I detta examensarbete undersöks tillämpligheten av speciellt anpassade kartprojektioner för projektering, byggnation, drift och underhåll av långsträcka objekt inom svensk infrastruktur. Speciellt intresse ägnas åt Snake Grid-projektionen som utvecklats av University College London i samarbete med Network Rail, som bygger och underhåller det brittiska järnvägsnätet.I samband med att man i Sverige satsar på utbyggnad och uppgradering av järnvägsnätet med höghastighetsspår, uppstår även ny mätningstekniska utmaningar då anläggningarna blir allt mer komplicerade, och toleranserna allt snävare. Projekteringen av anläggningarna utförs oftast i programvaror som antar att bygget kommer att utföras i ett tredimensionellt rum med rätvinkliga axlar, med norr och öst i ett plan och lodriktningen vinkelrätt mot detta plan. Problem uppstår när detta antagande om en platt jord möter verkligheten med en krökt jordyta och kuperad terräng.Den klassiska lösningen på problemet är att arbeta med kartprojektioner, för att på så sätt lokalt eller regionalt approximera en platt jord vid kartering och projektering. Storleken på det område som kartprojektionen är giltig för och lokala höjdförhållanden bestämmer hur stora avbildningsfelen, i form av skalförskjutningar, som mest blir i kartan.

In Sweden today so-called "prescribed nature conservation burning" is performed due to the change in silvicultural law, certification and an increased knowledge regarding the field of fire in the forest landscape. The aim is to re-create structures and qualities made by the fire regimes of the past, though on a much smaller geographical scale. The structures and qualities to be re-created are for example broad leaf stands, trees with large diameter, heterogeneous stands regarding variables such as age and diameter. If we increase our knowledge of the constitution of forests characterized by fire, then we will be able to set goals for what achievements to reach both on landscape scale and stand scale. The aim of this paper is to try to describe how a stand from the past was composed regarding mainly the spatial arrangement and compare it with the stand of today in the same place. This to be done by using relict material, that is stumps and dead standing trees.

In the middle of the 19th century came an opposite reaction against the hospitals? treatment of their patients and a more human way was requested. A link between crowded housing, bad hygien and other bad conditions had been noticed and nature was considered to be healthy. Hospitals and sanatiories moved closer to nature due to influences from England, USA and Germany, and cities began building public parks. Employment was seen as calming and healthy for the patients.

The aim with this thesis was to investigate what characterises an English Arts and Crafts garden how they could be modernised in Sweden. My research was limited to 20 weeks of full-time writing and worth 30 ECTS. Through literature studies, interviews and site visits I could analyse my findings which resulted in a concrete garden design project. The Arts and Crafts was a movement that started in England during the 1880?s and evolved as a reaction towards the industrialisation. The influence came from the writings and practices of John Ruskin (1819-1900) and William Morris (1834-1896) who advocated the importance of craftsmanship. The Arts and Crafts movement also became a ?recipe for life? and was associated with a healthy and morally pure way of living.