Syftet med uppsatsen är att beskriva i vilken grad företag som är ISO 14001 certifierade även implementerar sina miljömål i sina affärsidéer och visioner. Empirin är samlad från 50 företag som är ISO 14001 certifierade.Enligt empirin som analyserades var det 25% av företagen som förespråkade sitt miljöarbete i visionen och 20% hade inkluderat sina miljömål i sin affärsidé. Alla hade däremot utarbetade miljöstrategier som grundade sig antingen på miljömål, miljöpolicys, miljöprinciper m.m. I det stora hela såg strategin liknande ut oavsett bransch och verksamhet.Utgångspunkten i vår teori var att visionen skall ange framtida riktlinjer åt företag och ge ramar för affärsidén, mål och strategier. I praktiken såg det annorlunda ut.

This degree project shows how four language teachers teach foreign languages with focus oncommunicative competence, and how their vision of teaching correspond to their reality in the classroom. How do they motivate the students in class and are the conditions good enough tohelp the teachers reach the national goals? A teacher?s vision is formed by his or her education and experiences. However, there are a number of factors which can help or hinder a teacher to reach his or her ideal teaching. Among these factors are the curriculum, the preknowledgeof the students and available technical resources.

The aim of this study is to describe and understand the reasons to why people choose to become foster parents. By using the theory of action we wanted to investigate their intentions rather than their motives. The questions we wanted to answer where: How do the foster parents describe their reasons for becoming a foster home? What reasons do they give fore keeping on being foster parents? How do they comprehend their task and the fulfilling of it? The study was performed by utilizing qualitative interviews with five foster parents, four women and one man. In the analysis we used the theory of action as a theoretical perspective.

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This essay describes the philosophy of science that Thomas Kuhn puts forth in his work The Structure of Scientific Revolutions. The question is, does his description of the scientific paradigm work as well today as in the examples he gave in the book?The conclusion is that there are certain factors that make for a number of differences between science today and, for example in the seventeenth century. There is also a growing theory or vision of a post normal science laid developed by among others Jerome Ravetz. This theory or vision is an idea of a science close to peer-communities and fast as well as critical decisions involving opposite values..

The town square is an important public space and is often described as the city´s living room. By creating a lively city center a sense of security is developed among the citizens which makes them wanting to use the town square regardless the time of the day. One important meeting point in Gävle is the centrally located Stortorget, sited between Drottninggatan and Nygatan. The town square went through an extensive renovation followed by both positive and negative reactions among the City´s inhabitants.  The aim with the study was to investigate the main walking paths and meeting points as a planning support to Gävle Municipality in their work with a new city plan. By studying the pedestrian movement patterns at Stortorget, Nygatan and Drottninggatan, the main walking paths and meeting points during all hours of the day was obtained.

My thesis is an attempt to clarify the purpose and workings of art in relation to the artist, his/her fellows and society. Can art be considered as a uniting force? If so, where does its unifying quality lie? How does art connect with the individual, the community and society? My interpretation of the political climate regarding the arts has resulted in an exploration of the question: What role does art have in society today?The artistic ego as an altruism ? within the title of this thesis lies an absolute paradox ? a paradox that through this paper is tested, reviewed and demonstrated as a way of describing art and its workings. The thesis is problematized and studied from several angles: Through the inner artistic process, both reflective and empirical, and through philosophical studies..

The purpose of this study is to present a comparative analysis of seven literature anthologies for the Upper Secondary School, from 1968-2004, to investigate how much space Esaias Tegnér is getting and how many and which of his works that is presented in these anthologies.The study is set against the hypothesis that Tegnér is getting a reduced space in the anthologies because of his connection to Romantic nationalism, which after World War II has been associated to the themes and ideology of the National Socialism. In view of this I have asked myself if Tegnér is getting a reduced space in the literature anthologies for the Upper Secondary School. My study shows that this is the case.One can also see clear trends in a subjective approach towards the author. In the anthologies where Tegnér have had a strong prominent role, he is retaining his position even in later editions. Over the entire period of 1968-2004 he is getting a less prominent role, although he is generally presented as the greatest poet of his time.I have also examined the discussion of Tegnér during that period to see if you can find any connection between the discussion about Tegnér and the change his work gets in the literature anthologies.

Detta arbete fokuserar på dramapedagogikens användningsområde för lärandet och studerar dess tillämpbarhet i en tänkt teaterutbildning. Två väl ansedda pedagoger; Maria Winton och Peter ?Peppe? Östensson har i intervju delat med sig av sina visioner kring en teaterutbildning, vilken ligger till grund för studiens empiriska material.Analys av dramapedagogikens funktion i teaterutbildningens vision har gjorts med hjälp av de didaktiska frågeställningar vad, varför och hur. Resultatet visar på övervägande likheter mellan teorierna kring dramapedagogik och teaterutbildningens vision. Det finns ingen större motsägelse mellan teori och empiri, men begreppet publik utvecklas vidare för att klargöra dess funktion inom dramapedagogik.Dramapedagogik är en metod och en konstform.

This essay will discuss the Roman God Janus, as a figure of speech, in four different texts written by Publius Ovidius Naso, Michel de Montaigne, Francis Bacon and Elijah Fenton. The Janus figure could also illustrate the relationship between the past, the present and the future, because of the attributes of looking back and forward, in both space and time, that Janus was said to possess. Reinhard Koselleck's ideas of space of experience and horizon of expectation will be used as an analytical approach, thus creating a dual purpose for this essay. On one hand to understand texts about Janus, which implies an understanding of the changes over time associated with the history of ideas of Janus, and on the other the past's importance in relation to the future, which includes an understanding of Janus via Koselleck's thesis about the change in relationship between experience and expectation.The question formulations are as follows: How has the Janus motive changed over time in the researched texts? How can the literary use of Janus show the changed relationship between the space of experience and the horizon of expectation, and in a wider context between the past and the future? Janus has gone from being a physical presence, as the arcs of the Forum Romanum in ancient Rome, to becoming a tool for authors, one that spans many literary rooms.

In this thesis my purpose is to study the mechanisms and discourses that are the foundations for identification processes, in a contemporary society characterised by increased mobility. By means of a fictitious life history, I relate to this problem constantly through the work. At the beginning of the essay I discuss the traditional, western, philosophical view of the self and its surroundings, which eventually leads me to focus on the theories of the sociology of knowledge. From this perspective I choose to examine globalisation processes and mobility, to create an understanding of how these two, changes the circumstances for the individual identification. In my concluding argument I stress that all research or all studies concerning identification processes must take into account that these identifications always take place with regard to time/place which also means, that it takes place both in real space and in imaginary space.

Arbetets syfte är att undersöka och diskutera om fysisk utformning kan bidra till eller förebygga segregation, samt att jämföra olika principer för att minska rumslig uppdelning och ge ökade möjligheter till social interaktion. Fokus är hur stadens struktur och utformning bidrar till, eller försvårar, att människor befinner sig på samma offentliga platser samtidigt, vilket skapar möjlighet att se och blir sedd av andra människor. Att se och bli sedd av andra människor är något som flera forskare lyfter som viktigt för att bli ömsesidigt medvetna om varandras existens, och minska uppdelning i ?vi? och ?dem?. I arbetet undersöks Nedre Norrby i Borås med hjälp av space syntaxverktyg och Gehls kvalitetskriterier.

Stockholms stad har i vision city ett antal konkreta utvecklingsmål för stadens utveckling fram till 2030. Bland annat betonas vikten av en större funktionsblandning, fler verksamheter med längre öppettider och en större mängd nattbefolkning i city. Som ett steg i vision citys riktning omvandlas inom kort Swedbanks huvudkontor på Brunkebergstorg till hotell, samtidigt som en renovering av Brunkebergstorg är aktuell.Uppsatsens syfte är att söka svar på hur Stockholms stad genom fysisk planering kan öka antalet besökare över hela dygnet på Brunkebergstorg och därmed öka nattbefolkningen i Stockholms city. Tillvägagångssättet utmärks till största del av litteraturstudier av forskningslitteratur inom stadsplanering, stadsliv och stadshistoria samt intervjuer och en platsanalys av Brunkebergstorg. Resultatet av litteraturstudierna presenteras som strategier vilka kan användas inom stadsplanering för att skapa ett befolkat offentligt rum.

"The choreography of fear" is a discourse-analysis study which focus at how young men speaks about fear, threat and violence in the public everyday life. The study adopts socialcontructionism as theoretical approach and also uses theories about gender, hegemony masculinity, fear as a social constructed phenomenon and moral-panic. The study is based on qualitative interview whit young men in age 18-30 and the method is mainly discourse-psychology. The section of Analysis discuss subjects as what and whom the young men consider to be a threat and which areas in the public space they consider to be dangerous and how they choose to handle the menace. The Analysis also focuses on how the informants speak about fear, how they define fear and what they consider arouse fear..

This is a pattern project for textiles, with main purpose to develop and challenge my design process and to experiment with a mix of different printing techniques. The goal of the project was to create three textile individuals as representatives of my experiments, inspired by natural surfaces.The world of fashion have been an inspiration and has been the model for these textiles, with its powerful and playful patterns. With the world of fashion as a model, I also chose to work with the materials habotai silk and silk velvet. The qualities of these materials has also been influential in my design language.The work has been very focused on experiementation and exploration, and resulted in three printed fabrics that I have chosen to call Björkalm, Lindstam and Lavbädd..