In recent years, the characterization of the Third World and its inhabitants in West-originated children?s books has been subject to debate. Media attention around a selection of books has generated discussions on how this relates and aligns with Sweden?s national teaching curriculum. The objective of this study is to explore how a selection of authors, born in Western countries, have characterized and presented the Third World and its inhabitants in its literature.

The focus of this study is on the nature of social support from the rape survivor's perspective. Research has shown that social support is essential to the survivor's ability to recover from rape and that it acts as a powerful tool for the survivor to effectively deal with the PTSD symptoms that follow rape. The research also shows that survivors often receive or interpret reactions after a rape as negative. Hence, these reactions can be detrimental tothe healing process.Qualitative interviews with six women on their experience of social support after rape form the base of this study and Anthony Giddens terms ontological security, fateful moments and bodily self-management are a part of the analytical apparatus. Rape is commonly analyzed from a feminist perspective.

The aim of this essay is to debate the narrow contextualization of the works of Swedish artist Maria Friberg, in which she is interpreted as a female, feminist artist engaged in masculinity studies. Art reviews and exhibition catalogues regarding a great part of Friberg?s work have formed the core body of information in this study, selecting the more recent works entitled Still lives (2003- ) as the main focus. These show a change in Friberg?s artistic expression.Subjects concerning group belonging, identity and existential questions have always been present in Maria Friberg?s art, but they are more clearly expressed in her latest works.

I denna uppsats behandlas fragan om hur kvinnliga atleter benämns i svenskan och tyskan och vilka attityder de olika sprakbrukarna har till könsövergripande och könsspecifika atletbenämningar. Dessutom behandlas fragan om vilket samband som finns mellan användningen av antingen könsspecifika eller könsövergripande atletbenämningar och ide?er om jämställdhet mellan könen. Utifran dessa frageställningar genomfördes en kvantitativ studie om användningen av och attityder till könsspecifika och könsövergripande atletbenämningar i svenskan och tyskan. Ja?mförelsen med tyskan gjordes pa grund av min egen sprakliga bakgrund samt pa grund av att könsspecifika personbenämningar, i motsats till det svenska spraket, är väl etablerade i tyskan.

Engelfors Trilogy is a three-part fantasy novel consisting of Circle, Fire and The key, written by Mats Strandberg and Sara Bergmark Elfgrens. Circle was nominated for the August Prize award 2011, which is a literary prize awarded each year. The book has also been translated into 25 different languages. Fire came out in August 2013 and is the part of the novel that I will concentrate on in these theses. What I will do in this paper is a queer feminist analysis of the novel's main characters in the book Fire.

The purpose of this paper is to view Karlstad Municipality and their financial support to non-profit organizations within equestrian sports. Despite the varying representatives of various equestrian sports in Karlstad, there seems to be a single beneficiary within the sport when it comes to financial support from the municipality. The policies and plans concerning cultural development are directly compared to the Karlstad Municipality and its contribution to these organizations within equestrian sports. Through interviews and reports I have studied the process of financial support from the Karlstad municipality using an intersectionality theory based on Nina Lykkes guide on gender studies and feminist theory. Pierre Bourdieu?s theories on field, habitus and capital are also used as a method to enhance the understanding of equestrian sports and its role in modern Swedish society. The conclusion is that the Karlstad Municipality is, for a several of reasons, promoting non-profit organizations within equestrian sports, which are operating as riding schools.

Alice Lyttkens (1897-1991) was a very popular author in Sweden during several decades in the middle of the twentieth century. She was most famous for her historical novels. During her first period as a novelist in the 1930s, however, she wrote contemporary fiction, reflecting the situation of contemporary Women. The traditional view of the two sexes as ?complementary? permeated the interwar period.

The objective of the master thesis is to analyze how future business administrators relate to discriminatory structures during their period of studies. Eight students studying business administration have been interviewed. The empirical material is analyzed with theories from the field of research of Critical Whiteness Studies and Feminist Organization Theory. The theories are chosen from a Situated Knowledge perspective. It turns out that the interviewed students have a conception of an ideal student who studies business administration.

The motivation for this thesis lies in the knowledge that there is a crucial information need amongst LGBTQ-persons wanting to read fiction related to LGBTQ in order to strengthen their own identity. This particular information need regarding identification has been said to be more central within LGBTQ-communities than within other user groups, largely because they represent a marginalized group in society. Critical feminists, such as Hope A. Olson, have proved that knowledge organization based on systems of subject representation in fact may lead to further marginalization and exclusion of already marginalized groups. Therefore, the aim of this thesis is to compare subject representation and social tagging as methods of organizing LGBTQ-fiction.

The purpose of this thesis has been to explore in what ways Franz Kafka?s ?The Metamorphosis? can be read as a story of gender. By bringing together Judith Butler?s theory of materialization and Lennard J. Davis?s crip theory I have spoken of Dismodernity as the domain of abject bodies that have been repudiated by (post)modern societies as untintelligible and dysfunctional.

The title of this essay is Project: The Veil ? an investigation of the trends in the Swedish veil debate compared with the veil debate in France and Great Britain written by Cecilia Lindvall. The purpose of the paper is to analyze how the argument has been conducted by the Swedish politicians from the time when the veil was first recognized in Swedish media up until today. The questions I wanted to answer was each countries definition of the three concepts secularization, freedom of religion and multiculturalism, how Islam as a faith with Muslims has developed in Sweden, France and Great Britain and each countries integration politics with the politicians attitude towards the veil. The method being used is a qualitative study with three kind of theories for analysis; two who derives from a feminist point of view where the first one advocates for the rights of each women, the second for the rights of religious groups and a third theory which discusses different models of integration logics.

Denna uppsats hanterar hur kvinnliga karaktärer porträtteras i romantisk komedi genom att närmare studera begreppet ?Manic Pixie Dream Girl?. Detta begrepp leder till missförstånd om kvinnans roll i filmens värld och skapar diskussioner om jämställdhet och västerländsk berättarkultur. Syftet med denna uppsats är att undersöka två kvinnor i två olika romantiska komedier uppfyller de kriterier som nämns av Manic Pixie Dream Girl-begreppets myntare, Nathan Rabin, har lagt fram och om det således är motiverat att argumentera att karaktärerna upprätthåller sexistiska synsätt. Den teoretiska grund som uppsatsen bygger på kommer främst från feministisk teori, men även från Laura Mulveys teori om skopofili och den manliga blicken.

Abstract in EnglishElsa Grave (1918-2003) is a Swedish writer, artist and composer. The aim of my study is to analyse the female character in Mödrar som vargar, (Mothers As Wolves), which is a collection of poems written in 1972.The analysis is divided into four parts. First I analyse the figures of speech of the female ?I? in the poems. In the second part I`m dealing with how she acts and relates to men.

The study aims to examine how censorship and comics have been discussed in three debates. The aim is also to identify discourses and the orders and relations of power constructed in the debates, and to examine how librarians should handle debates about censorship and comics. Selected sources are articles from Swedish newspapers and tabloids about the debates on the Pox-trial, the manga case and the debate about Tintin in Kulturhuset. The results from the analysis indicates that the debates have been dominated by two main discourses: a discourse on freedom of speech and a discourse on social responsibility. Within the discourse of freedom of speech there is a range of perspectives that emphasize: artistic freedom, the need for open and free conversations, a discussion about how the comics are assessed in comparison with other media formats as well as a discussion about moral and moralism.

Föreliggande examensuppsats undersöker vilka möjliga betydelser och meningsinnebörder feministiska perspektiv kan ha för bedrivandet av psykoterapi. Utifrån en explorativ och förståelsegrundande ansats intervjuades 13 svenska behandlare med självidentifierade feministiska utgångspunkter om hur de ser på skärningsytorna mellan feminism och psykoterapi, sin yrkesroll, samt vilka konsekvenser deras feministiska perspektiv får i det praktiska behandlingsarbetet.Resultaten visar att feministisk terapi som begrepp framstår som i stort sett oetablerat i en svensk psykoterapeutisk kontext, att förhållandevis lite forskning på området tidigare är gjord, samt att intervjudeltagarna ofta framställer sammanjämkningen mellan feministiska och psykoterapeutiska diskurser som komplicerad. De medverkande beskriver sina feministiska utgångspunkter som en bakomliggande filosofi snarare än en uppsättning tekniker. Dessa omsätts i terapeutisk behandlingspraktik genom en problematisering av maktaspekter, ett uppmärksammande av strukturella faktorers inverkan på subjektivitetsskapandet, samt ett kritiskt och stundtals avståndstagande förhållningssätt till specifika delar av de gängse terapiparadigmen. Ideologiska dimensioner exemplifieras bl.a.