The aim of this study has been to investigate the views concerning the sharing of music files over the Internet as expressed by some of the parties engaged in the current debate in Sweden concerning these issues. The purpose of this study has also been to scrutinize the views about music filesharing as expressed by the parties in question, as well as the conclusions possible to extrapolate from these opinions. The method used to gather information from the parties subjected to this study has been by conducting and recording interviews with representatives from the organizations and companies entities in question. Those entities are: the Record Company Sony/BMG, The Swedish branch of the organization IFPI International Federation of the Phonographic Industry and the Swedish organization the Pirate Bureau. The method used to analyze the empirically gathered material has been inspired by a method common in the discipline of philosophy of education known as Phenomenography.

In 2005 Gunhild Eriksdotter published Behind The Facades in which she analyses the ways of approaching historical buildings in archaeology. Eriksdotter emphasizes that the archaeology of buildings is in dire need of renewal videlicet the traditional outlook on buildings as two-dimensional objects need to change. She develops a method of analysing the spatial dimensions in a three-dimensional world. By fusing theories and methods in excavating archaeology and architecture, she is able to give us a new way of approaching buildings. Her method includes the analysing of a buildings material, spatiality and use.

With a hermeneutical method using narratology this thesis is interpreting the auteure Lars von Trier´s discussed movie Antichrist. On one hand within the limits of the hermeneutic Paul Riceours analysis of structure is used to reconstruct the narrative of the film out of the different part of discourses that I have construed in my first reading to find out a deeper comprehension of the relation between the characters and their relations to the different discourses. On the other hand the discourses which extracts out of His and Hers actions and statements are related to the clues that I´ve found out from interviews with von Trier regarding Antichrist where he, among other things, touches upon philosophical work of Friedrich Nietzsche and his own disregard about protestantism and religion. All in all this first phase of interpretation is termed the different horizons which I finally interprete and coalesce with my subjects comprehension on a metadiegetic and meta-metadiegetic level. By this a ?fusion of horizons? in the sense of Hans-Georg Gadamer can take place, which directly leads into the big scene of Relevations.

Zambia är ett land med 71 olika folkgrupper där många olika språk talas, ändå är känslan av etnisk tillhörighet inte särskilt stark. I motsats till grannländerna där våldsamma konflikter utefter etniska skiljelinjer har varit vanligt har detta aldrig utgjort en grund för våldsam konflikt i Zambia. Inte ens de olika regimomvandlingarna, kallat de tre republikerna, som landet genomgått har haft någon större inverkan på konflikter i samhället. Vi använder oss av teorier kring varför etniska konflikter uppstår för att försöka förklara varför Zambia har varit skonade från dem. När Zambia studeras närmre inser man att det inte verkar så självklart att det ?borde? vara drabbat av etniska konflikter.

Rosengren, Anna, 2006: Samiska kvinnor och osynlig historia. En komparativ studie av svenskar och samer vid 1600-talstinget. (Saami Women and Invisible Histories. A Comparative Study of Swedes and Saamis in Court during the 17th Century.)The purpose of the paper is to gain new knowledge about Saami women in the 17th century using court protocols in the Luleå and Torneå Lappmarks, supplemented by secondary sources.Saami women did not write their own history, nor did Saami men. Information available about Saami is written by male representatives of the Swedish crown and church.

The Hunter?s Bend project is about how our personal possessions affect our perceived identity and in what way the value of an object may increase with the relationship that is built up towards the user. I have looked upon traces of time as an extension of an existing object. The outcome is a series of leather cases made out of one piece of folded leather, hardened and locked within itself. The history contained in leather, as a living material has been an important part of the project as well as how its features are used in the making and then allowing the product to change after use..

Rosengren, Anna, 2006: Samiska kvinnor och osynlig historia. En komparativ studie av svenskar och samer vid 1600-talstinget. (Saami Women and Invisible Histories. A Comparative Study of Swedes and Saamis in Court during the 17th Century.)The purpose of the paper is to gain new knowledge about Saami women in the 17th century using court protocols in the Luleå and Torneå Lappmarks, supplemented by secondary sources.Saami women did not write their own history, nor did Saami men. Information available about Saami is written by male representatives of the Swedish crown and church.

Uppsatsen är ett försök till att öppna upp en dialog mellan arkeologin, myndigheterna och skogsbruket i hopp om en öppnare syn till bevarande och en säker fortlevnad för kulturmiljöerna i våra skogar. Detta gjordes genom dokumentationer efter stormen Gudrun, kontakt med relevanta instanser samt en fältstudie.Resultatet visade att det i det studerade området inte skett så stora skador som i begynnande skrivskede befarats..

Rosengren, Anna, 2006: Samiska kvinnor och osynlig historia. En komparativ studie av svenskar och samer vid 1600-talstinget. (Saami Women and Invisible Histories. A Comparative Study of Swedes and Saamis in Court during the 17th Century.)The purpose of the paper is to gain new knowledge about Saami women in the 17th century using court protocols in the Luleå and Torneå Lappmarks, supplemented by secondary sources.Saami women did not write their own history, nor did Saami men. Information available about Saami is written by male representatives of the Swedish crown and church.

Denna uppsats tar upp mönster och skillnader mellan rödockra, kroppsställningar och kön hos trettio av individerna i gravarna i Skateholm I, samt vad ockran och de olika kroppsställningarna kan ha för betydelse i sammanhanget. Undersökningen har visat att det finns många olika möjligheter till hur ockran hamnat i gravarna och vad ockran och ställningarna haft för betydelse..

The purpose of this report is to survey Swedex AB?s production costs and to gather all info into a manageable calculation tool. This was made by time and motion studies, interviews of the personnel. All factors were gathered into an Excel chart.The calculation was made according to an additional-charge-method that was considered to satisfy Swedex AB?s goal.

Det här projektet omfattar utvecklingen och designen av en webbplats och en webbcommunity för organisationen Nätverket Vileda samt implementationen av ett content management system för att underhålla webbplatsen. Jag reflekterar också kring Nätverket Vileda och nätverket som ett socialt fenomen men även som en kommunikationskanal för organisationer och hur detta har förändrats och utvecklats genom de senaste hundra åren..

Denna C-D uppsats har som syfte att urskilja hur de olika arkeologiska perspektiven (kulturhistorisk-, processuell- och den postprocessuella arkeologin samt genus perspektivet) under 1900-talet fram till idag och hur de har påverkat den arkeologiska utställningen till form och innehåll. Uppsatsen tar upp utvecklingen av Lunds universitets historiska museum, och även dess framtida bild (LUHM)..

This thesis explores how art produced in the former GDR has been looked upon, handled and exhibited after the reunification of Germany in 1990. Swedish Art History has paid little attention to art in the GDR. The debate starting in the 50s between the spokesmen for abstract art and the defenders of figuration restrained for a long period the ability to look upon art from the GDR without prejudices. This led to a rejection of all figurative art in the GDR and sweeping judgmental attitudes, like it´s all ?kitsch?.

Hunting ground graves were distinguished as a separate category during the 1930s.         There is however no clear definition of what a hunting ground grave is. They have been constructed over a large area over a long period of time (200 BC-1200 AD) and their morphology varies.This paper investigates how the archaeologists have discussed the hunting ground graves since they were distinguished as a separate category until today. It investigates what concepts that have been used to define and categorize the graves as a group. It also investigates if the choices of concepts are depending on a broader societal perspective.To find the answers to these questions two surveys have been done.