Denna rapport redogör för ett kandidatexamensprojekt 15 p i industridesign på Konstfack University College of Arts Crafts and Design. Projektet är ett gestaltningsprojekt som behandlar ett koncept om en ny utombordsmotor för privat bruk. Jag har under projektets gång identifierat ett antal värdeord från användare och en position på marknaden som har resulterat i en utombordsmotor med en tydlig miljlöprofil.Användaren och målgruppen för denna utombordsmotor har ett aktivt båtliv som kräverstor flexibilitet av motorn.Konceptutvecklingen och då främst tekniska detaljer har arbetats fram i samarbete med sakkunniga inom förbränningsteknik på KTH. Resultatet är en hybridmotor som går på el-drift i låga hastigheter och förbränningsmotor i högre hastigheter.Stor fokus har lagts på gestaltningen i en process som har innefattat både tvådimensionellt skissarbete och tredimensionellt modellarbete. Formen strävar efter att uttrycka ett hybridkoncept innehållande två motorer.

This essay aims to analyse the social and physical interaction through the body inpublic space, based on the performances Twilight Walk by The New Beauty Council,and Crawl, by William Pope.L. As part of the performance-programme CityExcavations from Gothenburg International Biennial of Contemporary Art 2011,artists occupied the streets of Gothenburg for a few days in June 2011. Through aninterpretation on performativity and feminism architecture-theory this essay looks intohow bodies integrate with public space; on how space potentially includes or excludesrepresentations of different bodies and the construction of (gender) identities. I wantto discuss how bodily performances such as movements, gestures, visual andemotional expressions interact with architecture and social contexts..

In year 2000 the Swedish Public Service television started a new series of programmes named Mediemagasinet. The purpose was to expose the work of journalism through the eyes of a journalist. The programme showed different types of tasks and problems that have to do with journalistic reporting. The form of Mediemagasinet wasn?t anything new but the content was presented as the very first of its kind.

Orsaken till mitt ämnesval för detta examensarbete uppkom på grund av att den teoretiska delen i byggutbildningen på den skola där jag arbetar ofta uppfattas som tråkig och meningslös. Detta arbete är ett försök att skapa ett nytt teorimaterial för byggprogrammet som eleverna skall kunna använda för att ta till sig den teoretiska kunskapen på ett effektivt och pedagogiskt sätt. I denna kurs så ingår det att eleverna skall kunna utföra enklare praktiska byggövningar, få kännedom om lite olika byggmaterial, olika byggtekniker samt ekologiskt byggande. Detta arbete tar också upp vad man skall tänka på när en pedagogisk facktext skall skrivas. Teorimaterialet i detta arbete är en handledning i hur man kan bygga en lekstuga.

This work examines how the aesthetics of Japanese actor and playwright Zeami Motokiyo (1346-1443) offers insight into the value of the unseen elements in art, specifically in the art of acting. What acting makes appear is likened to a vessel, which creates an empty space of what doesn?t appear. This non-appearing element is at the same time what gives the vessel its function. N? theater is described as an art of suggesting, giving a background to Zeami?s theories.

Uppsatsen behandlar officersboställen i Skåne från indelningsverkets tid (1682-1901), med särskild inriktning på byggnadsvårds- och bevarandefrågor samt på tillämpningen av lagstiftningen kring byggnadsminnen och annan kulturhistoriskt värdefull bebyggelse.Uppsatsens tidsmässiga fokus ligger på 1850-talet. Den bygger på arkiv- och fältstudier kring det trettiotal av Skånes 50 officersboställen som har karaktärshus uppförda enligt de av militären fastställda typritningarna. Mer detaljerade undersökningar, uppmätningar och foto­grafering har genomförts kring tre välbevarade boställen, Örsjö, Månstorp och Hjälmshult. Uppfölj­ningar har också gjorts kring fem boställen som har genomgått mer om­fattande och inte helt önskvärda förändringar. Sist i uppsatsen finns åtskilliga tips för den som är intresse­rad av att vårda militära boställen och andra byggnader på ett varsamt sätt..

This is a non-traditional examination paper written after three years of studies at Malmö University and the Kaospilot Program. It is written in Swedish and in the spring of 2009. It describes a non-linear project based on a process-orientated theory called Theory-U by Otto C. Scharmer (2009). The project aims to investigate the changing conditions of Stage Theatre and deals with non-linearity as phenomena.

This thesis is an investigation of Iranian immigrants and their use of libraries in Sweden. It isbased on a combination of a qualitative and a·quantitative method.Using a qualitative method, I give an outline of the history of lran from ancient times up to the present, as well as the different ethnological groups in Iran and their cultures. The main objective of this part is to clarify the contrasts between Iranian and Swedish cultural, social, linguistic and family structures, and also the characteristics of the crisis that most immigrants go through on their arrival in the new country. The qualitative method also involves structured telephone interviews with eight highly educated Iranians.This method was supplemented by a quantitative study through questionnaires of the attitudes· of lranian immigrants to libraries and reading. Iranians in Sweden turned out to be frequent Iibrary users.

In this study I compare the donor portraits on wallpaintings in Scanian churches from the 12th and the 15th century and relate them to medieval society.I find that women were equally capable of owning and donating land during the entire period. The image of the ideal woman changed during the 14th century from a married woman to the unreachable mistress of the chivalrous culture and the holy virgin. Women had a natural place beside their husbands in 12th century donor portraits, while single male donors are more frequent in the 15th century. While 12th century donors were supposed to show their position in society by offering plentiful donations directly to God, donors in the 14th century instead strived to present themselves as humble and pious. The individualisation of late medieval society meant that people had to depend on themselves to achieve salvation..

Title: Sing in Swedish! The purpose of this study is to find out how songs and singing could complement Swedish second language education. The method I have used to collect information is qualitative interviews with four persons with different professions: a teacher, a choirleader, a singing teacher and a medical doctor and a laryngologist. The study begins with a few thoughts about my interest in the subject, followed by a short overview of other studies and literature that has been published on the subject. The persons I have interviewed has experiences of either singing, use of voice or teaching of the Swedish language. The results of the interviews have been analysed and compared with the literature.

In this work I have examined how two violin students, who are used to the classical music tradition, think when they learn to play Swedish folk music, with focus on rhythm and beating the time with their feet. One of the students is studying on her first year to be a classical violin teacher and the other student is studying on her third year to be a classical musician, both are studying at Malmö Academy of Music. I had three lessons, one hour each, with these two students where I taught them some basics in how to play Swedish folk music. After the last lesson I interviewed the two students. I have done interviews with two teachers at Malmö Academy of Music; Wieslawa Szymczynska and Mats Edén.

This thesis studies the subject on how disabilities are written about in Swedish politics, the programs of the seven parties in the parliament are studied. The thesis is divided into two parts; where the first part is a content analysis to see how often disability are mention in each programme. It differs between one (the Left Party) and 33 times (the Christian Democrates). This first part also works as a backround to the second part of the study. This part of the thesis is built upon a discourse analysis.

The purpose of this study has been to examine how Afro-Cuban musical traditions and concepts are integrated in compositions for solo guitar by the Cuban guitarist and composer Ñico Rojas and how this can be expressed in the performance of his music by a classical guitarist. For this purpose a guide to Rojas music, which is included in this report, was written based on literature about Afro-Cuban music. Then a classical guitarist learned to play a piece by Rojas with help from the written guide. The result was examined using recordings of the guitarist's interpretations and an interview with him. The conclusion is that different aspects of the Afro Cuban musical tradition are present in Rojas? music, but that the concept of the clave was the most useful aspect for the classical guitarist that interpreted the music of Ñico Rojas in this study..

In May 2005 the Swedish cinema chain Astoria Cinemas is founded and in July two years later the company goes bankrupt. In this thesis Astoria Cinemas is used as an example to illustrate the conditions for a culture-producing company in a commercial market. The purpose of the thesis is to discuss the strategies for cultural production that has been used by the actors involved in the Swedish cinema market, and also to discuss the structural environment on that market. It is a qualitative study based on interviews and documentation. A few conclusions are possible to draw from the empirical material, one is that Astoria Cinemas? management did not agree on the company?s business strategy and therefore might have acted strategically inconsistent.

This thesis engages the topic of test methods for wood adhesives. Two test methods were evaluated, EN 302-1, a European standard, and ASTM D905, an American standard. The total amount of specimens manufactured and tested was more than 500. The adhesive bonds were tested in shear with an increasing load on the specimen until failure.The adhesives used were epoxy-resin, phenol-resorcinol-formaldehyde and a 2-K polyurethane. The test programme included five different types of intentional errors per method, in order to investigate the sensitivity of the test methods.