Som student fick jag en förfrågan från ett företag att, i samband med mitt examensarbete, gestalta och genomföra en idéträdgård på Malmö Garden Show 31 maj-2 juni 2013. Idéträdgården skulle bestå av en grönskande uteplats, vara realistisk, applicerbar och väcka tankar och idéer för den egna trädgården. Konceptet lyder: en grönskande uteplats för folket i tiden, med fokus på avkoppling, samvaro, tidlöshet och grönska. I arbetet med idéträdgården som uteplats ledde tankarna till hur villaträdgårdars uteplatser har sett ut ur ett historiskt perspektiv. I arbetet beskrivs olika intressanta tidstypiska särdrag för olika epoker, från 1930-talet-1970-talet samt idag 2010-tal. Detta för att urskilja och förstå eventuella historiska drag och dra paralleller med idéträdgården. Bland annat redogörs det för hur stor plats uteplatsen tog i villa-trädgården och vilka aktiviteter som ägde rum. Vidare vilka material och former som speglade tiden och om speciella golv och eventuella tak fanns och var tidstypiska.

Som följd av den pågående urbaniseringen har de naturliga förutsättningarna för regn och smältvattnet att infiltrera i marken och återgå till sitt kretslopp på naturlig väg försvunnit i städerna. I Stockholm leds ungefär hälften av dagvattnet via VA-nätet direkt och orenat till reningsverken. Dagvattenflödet varierar kraftigt vilket orsakar toppar som överbelastar VAnätet  och är svåra för reningsverken att hantera. Istället för att ledas ut i VA-nätet ska dagvatten strävas efter att hanteras lokalt. Arbetet lägger fokus på dagvattenhanteringen för takparken på ett nybyggnadsprojekt i Stockholm, projektet PARK 1.

Summary The estate of Johannishus is situated in the south of Sweden and in the province of Blekinge, about 8 kilometres from the city of Ronneby. The main building together with the park represents the province´s only example of a well preserved estate environment from the early 1800th Century, and was declared as a historic monument in 1982 because of its unique role in the province. Johannishus Park has during 300 years developed in close relation to the main building, the landscape and the surrounding infrastructure. Each century and owner has had an influence on the park, which has resulted in an interesting visible cross-section of 300 years of Swedish garden history. Most noticeable today are the traces from late 19th Century, but in its oldest parts the park contains structures from the early 18th Century.

Abstract In order to work with historical sites, there must be an understanding of the complexity around the preservation of parks, gardens and landscapes and the approach to be used in the rebuilding and renewal. These issues are an important starting point of this essay. Historical environments give us as individuals an insight in who we are and from where we come, which is an important part of our need of identity as human beings. Without them, our roots in the past will be non-existent. The importance of this support base lies not only in the garden conservation, but also in the picture of developments, which we have through of as time mirrors of our living environment.

During the spring semester of 2009 I have participated in what was to become the project The Allotment Plot; a collaboration between the Swedish University of Agriculture and the Wanås Foundation. As one of six students in landscape architecture I have experienced a group based learning process with the point of departure in the designing of an organic and experimental kitchen garden at Wanås, a sculpture park for contemporary art. The project came out as neither us nor any other of the people engaged could have guessed. What was meant to be a garden turned out to become an entire cultivation movement. As students, we have gained a lot of experience through praxis; experience that will be valuable for our future profession. The project has also opened up the possibility to question and reflect upon what our profession and education could or should be about. This thesis focuses on the role of communication and the production of communicative tools in design processes and landscape architectural practice. It discusses how communication may be used in an exploratory and ?un-securing? way, and how this may dislocate the professional role, especially in situations where the design action, as in the case of this study, demands a high degree of transdisciplinarity and collaboration. .

This paper is intended to provide a picture of which associations water can wake in the human mind from the perspectives of garden history as well as from that of environmental psychology. I hope to paint a fairly broad picture of our perception of water that can serve as a basis for discussion and as a starting point for different forms of design work in landscape architecture. The historical perspective emphasizes the importance of water as a condition for the emergence of gardens and in a wider perspective the importance of water in early cultures. Also, I describe a picture of how water has been used throughout the history of gardens from early Egypt to the baroque era. The garden history analyzed from an art historical perspective gives a picture of human associations to water, and the history behind these associations is presented. As a compliment to the art history approach, I have chosen to highlight our associations with water from the perspectives of environmental psychology and evolutionary science.

This master thesis covers the design of a special garden room, The Hardscape Room, in The Rehabilitation Gardens at Alnarp, in southern Sweden, as well as describes the design process. The Rehabilitation Gardens are intended to serve several purposes. It will offer horticultural therapeutic treatment programs for people diagnosed as having had burnout disease for an extended period. Research is also aimed at studying the possible impact of different garden design hypotheses as well as different forms of horticultural therapy. In The Rehabilitation Gardens at Alnarp the most extreme and demanding garden room focused on cultivation and horticultural therapy is The Hardscape Room.

Examensarbetet ?Villa Sassi - ett gestaltningsförslag? redogör för tankar och processer under utformningen av det slutliga förslaget till trädgårdens utformning. Villa Sassi ligger i Lunds norra utpost, och förslaget tar hänsyn till platsen. Huset är ritat av arkitekt Heidi Sassi. De har själva byggt huset. Idag bor de i huset med sin familj. Arbetet inleddes med diskussioner med Heidi Sassi om hennes visioner för trädgården.

This paper is intended to provide a picture of which associations water can wake in the human mind from the perspectives of garden history as well as from that of environmental psychology. I hope to paint a fairly broad picture of our perception of water that can serve as a basis for discussion and as a starting point for different forms of design work in landscape architecture. The historical perspective emphasizes the importance of water as a condition for the emergence of gardens and in a wider perspective the importance of water in early cultures. Also, I describe a picture of how water has been used throughout the history of gardens from early Egypt to the baroque era. The garden history analyzed from an art historical perspective gives a picture of human associations to water, and the history behind these associations is presented. As a compliment to the art history approach, I have chosen to highlight our associations with water from the perspectives of environmental psychology and evolutionary science.

Uppsats för avläggande av filosofie kandidatexamen iKulturvård, Bebyggelseantikvariskt program15 hpInstitutionen för kulturvårdGöteborgs universitet2012:08.

The study Packning i tid och rum (Crowding in Time and Space) is a Master Thesis in Human Geography within Geography, presented at Södertörn University College.The aim is to investigate the connections between time and space, more particularly, geographical changes over time. This is done by focusing on the Study of Land use as a phenomenon and on-going processes in demarcated areas. Distinct areas are given special interest, i.e. how they are used. The study deals with three different kinds of sites in three levels of scale: a market garden, cemeteries and a residential area.The main focus of the study is on the cemeteries.

In the west part of Trelleborg, on previous farmland a new society is under construction. It is situated right next to the ocean and close to the European freeway. Eight types of villages, all with different kind of architecture will be built in the area, one of them is Torns Village built by Skanska and Ikea. A concept called BoKlok. This specific village consists of twelve houses and five apartment buildings. They are all somewhat classical in their appearance with wooden panel, but at the same time they have a modern touch.

Rooted in Industrial Ecology (IE) theory, this report evaluates how urban agricultural concepts and techniques, can contribute to improved ecological sustainability within the inner city boundaries of Stockholm. An overarching literary study as well as an interview was carried out, resulting in a qualitative analysis followed by suggestions for practical implementations. A substantial convergence was found between the eco-restructuring objectives of IE and the principal motives for urban agriculture. Consequently, eco-restructuring objectives are found in varying degrees in the presented urban agricultural techniques. Industrial symbioses, permaculture and combinations of urban agricultural techniques are tools which are capable of corresponding adequately to the diversity of urban settings.

Detta examensarbete behandlar växter som trivs vid havet. Arbetet baseras på frågan vilka växter som tål ett vindpinat och utsatt läge? Arbetet beskriver vad man skall tänka på när man börjar planera en trädgård vid havet. I arbetet har jag tagit upp vilka träd och perenner som man kan använda sig av när man skall skapa en trädgård vid havet. Syftet med arbetet är att man skall kunna använda sig av mitt arbete när man åker till plantskolan för att inhandla växter.

Uppsats för avläggande av filosofie kandidatexamen iKulturvård, Landskapsvårdens hantverk, 15 hp, 2012.