that no change is needed when the whole design goes to backend design. Hence design iterations are avoided by using this design methodology. The proposed design method is based on STARI architecture, and a novel initialization mechanism is proposed in this paper. Low frequency global clock is used to synchronize the communication and PLLs are used to provide high frequency working clocks.

Vilken roll har den kulturella globaliseringen på Visuell Design i tidningsbranschen? Medier är i konstant rörelse och världen har blivit ett öppet kulturellt utrymme där olika kulturer kan förmedlas via medier. Företag globaliserar sin verksamhet vilket gör att kulturella produkter som Coca-Cola och Nike är välkända runt om i världen. Samtidigt diskuteras de konsekvenser som globaliseringen av kulturella produkter kan ha på världen och om detta leder till homogenisering eller hybridisering av kultur.Kvinnomagasinet Cosmopolitan är ett globalt varumärke som existerar i över 100 länder. Den fråga som uppstår är om en stark kulturell produkt som Cosmopolitan har satt en standard för andra kvinnomagasins estetiska uttryck i andra länder.

The objective of this project was to develop the visual identityof Halleluja, a brand new booking agency representing approximatelytwenty minor artists within a wide range of contemporarymusic styles.The outcome has been applied to business cards and awebsite yet to be produced. To attract the audience and differentiateitself from other booking companies, Halleluja featuresa minimalist design that speaks of dedication, breadth ofgenres and exclusive taste. Although my sketches have beenapproved by Lars Olsson and Erik Sundfeldt, the co-foundersof Halleluja, I have had the privilege of working quite freely andstarting from scratch, since there was no earlier work done onthe company.Some of the issues I have faced during my process wasabout finding the right tone of voice in type and colour, ordealing with the semantics of the corporate name (meaning»praise the Lord«). I?ve also been struggling to come to termswith my own self-censorship and my slighly suspicious view onbranding..

I uppsatsen undersöks instabila processer i visuell kultur på två plan: i tid och rum och i material och metoder.Den tar upp vad instabila processer i visuell kultur är uttryck för och vad processerna får för konsekvenser förkonstbegreppet.Inledningsvis kartläggs hur Nicolas Bourriaud, Lev Manovich, Mieke Bal, Manuel Castells och MiwonKwon beskriver kulturella instabila processer. I syfte att undersöka om teorierna går att tillämpa på visuellauttryck utförs därefter en empirisk analys av musikvideor av Coldplay, Radiohead och Röyksopp. Också enjämförande analys görs för att se om instabila processer går att finna även inom scenkonsten. Det somundersöks i detta fall är en teaterföreställning av 123 Schtunk.De instabila processer som beskrivs i texterna återfinns i hög grad i de analyserade verken. Processernavisar sig vara en spegling av en nomadisk och mobil diskurs som orsakas av nätverkssamhällets strävan efteratt överskrida tid, rum och fasta begrepp.

This thesis introduces Kongjian Yu?s design approach in terms of industrial heritage conservation in connection to transformation and urban design. The approach is examined respectively on two cases from China and USA. The thesis give a brief introduction to current achievement in conservation research and general profile of industrial conservation practice. Based on case and theory study, Yu?s design approach is carefully applied to an industrial area Nyhamnen in Malmö and a design proposal is produced.

Service Design is a relatively new, unexplored and exciting phenomenon that through an interdisciplinary work methodology designs services. A discussion has been going on for a long time regarding whether there is a difference between products and services. Services are often classified as immaterial, heterogeneous, non-storable and inseparable in relation to products. A question that arises is if something specific characterises the work methodology used regarding service design. The aim with this paper is thus to explain the work methodology when working with service design.

År 1972 skickade NASA upp en rymdsond, kallad Pioneer 10, ut i rymden med en bild fastsatt på sondens utsida. Bilden var ett meddelande till utomjordiska varelser och illustrerade information om människan och jorden. Med bilden som en visuell utgångspunkt har jag designat en workshop för åtta gymnasielever i två olika grupper som fått i uppgift att skapa en animation att skicka upp i en rymdsond idag. Genom att omformulera den digitala berättelsens metod har jag velat undersöka hur deltagarnas process och animation kommer att formas om utgångspunkten är visuell. Jag har utifrån mina didaktiska designval undersökt vad deltagarna har gjort för egna val, material och tillvägagångsätt de använt sig av. Under projektets gång har jag samlat in empiri i form av ljudupptagningar, filmmaterial, fotografier och fältanteckningar samt analyserat deltagarnas animationer.

A current issue today is to try to implement creative design as a way to solve wicked problems in scientific contexts such as HCI. Since the problems are wicked, they have no given solution which makes the traditional methods inadequate. In these cases, creative design can be an alternative. Creative design is not used in scientific contexts because it is viewed as something unaccountable.In this essay we argue that creative design not necessarily have to be unaccounted. We discuss various views of creative design and translate theory to a practical context.

This paper deals with the difficulties of applying user-centered design practices as an independent developer, based on the visualization of a game concept in the form of a prototype. The aim is to evaluate the usability of user-centered design practices, specifically in the field of games development. Throughout this paper, I will give an account of the methods used for testing, as well as a review of previous research done in this field of study. Finally, I will end with a discussion regarding the pros and cons of user-centered design, as well as some thoughts about its importance in similar projects..