In this essay I investigate how the Roman colonization (around 50 BC to 400 AD) affected the Celtic religion. I inquire which operators that were behind these changes and under what circumstances they happened. I take a closer look on three places in Gaul and one place and one area in Britain. In my study of these places I see that it was the elite of the Celtic societies who together and under pressure from Rome made these changes. The religion and gods did not change; instead the Ritual ceremonies changed to fit into something that Rome thought was right.

In this essay I analyze the performative aspects relating to Marina Abramovi?'s The Artist Is Present, which took place in spring 2010 at MoMA in New York, from the context of the artist and work, institution and documentation. In this performance work, for the duration of the exhibition, Abramovi? sits completely still opposite another chair where anyone from the audience may sit. The art arises through this participation.

Uppsatsen behandlar konfirmationen inom Svenska kyrkan och dess förändrade teologiska betydelse. Materialet sträcker sig från handboken 1942 till det senaste nytrycket av "Riktlinjer för Svenska kyrkans konfirmandarbete" år 2000 och utgörs av i första hand kyrkans offentliga dokument. Fokus ligger på konfirmationsgudstjänsten och därtill hörande Ritual..

The content of this essay is the critical treatment of Ritual research in Uppåkra during the Iron Age in relation to Charlotte Fabechs research.From what has been concluded for Uppåkra a condensed chart of Uppåkra's Rituals is produced. This chart is compared with what Fabech has put forward for Southern Scandinavia. Fabech's categories and theory have been widely used by the researchers of Uppåkra, and this is critically examined.The most important conclusion is that the similarities between the Uppåkra research and Fabech picture are not great. This source critical point indicates that the massive use of her research in order to explain the Rituals in Uppåkra can have been misdirected. The mismatch is mainly due to the fact that places like Uppåkra is of extraordinary character..

In this essay I have chosen to take a closer look at gold figure foils (Swedish ?guldgubbar?), find their context and analyze it. I have analyzed some earlier studies about gold figure foils that were found in Scandinavia.The focus of my study is based on the locations of the findings. Another important aspect is to discuss if the encountered gold figure foils that were folded and cut looked like that due to intentional motives or not.My conclusion is that when it comes to the locations of the findings they are mostly found in houses irrespective of if it´s in a posthole, wall or house foundation.The other conclusion is that the gold figure foils could have intentionally been manipulated before they ended up in the ground..

The purpose of this thesis is to find evidence if cult houses existed on Gotland during the Bronze Age. The cult house is a common term in modern Bronze Age archaeology and the general definitions of cult house are discussed and why cult houses seem to be absent on Gotland. In this thesis the cult house are discussed as a phenomenon, and the possibilities to find Bronze Age cult houses on Gotland are evaluated by making comparisons between Gotland houses with already defined cult houses from the Swedish mainland. Some known cult houses are presented in more detail as case studies, together with house remains on Gotland which could have potential to be defined as cult houses..

On the island of Gotland in the Baltic sea there have been 18 archaeological find of bronze swords and five finds of bronze miniature swords and they have been dated to the bronze age periods II-VI. They have been found as Ritual hoard offerings, as treasure hoards and in graves. These finds will be put in relation to each other and the bronze age landscape they have been found in. The purpose of this is to see if there is a pattern to be seen, if a specific sword-type can be found in a grave or hoard or if there?s a pattern to be seen in there placement in the landscape relating to other bronze age sites.

The subject of this thesis is the history of the library at The Göteborg Museum of Art. The aim of the thesis is to depict and analyze the emergence and the expansion of the library?s holdings until 1939. To fulfill the aim, two questions are asked. The first question is: Is it possible to argue that the library?s holdings were collected to document the entire world of art? The question is formulated in relation to a comment by Susan Wyngaard.

This essay examines the ambiguous nooses that have been found around the necks of nine Danish bog bodies. By analysing and comparing these bog bodies and their archaeological context with earlier theories the aim is to create a more profound understanding of the individuals themselves, and the societies they belonged to. The aim is also to further investigate the symbolic meaning of the noose by discussing the concepts of Ritual, sacrifice and punishment. To analyse the bog bodies the agency theory and Guinevere Granite?s (2016) theoretical framework concerning reason of death and bog internment, are implemented. The overall conclusions that are established is that it is difficult to give one general answer that can explain why all the nine individuals ended up in the bog.

Denna uppsats om 15 hp har syftet att undersöka hur man socialiseras in i rollen som student genom aktiviteter vid Ultuna Studentkår. Studentlivet kan sägas vara fullt av profana Ritualer, rutiner och bär på ett utvecklat symbolspråk. Under sin studieperiod deltar många av studenterna i dessa aktiviteter. Med hjälp av handling och tal inbegrips de i, förvaltar och formar föreställningar om den egna rollen ? deras identitet som studenter och som blivande yrkesutövare.

Bronze Age cairns have been interpreted as everything from navigation marks to marking liminal places in the landscape. It has also been stated that the main purpose of their location is to be visible. This is something that has been taken for granted. The main problem is the cairns have been considered as a homogenous monument. With the help of digital methods like GIS it is possible to test this kind of questions in quantitative way.

The aim of this Master thesis was to examine news journalism covering expressions of mourning related to violent or unexpected deaths. What Rituals for mourning are brought out in media and do media present guidance to how mourners should behave? The questions examined were: What characterised news events that leaded to texts on expressions of mourning? How was grief framed? Which narrative patterns were there in the texts? How was the deceased represented? How were the mourners represented? 165 texts, from Swedish daily newspapers, covering 93 different news events were analysed. The methods were mainly discourse analysis with focus on identities and relations, but also semiotic analysis with focus on staging and symbols and narrative analysis with focus on patterns for storytelling. The result showed that a news story about ordinary people expressing their feelings of grief has elements of melodrama. The news story is based on the myth of the victim, and formed as a typical story where equilibrium is disturbed when the inconceivable happens and the mourners can by their actions restore equilibrium.

Denna studie syftar till att undersöka användares subjektiva reflektioner kring olika interaktionsverktyg och deras användningsområden för att få en djupare förståelse för hur verktygen tillskrivs olika funktionella betydelser och alternativ mening i interaktionen och självpresentationen. Genom detta vill vi förklara hur fenomenet sociala medier påverkar människors vardag och interaktionen i samhället. Detta kan exempelifieras genom hur individer planerar och dokumenterar sin vardag för att kunna framställa sig på ett önskvärt sätt på sina online-profiler.Materialet i denna intervjustudie består av totalt sex intervjuer med personer i olika åldrar. Vi har använt oss av ansatsen semistrukturerad öppen observationsintervju, med motiveringen att detta ger oss möjlighet att studera reflektioner och handlingssekvenser samtidigt.Studiens slutsats är att användares interaktion på sociala medier i många avseenden liknar face-to-face-interaktionen mellan individer i deras vardag, då normer från det övriga samhället ständigt relevantgörs genom tillströmmandet och socialisationen av nya användare. Institutionaliserade användningsområden för olika interaktionsverktyg används som logisk utgångspunkt i hur verktygen används och tolkas, exempelvis hur användare genom dessa kan prenumerera på och visa uppskattning för andras uppdateringar och aktiviteter.

We understand the world around us through categorization and classification. But things are morecomplex than that, life is mixed up, flowing and unable to stick to labels. The main purpose ofcorpus is to contain, organize and control food and beverages. Corpus objects are also socialmarkers that have a tradition of being elitist; in both choice of material and in that they imply acertain way of usage. Corpus objects are heavily loaded with tradition and Rituals.

This thesis examines a sample of Pitted Ware pottery from the Gotlandic site of Ajvide in regard to the spatial and temporal relationship of the shards. Ajvide Stone Age site have been extensively excavated over the past 25 years and the most recent analysis of pottery was carried out by Inger Österholm in 1987 and new analyses of the material are therefore greatly needed. Pottery from three sample areas was analysed in regard to their distribution, decoration, fragmentation, part of pot and quality of the goods. To analyse the material in a contextual way a multivariate statistical analysis called correspondence analysis was used. Two areas denominated ?dark areas?, which Österholm defined previously, as possible Ritual sites, and one reference area with mixed material were chosen for the analysis.