For the Swedish artist Björn Lövin, the personal was a problem. In his first exhibition in Moderna Museet, Lövin observed through the fictitious character Mr. P (for »Personality«) the ruptures in the Swedish welfare state. The exhibition Konsument i oändligheten och Herr P:s penningar (Consumer in Infinity and Mr. P?s Money) (1971) was composed of two environments, through which a veridical working class apartment and a high street with life-sized mannequins and furniture characteristic of its time, visualized the societal discrepancies in the welfare state as well as the art world of the early 1970s.

I uppsatsen undersöks bildens betydelse för den svenska utvandringen till Amerika vid 1900-talets början. Utgångspunkten är i Västernorrland och en analys av Örnsköldsviks Allehanda,Allers Familj-Journal och Hvita Stjern-Liniens rederibroschyr. Under antagandet att varjebild fick ett större nyhetsvärde i en mer bildfattig kultur än den vi har idag och sparades underen längre tid är syftet att undersöka den blivande emigrantens bildvärld och världsbild. Frågorsom behandlas är: I vilket källmaterial förekom bilder, vilken funktion fyllde de och vilkenkunskap om Amerika kan den blivande emigranten tänkas ha haft? Vidare behandlasemigrantens bildbiografi, emigrationsbildens ontologi och bilden som emigrationspåverkandefaktor.

In this essay I present an outline and examination of the Finnish Luther research, withan aim to learn more about some different aspects of Luther?s teaching on justificationas sanctification, and sanctification as the growth of the new man. I will also draw myattention to the formal language of metaphysics, as it is continuously employed by Luther to depict the issues and the content of his reformation theology. Apart from the program of research in Helsinki, I have turned to the writings of Luther himself; and I have as well tried to engage in a broader survey of Luther-scholars, some of which seem to, or in fact, support the Finnish interpretation, others which raise a critical stance towards it. The later portion of the essay picks up on the Finnish critique of dominant 19th and 20th century German Lutheran theologians, such as Albrecht Ritschl and Gerhard Ebeling.

Within the field of cinema studies, the question of visual representation is a fundamental pillar. An immense volume of theoretical work has been written on the subject, with various academic approaches such as feministic, postcolonial and gay/lesbian. Yet there is a large social group that seems to have been overlooked within the representational discourse: the elderly. This group of people appears to be a blind spot on the multicultural retina, too often neglected within the area of cultural studies. But as the baby boomer generation, who has always redefined the different stages of life (youth, adulthood, middle age), is entering old age, things are slowly changing.