Since the beginning of the internet the criminal world has used the medium as a platform for operation.This Dark web is a domain where illegal sites are flourishing due to the possibilities offered by newtechnology. Net-based criminal activity is a challenge for society as it uses hard proof technologicalsafety measures to avoid the law. Silk Road is the most prominent example, an online illicitmarketplace where drugs and illegal substances are being traded based on conventional e-commerceconcepts. This paper argues for trust as an important factor for the survival of illicit online trade andapplies existing theories on e-commerce and virtual communities. To identify patterns of trust andcommon trust-based issues among Silk Road users, a netnographic study was conducted on the site?sdiscussion forum.

Syftet med denna uppsats är att skänka en grundläggande illustration av hur relationen bildinom bild och skräck kan se ut. Studien koncentrerar sig på estetiken och reflexiviteten hosbilderna inom bilden hos de japanska skräckfilmerna The Ring, Pulse och Dark Water. Dessabilder består av ett videoband i The Ring, webbkamerabilder i Pulse och övervakningsbilder iDark Water.Användningen av rörliga bilder inom rörliga bilder är reflexivt i den meningen att vimedvetandegörs om filmmediet självt som en konstruktion av bilder. Detta fenomenuppmärksammar oss också på akten att se. Syftet i skräckfilm är att skapa känslor av olust ochskräck hos oss och detta åstadkoms, bland annat, genom hur bilderna ser ut och är upplagda.Ett återkommande element hos bilderna inom bilden hos våra filmer är otydligheten hosflera av dem och detta att vi inte kan se bilden tydligt kan ge upphov till olustkänslor.

Pomace is the solid remains (i.e. stems, pulp, seeds, and skins) after pressing for juice. The annual production of apple pomace is 593 000 ton worldwide. Its field of application depends on local conditions. In order to investigate the field of application of apple pomace in the Southern Sweden, six persons on companies with production of apple juice were interviewed.

This thesis examines a sample of Pitted Ware pottery from the Gotlandic site of Ajvide in regard to the spatial and temporal relationship of the shards. Ajvide Stone Age site have been extensively excavated over the past 25 years and the most recent analysis of pottery was carried out by Inger Österholm in 1987 and new analyses of the material are therefore greatly needed. Pottery from three sample areas was analysed in regard to their distribution, decoration, fragmentation, part of pot and quality of the goods. To analyse the material in a contextual way a multivariate statistical analysis called correspondence analysis was used. Two areas denominated ?dark areas?, which Österholm defined previously, as possible ritual sites, and one reference area with mixed material were chosen for the analysis.

Denna uppsats sträcker sig utanför akademin och frågar sig hur en publik kan uppfatta föreställningen La dolce vita. Jag menar att dragshowgruppen After Dark har potential att destabilisera synen på kön, genus och sexualitet som fasta binära kategorier, och undersöker detta i en receptionsstudie. I relation till Judith Butlers performativitetsteori görs med hjälp av deltagande observation och intervjuer med personer som sett showen en jämförelse av hur tolkningarna kan skilja sig åt beroende på tillgång till dessa teoretiska verktyg. Skillnaden visar sig vara stor, informanterna ser främst en problematisering av sexualitet medan det sett utifrån Butler är kön och genus som fokuseras. En annan faktor som är betydande för tolkningen är feministiska utgångspunkter.

There are several man-made environmental problems in today?s society. Tourism gives a lot of people serenity, creates jobs and better social circumstances but also has a dark side, a dark side that is harming our environment. Mass tourism creates large amounts of harmful gasses through transportation of tourists, littering ends up in pollution and acidification and the list goes on. Ecotourism has during the latter part of the last decade been marketed as a counter pool to the harmful kind of tourism and offers connectedness to nature.

This paper examines difficulties that heirs to swedified sami persons experience when learning about how colonialism forced a lot of people to hide or dim their sami identity. The purpose is to examine what genealogy can mean for these people and how it differs from the ?regular? genealogy; what makes these heirs willing or not willing to call themselves sami and how the cultural traumas and family wounds can be understood as dark cultural heritage and how these can be resolved. With cultural heritage and history usage theories, Hall?s theories of hybrid identities, and Aarelaid-Tart?s trauma model, I have analysed material from six interviewees and some of my autoetnography to conclude that sami genealogy is an important factor in shaping a more complete and decolonized view of history and one?s identity, that descendants of samis won?t call themselves sami because of a lack of sami ?capital? but want to as a way of not letting colonialism win, and that cultural traumas and family wounds heal through talking about them ? not hiding from them. The dark heritage is a necessary part of the sami identity build. I have also concluded that sami identity have always been nuanced, there isn?t one correct way to be sami..

The purpose of this study is to analyse and describe social work students? view on a person with self-injurious behaviour and the following issues. The aim and focus is on the general depiction. The theoretical perspectives have been intersectionality and its focus on social constructivism, and gender perspectives. The method was semi-structured interviews with eight social work students at Linnaeus University Kalmar.

Gothic literature has a tradition of dealing with dark subjects, themes and motifs, as well as depicting fear in different shapes and forms. Dani Cavallaro describes dark fiction in terms of the "aesthetic of the unwelcome". The philosopher Edmund Burke separates the beautiful from the sublime and writes that everything that is capable of producing a terror of pain and death is a source of the sublime. In her essay "On the Supernatural in Poetry", Ann Radcliffe draws a clear line between the concepts of terror and horror and distinguished them as fundamentally different. In this essay, I define the terms horror and terror by following up the research surrounding Radcliffes statement.

Predation is a strong dective force on invertebrate prey. Asellus aquaticus differs in pigmentation reed and submerged vegetation habitats in lakes. Light pigmented individuals al vegetation dominated by Chara sp. while dark pigmented individuals dominate in the reeds. These differences have been hypothesized to result from background matching.

The climate changes and the global warming have a great impact on the Arctic environments. This partially depends on that the albedo is getting lower when snow and ice is melting and exposes more and more dark surfaces of the land and sea. This leads to a feedback effect; the melting accelerates because dark surfaces attract more sun radiation. Because of the heating the glaciers in Arctic retreat. The purpose of this report is to obtain an eventual change in elevation on the glacier Lomonosovfonna that is located on Svalbard by comparing elevation data collected by NASA and GPS data from 1996-2012.

Electroretinography is an examination method where the function of the retina is objectively assessed. In 2002 the European College of Veterinary Ophthalmology (ECVO) published a proposition to a standard on how to perform ERG examinations, to facilitate comparison of results and to make it possible to repeat examinations. The purpose of this study was to validate parts of the canine ERG protocol suggested by the ECVO. Our principal aim was to study if there is any interference at the recommended stimulus intervals for dark-adapted rod- and combined rod-/cone responses. The results show that there is an effect on the a- and b-wave amplitudes when different stimulus intervals are employed. When all examined intervals are pooled, there is an increase in the median b-wave to each consecutive dim, white (rod) stimulus in a series of four.

German-Jewish Nobel Prize laureate Nelly Sachs is remembered for her poetry written while in exile in Sweden. In this essay I have tried to examine how the exile situation shaped her poetry and what different kinds of stages the poetry went through. For example - how it went from being dark and painful when concerning the holocaust, into light and hopeful with reconciliation during the last years of her life.The exile turned out to be a catalyst to her poetry..

ThisthesisisananalysisofSt.JohnoftheCross?treatiseTheDarkNightoftheSoulfromanEasternOrthodoxperspective,focusingonelementsofclassicaltheologyofthéosisandliminalitywithinthetext.UsingVladimirLossky?sviewonOrthodoxmysticaltheologyaswellasritualtheoryandtheoriesofliminalityfromVictorTurnerandArnoldvanGennepthestudyexamineswhetherornotitispossibletospeakaboutthéosisinWesternmysticalteachingsandpractises,andifDarkNightcanbeviewedasanexampleofsuchateaching.Thisthesisthusseekstoanswertwomainquestions,namelywhetherStJohnoftheCross?treatisecanbesaidtobeanexampleofthéosistheologywritteninWesternform,andifthetrialsoftheDarkNightcanbesaidtobeaformofsocio-­?ontologicalprocessofchange,eitherpartiallyorcompletely.ThemethodusedintheworkisamodifiedversionofthetextualanalysisdescribedinCarl-­?HenricGrenholm?sbookAttförståreligion:metoderförteologiskforskning,focusingoncentralthemesandideas,andkeywordsrelatedtothéosis.ThetheoreticalperspectiveforthethesishasbeenbasedinEasternOrthodoxmysticaltheology,andthecentralaimhasbeentoofferaresponsetoVladimirLossky?scritiqueoftheWesternChurchashavingforgottenitsmysticalroots.KeyfindingsarethattheDarkNightasaprocesshasstrongelementsofbothliminalityandsocio-­?ontologicaltransformation,andthatthelanguageofSt.JohnisverysimilartothatofearlyOrthodoxtheologians,withclearapophaticterminology..

Det kommer konstant ut amerikanska nyinspelningar av andra länders filmer. Vad är det som skapar behovet av nyinspelningar? Vi har analyserat och jämfört tre japanska skräckfilmer med amerikanska nyfilmatiseringar (s.k. ?remakes?) för att försöka förstå vad det finns för kulturella särdrag i respektive länders gestaltning av filmberättartekniska konventioner av rum och tid och skillnader i kunskapsnivå om filmens händelser mellan protagonist och åskådare..