In 1896, a French cinema pioneer named George Méliès demonstrated that an object could be set to motion by changing the objects shape or movement frame by frame. But it was not until the early 1900s that this specific genre of filmmaking became a great success. The animations were essentially short and were animated and published in The United States of America. The interest in animated movies began to increase, not only in the west, but also in Europe and Asia. The art of animation grew especially popular in Japan, and emerged as a parallel to Japanese comic books known more commonly as Manga.The history of Japanese animation is not as commonly known as the history of American animation.

Uppsatsen är en induktiv studie med kvalitativa intervjuer, som undersöker gymnasielärare och historikers inställning till regeringens förslag om att historia A på gymnasiet ska fokusera på modern historia. Denna inställning ställer vi sedan i relation till begreppet historiemedvetande och får på detta sätt fram spännande resultat. Vi kunde se att åsikterna går isär, men att de alla i grund och botten har en gemensam tanke om vad som vore bäst för eleverna. Den stora skillnaden ligger i hur detta kan uppnås. Är det en fokusering på moderna tider, eller är det en lång tidsvandring som ger möjligheten att dra långa linjer som är det bästa? Vi kom fram till att en kurs på 100 poäng, som till största delen fokuserar på modern historia, och ger möjligheter att dra paralleller bakåt i tiden vore den bästa lösningen på problemet med dagens förslag.

Uppsatsen behandlar den franske filosofen Louis Althussers "intervention" i striden om humanismen åren 1960-1967. Tesen i uppsatsen är att det existerar en konflikt mellan det teoretiska begreppet om ideologin och det kommunistiska partitagandet, mellan filosofen och kommunisten Althusser. Denna konflikt kommer tydligast till uttryck i analysen av den "socialistiska humanismen".Uppsatsen återvänder till Althussers ideologibegrepp och till humanismen, som intar en särställning bland de teoretiska och praktiska ideologierna. Ur vetenskapens synpunkt kan "humanismen" inte producera kunskap, eftersom den är ideologisk, men i politiken har den vunnit insteg och blivit ett lösenord hos de socialistiska partierna.Som en konsekvens av de dubbla lojaliteterna - mot filosofin och mot partiet - tvingas Althusser retirera in i det humanistiska språkbruk, med vilket Sovjetunionen gör reda för sin egen omvandling. I sin egenskap av teoretisk ideologi måste den socialistiska humanismen misskänna verkligheten, men som praktisk ideologi är den det kitt som håller samman Sovjetmedborgarna såväl som Althussers politiska åskådning..

This paper deals whit the problems concerning social organisation in the county of Dalarna in middle Sweden during the Middle Ages 1050- 1528. This paper also deals whit the every day ife in Dalarna during the same period. In the paper archaeology, ethnology, history and osteology is used in order to create a so accurate as possibly picture of every day life at the farm, the villa and the keep. Each environment is compared to each other in order to try to see the social structure of the county. The geographic frame for the paper is the part of Sweden above the border zone of Limes Norrlandicus, or lower Norrland.The results presented in the paper shows that Dalarna most probably had a flat social organisation in the meaning that the every day life and its artefacts was much the same in all the environments.

This essay revolves around the Christianisation of the Danish kingdom during the middle ages. Issues like; the length of the Christianisation process and the influence it had on thevillages? structural appearance in the Danish kingdom. A special case study of the villages Kyrkheddinge and Fjälkinge, Scania, is an essential part of the essay. Through writtenmaterial and excavation reports from the both villages the study enlightens the structural appearance of the village and the hierarchy of the farms in the village.

En studie av teaterdekoratören, konstnären och arkitekten Louis Jean Desprez' betydelse för Gustaf III nationella projekt, att förena sitt folk och skapa en nationell identitet med hjälp av opera och teater..

I have investigated the political culture of post-communist Russia. For a long time it has been assumed that, the history is of great importance in shaping the political culture. I wanted to find out if this was true, I chose to study the political culture of Russia. How great effects had the autocratically legacy of Soviet Union in the democratisation of Russia? My thesis show that the role of history isn't of such great importance, instead it's the Russian state that has had the greatest possibility of shaping the political culture of Russia but it failed.

The purpose of this project is to examine the development of the upper secondary school physics course and from this get a better understanding why the course is organized the way it is today. The timeless argument for studying science in school will begin this essay. After that the reader will be aware of when important discoveries in physics were made. Then school history is presented. In this part we are told when the first school started in Sweden, but the focus lies on the upper secondary school and the physics course.

I started this project with the understandning that European hisory has become more important in government documents as a part in a larger European discourse, and that this fact is likely to be reflected in the chools textbooks. Therefore this essay deals with the task of comparing history textbooks over time trying to find changes. Firstly to find out how much space European history is afforded in the textbooks, and secondly how Europe is described and used in the textbooks. In my first task I will use a content analysis and in my second a conceptual analysis. My material consists of eight books and I have three pieces of older educational materials from the years 1949, 1954 and 1962.

In 2011, the Swedish National Agency of Education introduced a new national curriculum including the compulsory school and upper secondary school. The new curriculum has been widely discussed by media and in the schools. This essay aims towards investigating how four History teachers in two upper secondary schools have experienced the introduction to the new curriculum, and whether they believe that the new curriculum has affected their teaching practice. The investigation conducted in this essay is based on four semi-structured interviews with four History teachers who work at two upper secondary schools situated in different towns of Sweden. The results of the investigation indicate that the interviewed teachers have experienced the transitional period between different curricula to have worked well even if it has been time demanding and also has increased their work effort.

Swedish students in the upper secondary school will recieve informaition regarding religion from multiple sources. If we look past the students surroundings like the family, friends or multimedia school is still the primary arena for religous education. Discussions about religion will take place in other lessons than just the subject religion. History is in my opinion the subject closest related to religion and the two makes up for a lot of the values work in swedish schools. Textbooks is still one of the most important tools for education and that makes them important as objects to study.

The aim of this master thesis is to analyze how and why Scandinavian-American history has been used in exhibitions in both Scandinavia and the United States after the end of the Great Migration. More specifically, the thesis deals with the Swedish and American exhibitions of the controversial Kensington Rune Stone, discovered in Minnesota in 1898. Despite the fact that its authenticity has been disputed by academic expertise, it has been displayed by many prominent actors. The Rune Stone is one of many purportedly pre-Columbian artifacts found in the United States. Moreover, it is an identity marker, harboring many kinds of identity constructions. The thesis therefore focuses on the meanings that the Rune Stone has been charged with since its discovery, as historical culture and in specific exhibits, on how it has been displayed, and on why it has been exhibited at  national museums in both Sweden and the United States. The principal source materials are five exhibitions of the Kensington Rune Stone.

In this essay the renewal of the modern sacred art has been examined through the creation of three works of art from the art project ?Kyrkorummet?. The aim has been to show that renewal of the modern sacred art is best accomplished by the combination of the artist history and Bible knowledge and the open mindness of the beholder towards the new and creative, in order to communicate the gospel in modern time.The large extend of the art project demanded a selection of the art works. Therefore, three were chosen and they show the last supper and the baptism in a renewal way including both symbolism and creativity. To complete and facilitate the analyses, a theme, light and water, have been used as well as relevant theories in art history with Kandinsky as main art critic.Through the art project and it?s teaching, history in combination with present time through visits in different and modern churches, thoughts have been stimulated and the result has been new works of art that speaks of our time.

Based on an analytical overview of post-Communist civil society development in Russia, the present thesis attempts a critical discussion of general civil society theory from the perspective of its relevance for the case study in question. The text consists of three closely interconnected, mutually reinforcing parts. In the first part, major issues of current civil society research are being thematically presented and discussed. The second part concerns itself with the case study as such. It is divided into two parts, one dealing with the relations between state and civil society in Russia, the other with civil society and the individual.

Uppsatsen belyser och analyserar postkoloniala drag i Peter Høegs författarskap, utifrån de två novellerna "Rejse ind i ett mørkt hjerte" och "Fortælling om et ægteskab" ur samlingen Fortællinger om natten från 1990. Syftet är att ta reda på vad som händer med den västerländska självbilden i en värld präglad av postkoloniala strukturförändringar..