Personal archives are a largely neglected subject in archival theory. Among the consequences of this is the absenceof any general established or formalized practices when it comes to arrangement and description. Thisstudy opposes the notion that an archival institution without formal systems of arrangement and description doesnot order and describe archives in accordance with a general conceptual framework of a correct order. Supportingitself on the anthropological theory of Mary Douglas on dirt and cleanliness, it studies the implicit notions oforder that can be found in the archival descriptions of the personal archives kept by the Swedish national archives.Several patterns where revealed by the study: among them the primacy of quantity stood out. The vaguesystem of categories based on Martin Grass description model appears only to be employed loyally where quantitiesof the particular categories are such that they constitute complete volumes, which seem to be the cardinaljustifier of categorical division within the archive.

Detta är ett 10-poängs examensarbete på C-nivå, som vi under vårterminen avlagt vid Karlstads universitet. Målet med vårt projekt var att skapa ett nytt grafiskt gränssnitt till en komprimeringsalgoritm vid namn PAZ. Nuförtiden finns en hel uppsjö av grafiska gränssnitt till komprimeringsalgoritmer, men inget av dem stöder möjligheten att plugga in en egenutvecklad algoritm. Därför var vi tvungna att skapa vårt eget gränssnitt, som förutom PAZ också skulle stödja ZIP, RAR och andra etablerade algoritmer. Vi har alltså skapat ett grafiskt gränssnitt, vilket är anpassat för en implementation av den nya PAZ-algoritmen.Algoritmen har utvecklats av vår uppdragsgivare Martin Larsson.

Prosthetic leg can give a negative psychological effect to the user, which ends up in decreased self-esteem and that the user hides his handicap. xCover gives a more natural volume and a cool look. xCover changes the look of the prosthetic leg C-leg. The product is constructed by us, Patrik Svensson and Magnus Zetterqvist, for Christoffer Lindhe at Lindhextend AB. Christoffer has hired Martin Bergman at Smedjan 17 to make the design.

In this thesis I focus on the artistry and essential work, behind the scenes that storyboard artists have contributed to, since the early days of film history. The works I will focus on are the important phases of pre-planning of feature films and animated films. I theorize on the aspect of what makes a good story and how it is brought to life on the screen, as well as how the story is actually conveyed with this drawings. The hypothesis maintains the importance of storyboards, as well as defining their main purpose. Using a formalistic point of view and historical argumentation, I examine and compare five different directors´ use of storyboards and how their respective collaborative teams (i.e director of photography, production designer and story artists, editors etc) create each film´s particular nuances and cinematic expressions.

Under 1950-talet skrev Ivar Lo-Johansson flera självbiografiska berättelser som på omslagen också benämns som självbiografiska romaner; Analfabeten, Gårdfarihandlaren, Stockholmaren, Journalisten, Författaren, Socialisten, Soldaten, Proletärförfattaren, vilka skildrar samtiden, 1910-talets slut till 1950-talets början.Författaren, som jag har intresserat mig mest för i analysen, är indelad i tolv kapitel som i princip skulle kunna läsas fristående från varandra. I boken får vi följa Lo-Johansson genom arbetardiktningens genombrottsår i 1930-talets början. Den unge författaren möter det nya samhället i spåret efter Stockholmutställningen. Diskussionerna bland författarkollegorna, som endast omnämns med initialer, går heta. Några av kollegerna, bland annat Harry Martinsson, Nils Ferlin, Gustav Hedenvind-Eriksson och Martin Koch, presenteras mer ingående.

Denna uppsats är en historisk prövning av giltigheten hos en teoretisk arbetsmodell, ursprungligen hemmahörande i samhällskunskapen.Modellen som prövas är en typologi från Joachim Raschkes bok Soziale Bewegungen: Ein historisch-systematischer Grundriss. Av språkliga skäl utgår dock denna uppsats från Martin Stolares tolkning av samma typologi, i dennes avhandling Moderniseringskritiska rörelser. Modellen delar upp föreningslivets sociala rörelser med utgångspunkt från de metoder vilka rörelserna använder för att åstadkomma en samhällsförändring. Utifrån detta typologiska raster kan sociala rörelser klassificeras som antingen makt- eller kulturorienterade. Denna uppsats prövar giltigheten hos Raschkes typografi genom en historisk fallstudie av verksamheten hos två organisationer, vilka bägge framgångsrikt verkade i Sandviken under åren 1948-1960.

 An analysis in the work of Martin Kellermans comic ?Rocky? of the interaction between the male and female characters and of how each of their gender are portrayed. We are going to find out if it is probable for young adults to be affected by any eventual gender-stereotypes that we can find in ?Rocky? or if ?Rocky? consolidates a stereotypical image of men and women that young adults might have developed through different media. We conduct this analys by first reading through random seleceted ?Rocky? books and present some of the comic strips where men and women interact with each other or discuss the opposite sex..

Denna uppsats är en explorativ studie ur relationistiskt perspektiv av vad som bidrar till välbefinnande och hälsa i vårdsammanhang. För att ange och beskriva relationella förhållanden har Martin Bubers dialogfilosofi använts som teoretisk modell. Grundrelationer som uppstår mellan Jag-Du eller Jag-Det och återfinns i dimensionerna, människa-det andliga, människa-människa, människa-natur. Denna filosofi har tillsammans med Katie Erikssons vårdteori i ?Vårdandets idé? använts i en hermeneutisk analys av praktiska vårdmöten.

 An analysis in the work of Martin Kellermans comic ?Rocky? of the interaction between the male and female characters and of how each of their gender are portrayed. We are going to find out if it is probable for young adults to be affected by any eventual gender-stereotypes that we can find in ?Rocky? or if ?Rocky? consolidates a stereotypical image of men and women that young adults might have developed through different media. We conduct this analys by first reading through random seleceted ?Rocky? books and present some of the comic strips where men and women interact with each other or discuss the opposite sex..

 An analysis in the work of Martin Kellermans comic ?Rocky? of the interaction between the male and female characters and of how each of their gender are portrayed. We are going to find out if it is probable for young adults to be affected by any eventual gender-stereotypes that we can find in ?Rocky? or if ?Rocky? consolidates a stereotypical image of men and women that young adults might have developed through different media. We conduct this analys by first reading through random seleceted ?Rocky? books and present some of the comic strips where men and women interact with each other or discuss the opposite sex..

 An analysis in the work of Martin Kellermans comic ?Rocky? of the interaction between the male and female characters and of how each of their gender are portrayed. We are going to find out if it is probable for young adults to be affected by any eventual gender-stereotypes that we can find in ?Rocky? or if ?Rocky? consolidates a stereotypical image of men and women that young adults might have developed through different media. We conduct this analys by first reading through random seleceted ?Rocky? books and present some of the comic strips where men and women interact with each other or discuss the opposite sex..

 An analysis in the work of Martin Kellermans comic ?Rocky? of the interaction between the male and female characters and of how each of their gender are portrayed. We are going to find out if it is probable for young adults to be affected by any eventual gender-stereotypes that we can find in ?Rocky? or if ?Rocky? consolidates a stereotypical image of men and women that young adults might have developed through different media. We conduct this analys by first reading through random seleceted ?Rocky? books and present some of the comic strips where men and women interact with each other or discuss the opposite sex..

Denna uppsats analyserar och prövar den ledningsteori som är framlagd av Martin vanCreveld i boken ?Ledning i krig?. Prövningen tar sin utgångspunkt i Poppers metod omteoriprövning. Van Crevelds slutsatser testas först internt och sen överses teoribilningenslogiska form. Slutligen jämförs slutsatserna med andra teorier om ledning ochorganisation.

 An analysis in the work of Martin Kellermans comic ?Rocky? of the interaction between the male and female characters and of how each of their gender are portrayed. We are going to find out if it is probable for young adults to be affected by any eventual gender-stereotypes that we can find in ?Rocky? or if ?Rocky? consolidates a stereotypical image of men and women that young adults might have developed through different media. We conduct this analys by first reading through random seleceted ?Rocky? books and present some of the comic strips where men and women interact with each other or discuss the opposite sex..

This thesis applies a discourse theoretical approach in order to examine in whatways and with what possible meanings the library at KVINFO participates in the overall gender discourse in society. This means that our reading takes place at a metatheoretical level, focussing on the library as a constructor of meaning in relation to society's gender discourse.Besides the actual reading, the thesis argues for the fruitfulness of using both a discourse theoretical and a feministic perspective in the field of Library and Information Science. By looking at libraries in general through a lens provided by these perspectives, libraries are staged as battlegrounds for competing discourses,that attempt to promote its particular knowledge claim on how reality should be perceived.The reading shows that it is possible to perceive the library at KVINFO as amaterial articulation that takes shape by and is part in a feministic counterdiscourse against the masculinistic hegemonic discourse, which throughout ?hisstory? has positioned women as ?the other?, and established men as the normative category in society, including the libraries. Through its practise KVINFO has contributed to a change in the collective identity ascribed to women.