Organizational culture is a widely discussed topic. Today job mobility in society is increasing as well as part-time employment. This study aims at investigate how organizational culture is maintained in an organization where employees work as combiners of different work occupations. The study is a case study of the department of Art at Konstfack (The University College of Arts, Crafts and Design). The organization is unique in the respect to that the majority of the employees have part-time employments within Konstfack combined with their parallel own artistic occupations.

In my exam-project, ?For Götha Kendo Club ? an athletic clubs new graphical profile? at HDK ( School of Design and Crafts ) i chose to redesign the visual identity of Götha Kendo Club, a kendo-club in Gothenburg. Kendo is a japanese fencing sport, where swords of bamboo are used, together with protective armor.My work consists of a new logotype for Götha Kendo Club; three different posters for recruiting beginners; a website layout, presented with a pdf-file; and a beginners folder, with an introduction to kendo.The aim was, not only to give Götha Kendo Club a new fresh look, but also to attract a target group to the sport, namely people who are interested in competition, exercise and athletics.To achieve this I created a though look where tension and focus was the lead; using only three colours, red, white and black, and with progressive typography set in with the modernistic HouseGothic typeface I created this fresh and exciting look. The photography by Ida Nordung where shoot with white backdrop, creating a hard contrast to the dark clothed kendo models.Finally I collected rules and guidelines for the graphical and visual elements of Götha Kendo Club new style in a graphical guide..

The aim with this thesis was to investigate what characterises an English Arts and Crafts garden how they could be modernised in Sweden. My research was limited to 20 weeks of full-time writing and worth 30 ECTS. Through literature studies, interviews and site visits I could analyse my findings which resulted in a concrete garden design project. The Arts and Crafts was a movement that started in England during the 1880?s and evolved as a reaction towards the industrialisation. The influence came from the writings and practices of John Ruskin (1819-1900) and William Morris (1834-1896) who advocated the importance of Craftsmanship. The Arts and Crafts movement also became a ?recipe for life? and was associated with a healthy and morally pure way of living.

The ways designers work with Craftsmen in other countries can vary alot,but still there are many similarities. In this study we make comparisonsbetween a number of projects involving three different designers and artisansin other countries and parallel that to our own work in South Africa.What we have seen is that there is some common denominators betweenthe different projects that are being taken care of in different ways.Some things that commonly attract the designers seem to be the skills ofthe Craftsmen, as well as their colouring, patterns and materials. A furthercommon denominator in the projects is that people?s perception of qualityhas become an important issue. The products that are being developedare often sold in the country of the designer, and therefore a needto insure that the quality of the products is up to the standards expectedin that certain country has occurred.

Stadens bostadsområden är byggda efter olika ideal och de skiljer sig åt beroende på hur stadsplaner och arkitektur utformades under den tid de är byggda. Olika typer av växtmaterial och olika material i markbeläggningen har använts i olika tider. Dessa material ger en viss karaktär åt utemiljön kring bostadsområdena. I min studie tittar jag närmare på vilket växtmaterial och vilka markbeläggningar som var vanligt förekommande runt bostadsområden i Landskrona mellan 1917-1937. Arbetet bygger på en fallstudie av tre specifika kvarter där jag inventerar befintligt material. Materialen jämförs sedan med gamla bilder från trakten men även med nya bilder av ett välbevarat område i Malmö, Västra sorgenfri.

The ways designers work with Craftsmen in other countries can vary alot,but still there are many similarities. In this study we make comparisonsbetween a number of projects involving three different designers and artisansin other countries and parallel that to our own work in South Africa.What we have seen is that there is some common denominators betweenthe different projects that are being taken care of in different ways.Some things that commonly attract the designers seem to be the skills ofthe Craftsmen, as well as their colouring, patterns and materials. A furthercommon denominator in the projects is that people?s perception of qualityhas become an important issue. The products that are being developedare often sold in the country of the designer, and therefore a needto insure that the quality of the products is up to the standards expectedin that certain country has occurred.

The ways designers work with Craftsmen in other countries can vary alot,but still there are many similarities. In this study we make comparisonsbetween a number of projects involving three different designers and artisansin other countries and parallel that to our own work in South Africa.What we have seen is that there is some common denominators betweenthe different projects that are being taken care of in different ways.Some things that commonly attract the designers seem to be the skills ofthe Craftsmen, as well as their colouring, patterns and materials. A furthercommon denominator in the projects is that people?s perception of qualityhas become an important issue. The products that are being developedare often sold in the country of the designer, and therefore a needto insure that the quality of the products is up to the standards expectedin that certain country has occurred.

This thesis is a contribution to the discussion on the public library?s institutional identity in late modernity. The aim is to shed light on the public library?s identity as expressed through its public events. The thesis seeks to answer the following questions: What kind of public events are offered at public libraries? What themes distinguish the content of these events? What characterizes the institutional identity expressed through these events? In addition to the concept of institutional identity, a model of four library spaces, developed by Skot-Hansen, Hvenegaard Rasmussen, and Jochumsen, constitutes the theoretical framework of this thesis.

The thesis has investigated the use of templates in timber framing, a field where there has previously been a lack of comprehensive and clear information. The main goal was to map and describe the various types of templates, their appearance, usage, and function, in order to make this traditional craft more accessible to both professional Craftsmen and DIY enthusiasts. The project also aims to contribute to the preservation of traditional building Crafts, in alignment with UNESCO's Convention for the Safeguarding of Intangible Cultural Heritage. The methodology used in this study was a literature review, where relevant templates were gathered and analyzed. The templates were then categorized using a system developed by the author, which helped simplify the understanding of the templates functions and uses.

ADORABLE CHILD OF ITS TIMEThis text will describe a inovative project about material, traditions and someideas about furniture for work in an home inviroment. The content is partlyabout exploring ancient marine- and textile techniques to find somethinguseful for furniture of the twenty first century. It is also about the designprocess of creating a sustainable piece of furniture that questions the paradigmathicsabout usage and the context about manufacturing furniture.The text will briefly describe the design process and then reason about theresult in a deeper sense. Questions that has been considered from the verybeginning of the project as well as those one stumbled across during theevolution of the work will be objectives for the discussion. The result will bein focus as a foundation for the discussion and also the values and issuesabout that.

Kandidatuppsats i Företagsekonomi C, Ekonomihögskolan vid Linnéuniversitetet i Växjö, Ekonomistyrning, 2FE13E, VT 2014.Författare: Robin Arnefjord, Erik Davidsson & Alexander PerssonHandledare/Examinator: Petter BoyeMedbedömare: Jan AlpenbergTitel: Capellagården ?Hur samarbeten och nätverk kan bidra till ökade intäkter Bakgrund: Capellagården är en fristående internatskola på södra Öland som likt många andra skolor av detta slag brottas med knappa resurser. Detta har lett till att Capellagården eftersökt alternativa sätt att effektivisera användningen av tillgängliga resurser samt genom nya samarbeten och nätverk hitta nya intäkter.Syfte: Syftet är att beskriva hur samarbeten och nätverk kan öka intäkternaför en skola som Capellagården. Detta görs i tre steg där vi inleder med att beskriva dagens situation för att sedan studera liknande skolor och slutligen identifiera utvecklingsmöjligheter.Metod: I studien så har vi använt oss av ett abduktivt angreppssätt samt en kvalitativ forskningsstrategi. Empirin har huvudsakligen hämtats från intervjuer med företrädare för tre hantverksskolor.Slutsats: Vi kan konstatera att Capellagården kan dra lärdom av andra skolors sätt att arbeta med samarbeten och nätverk för att öka intäkterna.Exempelvis genom att användning av benchmarking.

Jag har som examensarbete på master-nivå formgivit en sittmöbel med utgångspunkt från min uppväxt i Dalarna. Målet har varit att göra en filosofisk tolkning av mina minnen samt en hyllning till regionen, i synnerhet Borlänge där jag växt upp.Jag har under projektets gång gjort en resa både på ett mentalt och rent fysiskt plan tillbaka till den plats jag växt upp för att utforska mina minnen och därigenom skapa en plattform för mitt designarbete.För att nå mitt resultat har jag använt mig av designmetoder som ITK, intervjuer, skisser, studiebesök, materialtester, mockups samt modelleringsverktyget Rhino.Resultatet är en stol inspirerad av saker som bland annat Ornäs stugan och musikkulturen i Borlänge. Stolen består av en metallkonstruktion, trädetaljer vid fötterna samt armstöden och en sits i läder.For my thesis work on postgraduate level, I have designed a chair based on my upbringing in Dalarna. The goal has been to make a philosophical interpretation of my memories and a tribute to the region, particularly Borlänge where I grew up.During the project I have made a trip both on a mental and physical level back to the place where I grew up to discover my memories and thereby creating a platform for my design work.In order to achieve my result, I have used design methods such as ITK, interviews, sketches, field trips, materials testing, mockups and the modeling tool Rhino.The result is a chair inspired by things like Ornässtugan and the music culture in Borlänge. The chair consists of a metal construction, wooden feet and armrests and a seat made from leather..

Syftet med detta arbete är att öka insikten i hur fördelningen mellan hantverk och uttryck ser ut på trumsetslektioner inom genrerna rock/pop/jazz och hur olika lärare arbetar kring/med begreppen personligt uttryck och hantverk. Jag har intervjuat fyra pedagoger ? tre från musikskolan och en från gymnasiet ? och använt mig av kvalitativ intervju som metod. Följande forskningsfrågor ligger som grund för arbetet: Finns det en tydlig uppdelning mellan moment som fokuserar på hantverk och personligt uttryck under trumsetslektioner på gymnasieskolan och kulturskolan - och i så fall, hur ser fördelningen mellan dessa inslag ut? Hur hanterar trumsetslärare dessa två begrepp i sin undervisning? Resultatet visar att samtliga informanter inkluderar moment som kretsar kring både hantverk och personligt uttryck i trumsetsundervisningen.

The theory that concepts that are interpreted subjectively in building care creates problems in how the concepts are defined in practice within the current governing documents and guidelines for building care. This essay has studied concepts in the building maintenance literature to investigate whether there is consensus in compliance practice within the building process. In the study, 9 concepts have been investigated through conversational interviews and questionnaires answered by practitioners with extensive experience in building care processes. In the survey, an attempt is made, to measure how big or small the consensus is between practitioners who often need to collaborate within the building maintenance process. The investigation shows that existence of the concepts in building maintenance is very common in the theoretical literature examined but is almost completely absent in the craft area. Since laws, regulations, principles, and guidelines have defined concepts to support the decisions in the building maintenance process, it can be concluded that there is a lack of practice for compliance.

This thesis explores the narrow spaces between closely built houses in the over 300-year-old wooden town center of Mariestad, Sweden, and their potential as time capsules and sources of knowledge in cultural-historical building investigations. By interpreting well-preserved carpentry work on a facade in one of these spaces, the study aims to provide an example of how these preserved spaces can serve as a source of knowledge and understanding of Craftsmanship and the history of the place. The thesis also addresses the municipality of Mariestad's work with cultural heritage, as well as maps out more of these potentially interesting interstitial spaces. Old Swedish wooden towns possess a high degree of uniqueness both nationally and internationally; nevertheless, they are subjected to relatively significant threats of demolitions and substantial changes, often in the form of many smaller restorations or changes over a long period of time. The focus of the case study is a window from the 16th or 17th century and the facade's old, hand planed wooden cladding.