Jag har valt att studera etnologi vid Lunds universitet med sikte på en karriär inom museivärlden. Grundutbildningen i etnologi kan därför bidra med en mängd användbara teoretiska redskap och en god inblick i mänskliga kulturmönster och livsvärldar. Genom tidigare studier i museologi samt yrkespraktik vid Malmö Museer har jag dock upptäckt att arbetsuppgifterna på ett museum även kräver konkret kunskap om föremålens betydelser och hur man kan använda sig av dem i scenografiskt och pedagogiskt syfte. En möjlighet till fördjupning i den etnologiska föremålsforskningen, genom en förändrad kursplan eller möjligheten att välja en tilläggskurs, skulle alltså vara till stor värde för oss studenter som siktar på en museal karriär.För att få reda på vilka etnologiska kunskaper som kan komma till användning på ett museum har jag, med relevant litteratur som utgångspunkt, undersökt vad som definierar ett museum samt hur dagens museer arbetar. Genom intervjuer har jag sedan bildat mig en uppfattning om vilka kunskaper som verkligen krävs av de anställda för att på ett tillfredsställande sätt kunna genomföra sina arbetsuppgifter.

Jag har som examensarbete på master-nivå formgivit en sittmöbel med utgångspunkt från min uppväxt i Dalarna. Målet har varit att göra en filosofisk tolkning av mina minnen samt en hyllning till regionen, i synnerhet Borlänge där jag växt upp.Jag har under projektets gång gjort en resa både på ett mentalt och rent fysiskt plan tillbaka till den plats jag växt upp för att utforska mina minnen och därigenom skapa en plattform för mitt designarbete.För att nå mitt resultat har jag använt mig av designmetoder som ITK, intervjuer, skisser, studiebesök, materialtester, mockups samt modelleringsverktyget Rhino.Resultatet är en stol inspirerad av saker som bland annat Ornäs stugan och musikkulturen i Borlänge. Stolen består av en metallkonstruktion, trädetaljer vid fötterna samt armstöden och en sits i läder.For my thesis work on postgraduate level, I have designed a chair based on my upbringing in Dalarna. The goal has been to make a philosophical interpretation of my memories and a tribute to the region, particularly Borlänge where I grew up.During the project I have made a trip both on a mental and physical level back to the place where I grew up to discover my memories and thereby creating a platform for my design work.In order to achieve my result, I have used design methods such as ITK, interviews, sketches, field trips, materials testing, mockups and the modeling tool Rhino.The result is a chair inspired by things like Ornässtugan and the music culture in Borlänge. The chair consists of a metal construction, wooden feet and armrests and a seat made from leather..

The purpose of this essay is to discuss the base of sociology from an existentialistic perspective. The discussion takes it's position in the debate on the crisis of sociology, and aligns with Alvin Gouldner's understanding of the crisis. Gouldner believed that the crisis of sociology was mirrored in a sociological method that failed to describe the social reality that it meant to describe; a lack in self-criticism and self-reflexivity, a lack in self-containment in relation to state interests and a lack in moral engagement. This raises a number of questions, which I discuss in the essay. What is the role of sociology in our society? How shall we form a method that responds to the social reality that we sociologists aim to describe? How can we make sociology more moral?Existentialism offers a starting point to describe these questions.

The essay depicts the opposite views of the director and an actor during the filming of a specific scene in a feature film. The actor feels that he is not being listened to. This leads to unforeseen consequences for the director, as the actor no longer wishes to take part in the marketing of the film prior to its opening night. Everything is seen from the director?s point of view, she is working in a film world dominated by men.Questions are being asked if the director?s instructions are clear enough or if the actor, fearing getting lost, is mixing up his own feelings with those of the character he is portraying? What happens to the collaboration and how does it affect the rest of the team and the completion of the production? The director is also the producer.

The contents of the school subject religion in Sweden, has gone through a radical change during the past century. With an origin of only treating Christianity and being a major cultural and social actor, it has developed into more of a multicultural and philosophical subject. The fact that the subject no longer has cultural recognition makes it more abstract and harder for students to relate to. Additionally, religion is experienced as a rather dull subject in school. My essay is therefore written to provide teachers encouragement of interest for religious education, by using humor. The well-known psychologist Jean Piaget claims play to be a prime state of learning.

This master?s thesis has the intent of showing that the tattoo can be regarded as an individuals document according to prevailing notions in archival science. Suzanne Briets definition of the concept of document is used in this thesis as a widening definition, a document does not have to presented in a defined form, it is only required to represent an object or intellectual phenomenon and to be informative.Tattoos are presented in this thesis as informative with regard to the status and position of russian/soviet convicts and as such presenting an individuals identity within a specific context. As documents they also provide the individual with the essential evidence of his or her endeavours in a criminal environment. Also, they have the ability to function as an individuals memories of relationships, hardships and comradeships.

By means of text creation I approach, reflect upon and try a number of aspects of my own professional existence as a joker in forum theatre and as a forum play pedagogue.This essay is structured like the days of a week and it specifically relates three problematic situations: first, a Monday containing a case of discrimination during the performance, then, a glimpse from a Wednesday when I failed to use the time with enough consideration of our common work and, finally, a Thursday when I was professionally questioned.These three situations are described thoroughly and then they are tried by me. This is carried out partly by reasoning, partly by using for example sociological, pedagogical and above all philosophical texts in order to widen my understanding of my existence as joker and forum play pedagogue. When writing this essay I really realized the importance of taking the reactions of the spec-tators into consideration. I have had the opportunity to develop thoughts about the way in which reflection is created and thoughts about different layers of reflection. I have also pondered over the way in which I distinguish between forum play and therapy as a forum play pedagogue.

This essay provides an attempt to reflect the notions of violence, right or law and fate in Benjamin?s Zur Kritik der Gewalt, in order to clarify his very dense historical-philosophical reflection on the constitutive relation between violence and law. In contrast to what is most often the case, this essay will not address the notion of divine violence in a direct sense, but mainly focus on Benjamin?s discussion on right and law. The complex of his historical reflection, his attempt to articulate what he calls the ?historical function? not only of violence, but also of law, is crucially related to the notion of fate.

This thesis highlights starting points underlying the notions of two feminist utopians, Christine de Pizan and Charlotte Perkins Gilman. In approaching their texts, it focuses on the notions central to understand their writings. These would be historical, social, and cultural contexts. Defining concepts as utopian in its varying forms and feminism has been of significance. A feministic approach grounded in Simone de Beauvoirs philosophical phenomenology in the study of feministic utopia's visibility, has contributed to the understanding of the power structures to which women are tethered. In order to understand the way women are presented, it has become obvious that The Book of the City of Ladies and Herland are literary works that are related not only by their authors? background and personality but by the society in which they lived. Through their engagement in the contemporary intellectual debate on all social planes, both authors contributed to shifting the focus of their own contemporary notions of a woman to the notion of a woman equal to men. Woman, in Christine de Pizans utopia, is given specific properties and through themes of issues given meaning. She is not free in the sense that Simone de Beauvoir says.  She has a broader repertoire than was historically assigned, but her freedom is not arbitrary, contingent, and temporary and judged by her actions.

Based on the on the assumption that the two recent Swedish poetry collections mil by Anna Hallberg and mallamerik, mallamer, malameri, mallame, amerik, mallameka, merikka, by Lars Mikael Raattamaa, are constructed with theoretical questions about identity, national identity, language hierarchy and power in mind, this study aims to investigate the ways in which these issues come to expression. Simplified, the term language-poetry, or språkmaterialism, can be used to describe a language-philosophical poetry that aims to eliminate the hierarcic structures between writer and reader in a text and invite the reader to become the co-worker of it. The study shows that by different ways of eliminating the centre of the text, the text is made democratical. But one question that this study asks is how can a nation's conventional and standardised written  language ? the language of the centre ? be used to write itself out of this centre into the margin? Stepping from a theoretical background of postcolonial theories on identity and national identity, including reflections as those given by Benedict Anderson, Madan Sarup, Timothy Brennan, Stefan Helgesson and Mia Cuoto, the analysis points out how this poetry laborates with the terms bugging, repetition, national language identity, and space as poetic material, in order to work in line with ? and contrary to - conceptions of a unified and shared language.

Skolan som spelplats för kultur- och identitetspolitik står i fokus för denna uppsats. En utgångspunkt är att den politik som styr skolan även har inverkan på, och är en produkt av, de diskurser som råder i samhället när det gäller dessa frågor. Min undersökning är baserad på situationen i Guatemala. Där finns sedan 2005 en nationell politisk strategi kring detta, uttryckt i styrdokumentet "Interkulturell tvåspråkig utbildning", som har varit material för den kritiska diskursanalys jag här genomför. Uppsatsen innehåller även en jämförelse med lärares tankar kring detta på plats i Guatemala, baserat på vistelse och materialinsamling där.

In the 1969 Le Thor seminar, Heidegger stated that his philosophical journey could be characterized by three different themes: meaning, truth, place. The first two of these have been the subject of countless studies and discussions, but the question of place is still relatively unexplored in Heidegger?s thought, despite the increased interest for this topic in his writings. Even though scholars like Jeff Malpas, Edward Casey, Stuart Elden and Miguel de Beistegui have written books and essays on the importance of the conception of place in Heidegger?s thinking, there are still many important aspects of this theme to be discussed, given the importance Heidegger himself ascribed to this topic.In this essay, I therefore wish to pose the question of how one can understand the relation between place and the role of tragedy in Heidegger?s conception of truth.

For centuries, the human body has been used as a mean to project the norms, moral values and aesthetic preferences that exist throughout society. It has been controlled through constrictive fashion, family and social virtues and through how we perceive gender and sexuality. This essay strives to show, not only how the body and the aesthetic values coexist, but also how they work together and influence each other, with the body as the aesthetic medium. To do this, Michel Foucault?s writings of sexuality and his theories on morality and discipline, as well as Judith Butler?s works on normativity and performativity are being used.

Problem: Klimatdebatten skapar frågeställningar kring hur resenärer ställer sig till turismresandets negativa miljöpåverkan. Vi undersöker hur resenärer reagerar på klimatförändringens problematik, deras agerande vid konsumtion av resor samt ansvarskänsla inför turismresandets konsekvenser. Syfte: Syftet med uppsatsen är att öka kunskapen om resenärers attityder till hur transporter inom turismnäringen påverkar miljön samt att belysa resenärers inställning till individuellt respektive kollektivt ansvar kring resandets miljöpåverkan. Metod: För insamling av det empiriska materialet har vi använt en kvalitativ metod. Vi har använt oss av fokusgrupper då metoden söker förståelse för människors sätt att resonera och reagera i gruppsammanhang.

For centuries, the human body has been used as a mean to project the norms, moral values and aesthetic preferences that exist throughout society. It has been controlled through constrictive fashion, family and social virtues and through how we perceive gender and sexuality. This essay strives to show, not only how the body and the aesthetic values coexist, but also how they work together and influence each other, with the body as the aesthetic medium. To do this, Michel Foucault?s writings of sexuality and his theories on morality and discipline, as well as Judith Butler?s works on normativity and performativity are being used.