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499 Uppsatser om Conception of an artist - Sida 34 av 34

Skyddsrum och kärnvapen : En diskursanalys av 1950- och 1960-talets försvars- och civilförsvarsdebatt i svensk press

Shelters and Nuclear weaponsA discourse analysis of the Swedish defense and civil defense debate during the Cold warSweden during the Cold War set into motion one of the world?slargest civil defense policies at the time, second only to neutral Switzerland. The governments expenditure was far greater per capita than both that of USA and Soviet Union and included massive evacuation plans for Stockholm and other large cities in Sweden, with the hopeful expectation to bring down the amount of people in each of them to 15000 in case of a foreign hostile nuclear attack. The policies included construction of shelters with room for 2,5 million of about 7 million citizens in total at the time along with gasmasks for the whole population. Not only this, Sweden was considered one of the biggest military powers of that time in relation to its size and population.

Uthållig estetik i landskapet - om att synliggöra sitt förhållningssätt till hållbarhet : Sustainable landscape aesthetics - to demonstrate ones attitude towards sustainability

Abstract In my work, I have tried to define and clarify the conception of sustainability seen from my perspective as a landscape architect. With a basis in literature studies, I have analysed and commented on different applications, contents and meanings of sustainability and endurance. This compilation is based on how a number of writers, researchers and authorities consider the importance of integrating ecological, social and economic aspects of sustainability in city planning. My perspective has mainly been founded on the anthologies and compilations from the 80´s and 90´s where Per G. Berg and Björn Malbert acted as editors.

Om fototextpoesi : Läsningar av mötet mellan fotografisk bild och poetisk text

What is the relation of image and word, of sentences and pictures? What kind of message does this combination produce when juxtaposed on a single material plane? And how do we read its ?infinite? relation? These are the questions at the center of this inquiry. My main interest concerns the exact nature of the relation between photographic images and textual elements of poetic language when these are juxtaposed in what I call Phototext poetry.The thesis calls into question the conventional reading habits of the conjunction of photographs and texts, and seeks to understand the more complex connections intrinsic to the relation image/word and its material and perceptual play in poetic works. Does a text always ?anchor? the multiple meanings of an image, as Roland Barthes argues? What if the alterations of an image could ?anchor? certain fractions of a poetic, polysemantic textual construct? Is a photograph indifferent to the visual, material permutations of texts that certain contemporary poetic practices produce?I discuss phototextual works and collaborations of various kinds, from Molin fontän [?Molin?s fountain?] (1866) over classic surrealist poetry to language-oriented writing.

Sedd eller osedd

Studiens syfte var att undersöka det pedagogiska mötet ur ett elevperspektiv. Vilka olika typer av möten upplever en elev och hur påverkas hon/han av dessa? Sju intervjuer genomfördes med elever som gick sista året på Omvårdnadsprogrammet. Undersökningen gjordes genom en öppen riktad intervju. Studien var kvalitativ och fem olika teman kunde urskiljas, det var mötet med kompisar, mötet med lärare, mötet med handledare, mötet med patienter och mötet med självet.

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