In the 1969 Le Thor seminar, Heidegger stated that his philosophical journey could be characterized by three different themes: meaning, truth, place. The first two of these have been the subject of countless studies and discussions, but the question of place is still relatively unexplored in Heidegger?s thought, despite the increased interest for this topic in his writings. Even though scholars like Jeff Malpas, Edward Casey, Stuart Elden and Miguel de Beistegui have written books and essays on the importance of the conception of place in Heidegger?s thinking, there are still many important aspects of this theme to be discussed, given the importance Heidegger himself ascribed to this topic.In this essay, I therefore wish to pose the question of how one can understand the relation between place and the role of tragedy in Heidegger?s conception of truth.

Min studie presenterar en undersökning av en tolkningsprocess vid instuderingen av ett nyskrivet musikverk. Syftet är att beskriva det musikaliska och diskursiva samtal som pågår mellan parterna som deltar i denna process. Studien baseras på en dokumentation av mitt eget arbete och en kvalitativ analys av detta material. Som ett genomgående metodiskt grepp vid studiet av materialet har jag använt H.-G. Gadamers dialektiska hermeneutik som tolkningsmodell.

Denna uppsats är en stilistisk undersökning av Kerstin Ekmans roman Rövarna i Skuleskogen (1988) genomförd med hjälp av systemisk-funktionell lingvistik och dess analysmodeller. Uppsatsens fokus är tudelat: dels undersöks hur Ekman presenterar en bild av döden och hur den varieras, dels studeras hur Ekman använder dialogen för att förmedla att huvudkaraktären blir mer och mer mänsklig. Detta görs genom en transitivitetsanalys och en interpersonell analys. Uppsatsen visar att döden i Rövarna i Skuleskogen tidvis presenteras som ett fenomen med många mänskliga drag: han är av manligt kön, kan utföra fysiska handlingar och vara mentalt, men inte verbalt, aktiv. Det finns en korrelation mellan dödens frekvens, aktivitet och personifiering. I dialogen märks framför allt karaktärernas inbördes maktrelation tydligt, och resultaten visar att huvudkaraktären Skord tillåts vara mer dominant närmare slutet av romanen..

Ett syfte med studien är att introducera en metod för komparativ kulturarvsanalys. Metoden skall kunna användas för att analysera hur kulturarvsvärden värderas och hur de används i interpretation och presentation. Metoden som prövas skall uppfylla studiens övriga tre syften: att genom en nulägesanalys studera hur de olika kulturarvsvärdena i och kring Kinda kanal uppfattas, värderas, vårdas och visas, för att mot denna bakgrund jämföra liknande områden nationellt och internationellt och finna konstruktiva uppslag till framtida utvecklingsplaner och möjligheter för upplevelseområdet Kinda kanal..

Denna studie har som syfte att synliggöra, beskriva och reflektera kring de faktorer som konstituerar fenomenet interpretationsprocess. För att spegla fenomenet från två håll genomförs två interpretationer av en grafiskt noterad solosång, och för att kunna kvalitetsbeskriva förloppen i denna praktikbaserade studie, används en metod där interpreten pendlar mellan rollen som praktiker och forskare, och reflekterar i och över handling.        I förhållande till text och notation har den ena interpretationsprocessen sin utgångspunkt i sångarens livsvärld samt dennes tolkning av några symboler, medan den andra tar sin utgångspunkt i sångarens upplevelse av några bilmekanikers livsvärldar, samt deras tolkningar av samma symboler. Som metodisk grund används fenomenologin, vars två grundläggande teser är: en vändning mot sakerna, samt en följsamhet mot sakerna. Det som undersöks är interpretens erfarenheter och det sätt på vilket fenomenet interpretationsprocess framträder, och både verbala samt klingande exempel på denna levda och upplevda erfarenhet redovisas. Resultatet jämförs även med tidigare forskning inom liknande områden.        Resultatet visar att några av de centrala faktorer som konstituerar de båda interpretations-processerna är textanalysens (i vid bemärkelse) betydelse, närvaron av publikframförande- och kommunikationstanken, växlingen mellan praktik och reflektion, samt det egna skapandets omfattning och karaktär.

My thesis is an attempt to clarify the purpose and workings of art in relation to the artist, his/her fellows and society. Can art be considered as a uniting force? If so, where does its unifying quality lie? How does art connect with the individual, the community and society? My interpretation of the political climate regarding the arts has resulted in an exploration of the question: What role does art have in society today?The artistic ego as an altruism ? within the title of this thesis lies an absolute paradox ? a paradox that through this paper is tested, reviewed and demonstrated as a way of describing art and its workings. The thesis is problematized and studied from several angles: Through the inner artistic process, both reflective and empirical, and through philosophical studies..

Article 4.1(h) in the Rome I regulation establishes which law that will be applicable on contracts concerning financial instruments concluded in multilateral systems. The main problem is that most contracts concluded within these systems have standard clauses which contain a clause on the applicable law. If this is the case, Article 3.1 in the Rome I Regulation is applicable instead. This problem makes it difficult to find a need for article 4.1(h) if it will only be applicable in exceptional cases. However, the legal position on this matter is still unclear since the Rome I Regulation has just been put into force.

This Master?s thesis concerns the question why a public library establishes a special room for young people and how the young people can influence the activities. I have made interviews with two librarians and four teenagers from a reference group. I have also made an observation of the room. The most important theories are Pierre Bourdieu?stheory of symbolic capital and Mats Lieberg?s theory of free zones.

This study examines how the American comic book industry?s output is addressing the issue of Islam and in which manner the portrayal of Islam in the great American comic book universes have changed since 2001. The comic books are examined from the postcolonial perspective as formulated by Chandra Mohanty and the power and resistance-perspective as formulated by Michel Foucault. Examination of the comic books reveals far greater focus on universal values, orthopraxy and inclusive perspectives than it does on dogmatic teachings, orthodoxy and sectarianism while at the same time partly relying on generalizations and archetypes concerning Islam. To change the power balance requires what I call intervention from the objective, that is to say that ambiguity regarding Muslim characters has to be eliminated by the narrative.

The aim with this Masters thesis is to examine the professional knowledge of the librarian. The method used is text analysis of a state public investigation, SOU 1969:37, that concerns librarian education. The theoretical starting point is a theory of knowledge thats descended from Aristotle. Three different forms of knowledge are central concepts in the theory: the theoretical, the practical and the ethical. The main issue in this thesis is: In what ways did the investigators look at the librarians knowledge? Was it in a changeable period of time? In that case, what reasons could there be? The conclusion shows that educational political changes were affecting the whole educational sphere at the late 1960:s, and in the beginning of the 1970:s, including library education.

How do men who define themselves as feminists create and maintain an identity as men? In this qualitative study four men involved in feminist organizations were interviewed about their views on women, men, sex and feminism. Theories of language, psychoanalysis and ethics were utilized to further our understanding of the material these men produce in their effort to define themselves. Our object of study is the text, which we believe holds the key to understanding how an individual shapes his world and himself. The result is our interpretation of the text and its underlying mechanics.

The goal in doing this study has been studying public interpretations of media content in the commercials that this study uses. The analysis was based on two TV commercials for feminine hygiene products. Initially, they seemed to differ from each other, but soon the question whether or not they in fact did convey the same underlying message was raised. The theoretical premises on which the study was founded on are the gender perspective in advertising and the social construction of gender. To reveal the hidden signs appearing in these commercials and to find out their meanings, we used the method of semiotic analysis.

erspective [80][upps-01.gif] This is a thesis on the Swedish Public Lending Right PLR, from a historical perspective. Some of the questions which are investigated in this thesis are: why did the State decide to introduce a PLR and why did it take about 20 years to make the decision? The question why the PLR was not introduced on a copyright basis is also discussed. The focus of this study is during the period of 1934-1956 and it is a literature-study. Mainly there are four reports made by different committees that have been examined.

The aim of this study is to examine how work at music departments in public libraries has changed with time. To analyze this, the role of music libraries as well as music library users, selection, holdings, acquisition and technological development have been examined. The examined data consists of qualitative interviews with music librarians and library assistants at public libraries in Sweden. To get a time perspective, handbooks and articles about music departments in libraries have also been analyzed.This study emanates from Sanna Talja?s discourse analysis of music libraries in Finland.

The following is an assignment about the use of the word terrorism throughout history. This assignment contains a conceptual historical analysis of the term terrorism. The aim of this assignment is the following: To discern, through a conceptual historical analysis, how the term terrorism has been used and how the meanings of the term terrorism has changed in time.To provide an answer to this thesis is the assignment tries to answer the following questions:1) How can conceptual historical analysis be applied to the term terrorism?2) How can the term terrorism be defined?3) How has the term terrorism been used throughout history, with specific focus on the academic world and even some contemporary texts?4) Is it possible to point out some clear changes in the use of the term from the moment of its first use until current time?5) Which meanings has the term terrorism received and how are these meanings associated with the term terrorism?The assignment initially highlights different theories on conceptual historical research as well as links these theories to the actual term terrorism. After this some difficulties with defining terrorism as a term are pointed out and the impact this has on research within the field of terrorism.