AbstractThis paper is an analysis of Virginia Woolf's novel Orlando. My rendering of the novel is inspired by queer-theory and in particular the theories of Judith Butler. In my interpretation I have put my focus mainly on androgyny and transvestite disguise. The purpose of my analysis is to create an understanding of the theme of androgyny in Orlando and see how it relates to the writer's feminist approach. I?ve also used concepts like transvestite disguise and cross-dressing to interpret the main character, Orlando's constant changes of clothes, between female and male clothing.

SammanfattningDenna studie avser att undersöka ungdomars sexuella handlingsutrymme. Syftet är att studera om det sexuella handlingsutrymmet uppfattas olika när det gäller ungdomar med, respektive utan, en lindrig intellektuell funktionsnedsättning. I analysen har särskild hänsyn tagits till tre bakgrundsfaktorer; ungdomars kön, föräldrars födelseland samt föräldrars religiositet. Definitionen av det sexuella handlingsutrymmet bygger på den unges uppfattning om vårdnadshavarens restriktioner gentemot den unge inom fyra områden; restriktioner i skolan och på fritiden, begränsningar i heterosexuella föräktenskapliga relationer, begränsningar i val av framtida äktenskapspartner samt begränsningar i sexuella relationer innan äktenskap.Studien bygger på en sekundäranalys av kvantitativt datamaterial hämtat från två tidigare studier, Schlytter m.fl. (2009) samt Davidian m.fl.

This is a study of the novel Mes mauvaises pensées (2005) by the French writer Nina Bouraoui. I use an intertextual comparative method, where I read the novel against three intertexts: Marie Cardinal Les mots pour le dire (1975), the David Lynch movie Mulholland Drive (2001) and novels and photographies by Hervé Guibert. Main focus is on the relation between body and language. Using the psychoanalytic theories by Julia Kristeva I examine the melancholy of the narrator in Mes mauvaises pensées. The melancholic subject mourns a Thing which is the unrepresentable archaic mother.

The purpose of this master?s thesis is to examine from a psychoanalytic point of view how Mare Kandre narrate the complex process when girl becomes woman. Earlier theoretical work concerning Mare Kandre is sparse and limited to narrow cut-outs of her authorship. There are two dissertations, but none with Kandre and her unique fictional works alone in focus. Most frequently she is presented as part of different groups of authors.

En metod för närområdesindelning i Hälsovalet Gävleborgs skapas och beskrivs i detta arbete. Indelningen av närområdena bör vara objektiva och ta hänsyn till patientens bästa. Detta arbete syftar till att skapa alternativa indelningar av närområdena i Hälsovalet Gävleborg och det syftar även på att undersöka olika tillgänglighetsparametrars påverkan. Resultatet ska sedan kunna användas för att jämföras med dagens närområden som är inriktade mot vårdgivarna.Gävleborg är utsett som studieområde eftersom de tillämpar aktiv revidering av närområdena samt den ojämna fördelning av invånare i städerna och i glesbygden som kan bidra till att indelningarna av närområdena blir mer komplexa.I denna studie används två olika typer av nätverksanalys, kortaste vägen och ruttplanering. Referenssystemet som har använts är SWEREF99.

Based on the on the assumption that the two recent Swedish poetry collections mil by Anna Hallberg and mallamerik, mallamer, malameri, mallame, amerik, mallameka, merikka, by Lars Mikael Raattamaa, are constructed with theoretical questions about identity, national identity, language hierarchy and power in mind, this study aims to investigate the ways in which these issues come to expression. Simplified, the term language-poetry, or språkmaterialism, can be used to describe a language-philosophical poetry that aims to eliminate the hierarcic structures between writer and reader in a text and invite the reader to become the co-worker of it. The study shows that by different ways of eliminating the centre of the text, the text is made democratical. But one question that this study asks is how can a nation's conventional and standardised written  language ? the language of the centre ? be used to write itself out of this centre into the margin? Stepping from a theoretical background of postcolonial theories on identity and national identity, including reflections as those given by Benedict Anderson, Madan Sarup, Timothy Brennan, Stefan Helgesson and Mia Cuoto, the analysis points out how this poetry laborates with the terms bugging, repetition, national language identity, and space as poetic material, in order to work in line with ? and contrary to - conceptions of a unified and shared language.

Denna rapport beskriver resonemanget kring framtagandet av en modul som tillåter användaren att, på ett lättanvänt sätt, skripta beteenden hos en redan existerande grafikmotor. Arbetsprocessen beskrivs steg för steg med definition av vad ett skript är, vad som ska kunna gå att skripta och vilka övergripande krav som ställs, design av tekniska lösningar, design av syntax, testning och till sist resultat. Resultatet varierade på de olika punkterna. Den underliggande tekniska lösningen blev lyckad då den uppfyllde kraven på modularisering, robusthet, flexibilitet och prestanda. Ur en tillämpbarhetssynpunkt blev resultatet även här tillfredsställande eftersom det visade sig vara fullt möjligt att skripta kloner på de tre försöksspelen (SkiiFree, BreakOut och Space Invaders) på ett sätt som kändes bra och rättfram.

This essay is an introduction to the intentions and purposes of the british play writer Sarah Kane (1971-1999). Her own voice is presented both via quotations linked to her work and by an explanation of her connections to the surrealist poet and actor Antonin Artaud. The main focus is on Kane?s second play, Phaedra?s Love, first performed in 1996. The play is analyzed in co-relation to La volonté de savoir, the first volume in Michel Foucault?s trilogy Histoire de la sexualité.

During the 21st century, Society has again begun to focus its attention on working class literature and on issues related to social class. In the media contemporary working class literature is often mentioned as a distinct phenomenon. I my view, the meaning of this phenomenon have not been adequately formulated. The aim of this Master?s Thesis is to reconstruct, using a discourse oriented text analysis, a picture of how the contemporary working class literature is described in today?s society.

Amalie Skram (1846-1905) was born in Norway but lived in Denmark. She published several books about gender relations and built up a reputation as a naturalistic writer. In 1894, a nervous breakdown made her seek help from the famous psychiatrist Knud Pontoppidan. He sent her to an asylum, but she returned home after spending two months in psychiatric care. In 1895, Skram published two novels about the painter Else Kant, based on her own experiences but not written as autobiographies.

This essay examines the appearance of Ha?kan Juholt, former party leader of the swedish social democratic party, in the norwegian/swedish talk show Skavlan, during Juholt?s crisis of confidence in the autumn of 2011. In this appearance it is clear that Juholt is badly treated by the host Fredrik Skavlan, and his guest, writer and journalist Linn Ullmann, while the audience seems to applaud and laugh at Skavlans and Ullmanns criticisms.The purpose of this essay is to investigate how, and why Juholt is treated in this way, and which rhetorical strategies Skavlan and Ullmann employ to create community between them selves and their audience. To understand this occurrence it is important to study Juholt?s rhetorical situation, and which conditions his lack of confidence creates for his appearance in Skavlan.

AbstractThis paper is about the philosophies created by Henry David Thoreau (1817-1862) and Friedrich Nietzsche (1844-1900). The purpose is to show the high degree of similarities between Thoreau?s and Nietzsche?s philosphy.At first glance, it seems far-fetched to suggest an affinity between them; the differences in style and choice of subjects, have most certainly contributed to the fact that very few comparisons so far have been made. There is no evidence that one experienced any influence over the other, neither writer seems to have been aware of the other. Also their different areas of use during the 20th century, may have influenced the almost total lack of search for affinity.

AbstractMaster?s Thesis in Comparative literatureTitle: Ghettoiserade Vampyrer. En studie av barnvampyrlitteratur och dess betydelse för vampyrlitteraturgenren (Ghettoized Vampires. A study of children?s vampire literature and its significance for the vampire literature genre)Writer: Peter KostenniemiDepartment of Literature, History of Ideas and ReligionSupervisor: Anna NordenstamExaminer: Yvonne LefflerKey Words: Vampire literature, children?s literature, Der kleine Vampir, Nattens BørnIn vampire literature research the focus usually lies on adult and, to some extent, young adult fiction.

När en grupp utvecklare jobbar med samma kodbas kan konflikter uppstå med avseende på implementationen av moduler eller delsystem som varje utvecklare individuellt jobbar på. Dessa konflikter måste snabbt lösas för att projektet ska fortskrida och inte stagnera. Utvecklare som sällan kommunicerar framför ofta okompatibla moduler eller delsystem som kan vara svåra eller omöjliga att integrera i kodbasen, detta leder ofta till s.k. ?integration hell? där det kan ta väldigt lång tid att anpassa ny kod till en befintlig kodbas. En strategi som man kan ta till är ?continuous integration?, ett arbetssätt som erbjuder en rad fördelar när man jobbar i grupp på en gemensam kodbas.

In this essay I study two novellas by Anne Charlotte Leffler, ?En bal i societeten? and ?I krig med samhället?. In order to do this, I use some of the differences between male and female writing that Ingeborg Nordin Hennel discusses in her study ?Ämnar kanske fröken publicera något??: Kvinnligt och manligt i 1880-talets novellistik. For the analysis of ?I krig med samhället? I also use the text ?Stabat mater? by Julia Kristeva.