In this project I have worked with Porcelain och and Porcelain decors. The project was based on questions like why Porcelain is such a richly decorated product and how you can maka a shape and a decor feel like a entirety. In December 2009 I went to China in search for answers and to study Porcelain decors. This trip has been my inspiration throughout the whole project and also the main theme for the idea, the shape and the decor. That is why I decided to make a teacup with a plate that also has a function as a lid.As I first started working with the shape I was thinking to make a rounded teacup, inspired by the chinese rice bowls, but since I had to produce the Porcelain by myself I decided to make a much more simple shape.

During the latest 50 years, the Swedish Porcelain tableware industry has gone from being rather successful to experience significant problems. Our empirical study attributes these problems to underlying changes in consumer buying behaviour, whereas current generation theory supports our findings. The younger generation has significantly different preferences compared to older generations, with less focus on quality and more focus on variability, and there is reason to believe that these findings also are applicable to other consumer purchases. The successful Porcelain companies of tomorrow will be the ones that continuously can adapt to these and further changes in consumer buying behaviour..

Everything has changed, yet everything is the sameUsually, there is no reason for people to think about death or illness, although it is a highlynatural part of life. Most people live in health without major problems. When something does happen, people assume it will be at the end of their life and then it will be a natural part ofgrowing old. Yet some will get the notice or the feeling that something is not the way it should be, it can be something they can live with or they may have to face death.The work concerns the body?s fragility and feelings about human vulnerability.

Mitt kandidatarbete är en teknikstudie där jag grottat ner mig i keramikens geologiska ursprung. I arbetet har jag utgått ifrån magmatiska och metamorfa bergarter som granit och gnejs. De innehåller kvarts, fältspat och glimmer i perfekta proportioner för att redan vara färdiga keramiska glasyrer. Jag har sedan provat att tillsätta lermineralet kaolin för att göra egna stengodsleror utifrån två äldre recept på parian och porslin. Genom att själv krossa och mala sten vill jag synliggöra alla moment som kan ingå i framställningen av lera samt medvetandegöra den fysiska närheten till materialet..

In a sequence described in the next paragraphs, I remove the poorly insulated roof of Gustavsberg Porcelain Factory and make new use of its  foundation. The monolith cement slab, once supporting heavy industrial machinery, is now the site of lakes and other movements:The top floor area is split, and a new built volume, one story higher, overtakes the southern half resting on the factory?s basement, digging into it at its western and eastern ends. Striking horizontally, the fissure exposes a long central axis, taking advantage of the factory?s horizontality to articulate vastness .

With the help of large amount of archive material I have examined how Gustavsberg in Värmdö were affected by the great labor migration in Gustavsberg Porcelain factory during the period 1869-1924. I have chosen to investigate how the municipality dealt with the poverty relief issue out of the labour immigration perspective. To my surprise I found out that Värmdö was not responsible for Gustavsberg in the poverty issue. The workers belonged to the factory, which had a relatively well-developed system of poverty relief in place. This is not to say that the workers received any support from the factory to any great extent.