Popular culture is a phenomenon of growing importance in the society today. Children and teenagers are increasingly using popular culture in their everyday life to reflect and answer questions about their identities and the meaning of life. Swedish primary and upper secondary schools are expected to prepare their students for adulthood and to provide them with tools to explain understand and problematize contemporary society. From this perspective it is relevant to question whether the schools achieve this and whether the instruction given there represents the contemporary society. For the purpose of knowing more about how popular culture is perceived and dealt with in the Swedish education system, this study examines how eight textbooks in Religious Education (RE) and the national curriculum for upper secondary school discuss and treat popular culture.  The study focuses on when and in what ways the textbooks mention popular culture and if the curriculum provides any supportive base for including popular culture in religious education.

I detta arbete vill jag berätta om min musikaliska resa i Norrbotten och belysa min syn på mitt huvudinstrument. Jag vill också ge svaret på frågan: Är munspelet ett riktigt instrument? Det skrivna arbetet är kopplat till en examenskonsert som ägde rum den 15/4 i Acusticum, Piteå. Där framfördes egenskrivna kompositioner i program-, film- och bluesmusik genren, allt för att visa munspelets musikaliska, tekniska och uttrycksfulla bredd. Detta var en produktion som spelades in på DVD och involverade studenter från ett flertal utbildningar.

The swedish education system in general and the swedish gymnasium in particular is at the point of a thorough reform of the guidelines in education. One major difference given in the guidelines is that the former core subject of arts education is abandoned in favour of making history a mandatory class. This despite the curriculum outlined in 1994 remains. Through comparativ text analysis of the documents and reports outlining this reform and defining the curriculum as well as the guidelines for the education system this study aims to point out the reasons for this change. Through in depth interviews with teachers, educators and authorities in addition to readings of contemporary research on arts in education the study will depict a larger picture of the scheme of things.

The purpose of this study was to to examine what teachers think about visual art and how the learning process in this subject does look like. To answer these issues, I made interviews with five teachers of visual art from different schools, and I examined several examples of pupils? artworks. The stories of the teachers were analyzed in relation to governing documents and with assumptions from sociocultural theory, postmodernism and pedagogical - aesthetic research as theoretical point of view.By the qualitative interview method, the observations of the pupil?s artworks, and by the analysis of the interviews with the teachers, I have come to the conclusion that teachers think differently about art but they try to keep themselves in line with the national governing documents.

The aim of this Master?s thesis is to examine the function of the budget as a means of control within an organisation in the public sector. To accomplish this, a case study has been conducted on a certain business unit within Luftfartsverket responsible for providing Air Traffic Control services. The thesis is built on a framework of contemporary theories of budgeting and includes a brief discussion of the weaknesses usually associated with the traditional budget. The conclusion of the study is that the use of budget as a means of financial control within Luftfartsverket is not efficient enough at the moment.

Den pågående processen mot en ökad användning av digitala tjänster har inte minst påverkat filmmarknaden. Digitala tjänster för filmkonsumtion, både illegal och lagliga, utmanar filmmarkadens arbetssätt och struktur, och skapar därmed ett behov av förändring. De illegala tjänsterna har etablerats tidigt och påverkar i hög grad marknaden. Särskilt tydligt är detta för den svenska filmmarknaden, där dessa tjänster används i hög utsträckning.Användningen av digitala tjänster, såväl illegala som lagliga, påverkar inte minst filmkonsumenters attityder och förväntningar på hur tjänster för filmkonsumtion bör fungera. Vanor kring nyttjande av teknik, och kring filmkonsumtion mer generellt är också intressanta att studera för att se vilka framtida förändringar i aktörernas arbetssätt som är motiverade.Studien belyser hur de olika typer av aktörer som utgör filmmarknaden idag arbetar med hänsyn till den rådande situationen, samt de förändringar i detta arbete som betingas av förändrade konsumentattityder.Studien identifierar två tydliga hot mot filmmarknadens rådande affärsmodell: minskade intäkter generellt och ett skift mot minskad konsumtion av ny film.

In this bachelor essay an attempt is done, to recreate a probable Bronze Age landscape on Gotland, with GIS as a tool. The landscape on Gotland is situated with many different monuments dated Bronze Age, such as cairns and stone ships. In creating of the maps, two possible shorelines contemporary with the Bronze Age have been calculated and marked on the maps. Furthermore, peat lands have been drawn upon the maps, by using the information from geological maps.A landscape variable have been compared between Bronze Age places and Early Iron Age houses; the soil type. On Bronze Age places gravel is the most common, while moraine marl is the most common on places with Early Iron Age houses.From a selection that were made, all Bronze Age places where within 3 km from the water, either the recreated shoreline or peat land.

Filmen är ett medium som knyter samman filmskapare, filmskådespelare, medier och åskådare med varandra i intrikata relationer. Filmbolag producerar och auteurer skapar filmer, skådespelare medverkar i filmerna, medierna marknadsför såväl filmerna som filmskådespelarna och åskådare ser filmerna. Filmskaparen behöver åskådare för att kunna tjäna pengar eller bli omtalad, och behöver filmskådespelare för att få åskådare till sin film. Filmskådespelaren i sin tur behöver åskådare för att bli berömd men det kräver att det finns en film som åskådarna kan se. Skådespelaren är således beroende av det finns filmskapare.Åskådaren behöver filmskapare för att kunna se film men frågan är vad åskådaren behöver filmskådespelare till? Det är idag fullt möjligt att göra filmer utan skådespelare som fysiska aktörer på filmduken.

 Denna uppsats innehåller min tolkning av filmen Import/Export (2007) av Ulrich Seidl i syfte att skapa ökad förståelse för människan och kulturen i dagens Öst- och Västeuropa och att få fram de föreställningar som präglar kulturmöten mellan öst- och västeuropéer. Undersökningen genomfördes med hjälp av en hermeneutisk metod i kombination med Emile Durkheims funktionalistiska teori, postkoloniala teorier och Geert Hofstedes teori om kulturdimensioner. Undersökning visade att både öst- och västeuropeiska samhällen i filmen präglas av anomi. Värden grupperade kring dikotomierna individualism/kollektivism, maskulinitet/femininitet och osäkerhetsundvikande framställs tydligast i filmen. Livsåskådningsanalys visade att en materialistisk verklighetsuppfattning dominerar i både Öst- och Västeuropa tillsammans med övervägande pessimistisk och negativ grundhållning, vilket i sin tur påverkar både karaktärernas människosyn och deras handlingar.

In this bachelor essay an attempt is done, to recreate a probable Bronze Age landscape on Gotland, with GIS as a tool. The landscape on Gotland is situated with many different monuments dated Bronze Age, such as cairns and stone ships. In creating of the maps, two possible shorelines contemporary with the Bronze Age have been calculated and marked on the maps. Furthermore, peat lands have been drawn upon the maps, by using the information from geological maps.A landscape variable have been compared between Bronze Age places and Early Iron Age houses; the soil type. On Bronze Age places gravel is the most common, while moraine marl is the most common on places with Early Iron Age houses.From a selection that were made, all Bronze Age places where within 3 km from the water, either the recreated shoreline or peat land.

This essay discusses the Nordic region Bohuslän the decade after it became "Swedish" in 1658, during what I call the region's "transition period". The wide cause of the study is to show how the traditional understanding of this state shift (and of state shifts in general) need to be problemized and understood in the light of the state conditions of Early Modern Europe. By examine court protocols from the local-court of Orust and Tjörn (one of five local courts in contemporary Bohuslän) and the local noble's writings to the Swedish parliament, a tricky mixture of references to different territories gets observed and analyzed.To approach the difficult identity problems, I have assistance in Peter Sahlins' conclusions from his study of the French-Spanish borderland during the same period. Especially helpful are his identity schemes by which he (inspired by the Norwegian anthropologist Fredrik Barth) supposes that each identity originates from a counter-identity. This study ends up in an attempt to reconstruct the landscape of identities and counter-identities found in the sources, according to professor Sahlins' schemes.

The purpose of this paper is to examine how contemporary attitudes towards death andsexuality is made visible and connected in the vampire novels Interview with the Vampire andDead Until Dark. The aim is to investigate why the vampire novel has reached today?samount of popularity and if it can be explained by theories of death and sexuality in modernsociety and in popular culture.The most important theories in this examination are Zygmunt Bauman?s theories aboutmodern society, Jean Baudrillard?s thoughts about death in the postmodernity and MichelFoucault?s studies regarding sexuality in the Western societies. The conclusion presented isthat sexuality and death are well connected in the examined novels and in popular culture as awhole and death?s popularity in popular culture could be a result of repressed emotionsregarding death and sorrow, which can be helped by us working on handle death more visiblyand with higher regard..

This thesis examines the relationship between OECD-DAC and Civil Society Organizations (CSOs) within an aid efficiency context. The ability for these two actors to cooperate is highly important and determines the outcome for a major part of the development aid in the new millennium. The development agenda for the new millennium emphasizes aid efficiency as a key to a more successful aid, and this requires increased cooperation between all actors. The analysis made is a discourse analysis. The discourse of aid efficiency is analyzed, both its preconditions and results.The analyze finds out that there is a gap between OECD-DAC and CSOs in terms of how to handle aid efficiency.

Det här är slutreflektionen för ett examensarbetet Recúrrens, skapat av Mikael Berglund och Johan Cederholm från Medieteknik och Joel Arwidson och Charlie Persson från digital ljudproduktion. Recúrrens är en novellfilm vi gjorde från idé till färdig film och vi kommer beskriva hela vår arbetsgången i den här slutreflektionen. I den andra, reflekterande delen, diskuterar vi hur arbetet gick, motgångar, framgångar och slutresutlatet. Bifogat finns även manuset och bildmanuset..

This study is based on six narrative interviews which I conducted with students at the University of Namibia in Windhoek, Namibia. My aim is to find out how these students are creating their identity in the environment of the university, how they look at their family structure and how Namibia´s independence in 1990 has created new opportunities for young people in contemporary Namibia. I have been using postcolonial theory and identity theories to analyse the interviews. Five of the six respondents are from the northern parts of Namibia, Ovamboland, and this area is seen as a rural area. The students have made an emotional journey from the rural areas in the north to the urban area of Windhoek and they feel that they have many new opportunities and they are willing to change Namibia into a more developed country..